Everyman is successful, popular and riding high when Death comes calling. He is forced to abandon the life he has built and embark on a last, frantic search to recruit a friend, anyone, to speak in his defence. But Death is close behind, and time is running out. One of the great primal, spiritual myths, Everyman asks whether it is only in death that we can understand our lives. A cornerstone of English drama since the 15th century, it now explodes onto the stage in a startling production with words by Carol Ann Duffy, Poet Laureate, and movement by Javier De Frutos.
A well-known sextet has been invited to a society gathering, and when one of them turns up missing, their manager asks Dodo to fill in. At the party, she meets four new men. She's smart enough to steer clear of two of them -- corrupt society leader Albert Sasson and powerful newspaper publisher Harrigan Blood. Instead she becomes passionately involved with Judge Massingale. The man who really steals her heart, however, is Garry Lindaberry, who seems to be a hopeless drunk.
Charles Murphy, a jaded detective ready to skip town for Christmas, receives his strangest case yet when a man is tragically drowned by eggnog.
Katelyn discovers she is a character in a film after fighting back against 'The Narrator' that controls her life.
Meet Terkel, a miserable sixth grader constantly picked on by two merciless bullies, Nigel and Saki. So what can you do? Tease the ugly girl in class – Fat Doris! When the abuse from Terkel is too much, she throws herself out a window which makes Terkel more popular. Now dealing with popularity Terkel finds solace in booze, guns and everything American. But then life takes a turn for the weird when he receives strange death threats, unable to confide in his annoying sister or alcoholic Uncle, Terkel turns to his sexually inappropriate hippie teacher with intentionally hilarious results. Watch out as anything goes in this crazy comedy about love, family, psychos, pastries, booze and uncontrollable sixth graders in this outrageous Animated flick!
Considered by many to be the greatest tragedy ever written, King Lear sees two ageing fathers – one a King, one his courtier – reject the children who truly love them. Their blindness unleashes a tornado of pitiless ambition and treachery, as family and state are plunged into a violent power struggle with bitter ends.
It’s 1786 and King George III is the most powerful man in the world. But his behaviour is becoming increasingly erratic as he succumbs to fits of lunacy. With the King’s mind unravelling at a dramatic pace, ambitious politicians and the scheming Prince of Wales threaten to undermine the power of the Crown, and expose the fine line between a King and a man.
Comedic short featuring Shakespeare's notable characters; many performing musical numbers. An assistant director is told to read all Shakespeare’s works in order to mine them for potential film plots. Falling asleep on the job, he dreams of various Shakespearean characters coming to life from the pages of giant books and singing and dancing in celebration of their "goin’ Hollywood." The characters appearing include Romeo, Juliet, Juliet’s Nurse, Puck, Peter Quince, Hamlet, Old Hamlet’s Ghost, Falstaff, Antony, Cleopatra, and Macbeth. Shakespeare appears toward the end of the film to object, but he is quickly convinced by his characters to join a big song and dance routine. Includes passing references to a number of familiar Shakespearean scenes including Hamlet’s "to be or not to be" soliloquy, Romeo and Juliet’s balcony scene, Hamlet with Yorick’s skull, and Enobarbus’ speech on Cleopatra’s barge.
Paula Semmelrogge's little store is under threat. But a blow with a frying pan turns the old, withered and stingy retired lawyer and landlord Riemer into the youthful lover he has always suppressed within himself. Compulsions now fall off him like chains, and he finally gives in to the urge to get into bed with his tenant Paula and abandons the plan to sell the house. Much to the chagrin of real estate agent Suhr, whom he thus deprives of his business.
La Bonne Anna
Play by Peter Ustinov, about a return to the modern world by Beethoven, who knocks on the door of a London music critic. He is fitted with a hearing aid, and l istens in horror to his works. The critic wishes Beethoven to complete his tenth symphony, and one night the piano emits a few notes by itself.
In order to win over a tough dramatist at her next audition, a young actress turns to method acting to such an extreme that she slowly loses herself in the coveted role of a promiscuous bisexual self-destructive wild girl and starts sleeping around, provoking fights and cutting herself. Can she pull herself back from the edge of the abyss before it's too late?
Comedian Jim Norton tackles the twisted state of the 21st century, including how modern technology affects everything from free speech to hooking up.
Video director Jerome Cornuau made his feature-film debut with this showbiz-themed French film. Young Alice (Ambre Boukebza) hitchhikes into the city to seek out her music-executive dad (Bernard Le Coq) but instead becomes friends with a singing star (Ophelie Winter, portraying herself), learns dancing from African trashman Rudy (Ashanti), polishes her singing skills with an assist from vocalist Nathalie (Lea Drucker), and is romanced by producer Jeremy (Patrick Forster-Delmas).
In a music hall has committed a murder, the police will also find the murderer.
To conquer the beautiful vedette Rosita, journalist Tin Tan is subject to her whims. Fired along with his friend Narciso from the newspaper they worked, Tin Tan trying to sell a movie plot. A woman looking to buy it and Tin Tan will visit her in a gloomy mansion where a mess is unleashed.
After suffering a head injury during the London Blitz, theatre actor John Loder comes to believe himself to be the Brighton Strangler, the murderer he was playing onstage.
Ikhariev is a professional gambler who made his fortune by cheating. Having just won eighty thousand roubles, he comes to try his luck again at a new inn. He is accosted by three men, also cheaters, who offer to join forces with him to ruin their new prey: young Glov, heir to a rich landed estate.
Ténor
An Edwardian take on the Shakespeare play starring Laurence Olivier.