Love, Kranj Style

In 2009, a group of military enthusiasts led by the commander France (Gojmir Lešnjak - Gojc) decides to occupy Trieste. The group that stages battles performs it at a completely fictional location. However, this hobby is not to the liking of France's wife Marija (Silva Čušin) and his daughter Mateja (Anja Drnovšek). The daughter as a representative of the young generation has no understanding of her father's enthusiasm for partisans, battles and Tito. France is also confronted by the Slovenian police led by the commander Brane (Dario Varga) as Brane forbids France to stage any more battles ... Will the young generation accept our history and will Trieste be ours?

The stories narrated by the film bring together individuals all over the world, spanning over sixty years and thus symbolically covering the approximate period of a single human life. Each of the stories is based on true accounts and events, summed up from newspaper articles, statements, and media announcements. Through internal monologues the collage makes up a whole which transcends any individual story.

Three stories connected by the motifs of water and death told in neorealist style.

A post-WW2 story about the village largely involved in wine-making business. The peasants who claimed possessions of lands, woods, and churches after communist party seized the power hold a party where a member of so-called reactionary forces (kulaks, clergy and Axis collaborators) tries to break in and stop it.

A melodramatic story of Lucia, who serves as a charwoman on the Podlogar family's rich farm, and makes a fuss among householder's sons, as she becomes pregnant with one of them. A decision on whether one should be forced into marriage with the pregnant charwoman and her child, ends tragically. Will Lucia be able to sustain psychological pressure, contempt and pity of the Podlogar brothers?

When Dane returns from the army, Vera awaits him at the station, ready to live together with him. Yet beneath the veil of enthusiasm lies anxiety for their future. The couple sets off for the mountain village where Vera's parents live, but find life in the harsh alpine conditions too difficult. They decide to move down into the valley, where they meet a discontented couple whose marriage has been marred by an affair. Vera and Dane also encounter difficulties in their relationship, but the tragic example of the other couple helps them realize that their home lies in the place of their birth - beneath the free skies in the mountains.

Peter, whose father was a member of the Home Guard collaboration forces and a political emigrant, returns from Argentina to Slovenia, his father’s homeland. In Slovenia, Peter makes the acquaintance of an architect, but their friendship is fraught with ideological conflicts.

A TV journalist making a documentary in a factory finds out that the workers have been on strike and tries to analyze the strike in his film, but is thwarted by the TV company. His failure at his job is interwoven with his failed marriage.

After being fired, a young car mechanic Đuro gets recommendation to look for another job in a remote village. His new boss is warm, old fashioned and naive - completely opposite from the world he's coming from. The peaceful atmosphere is shaken when Đuro falls for a regular customer's wife.

A story about a couple from the bottom of the social ladder, about smuggling refugees across borders and other 'suspect' things- it is, first and foremost, an attempt to tell a story about the worst in people, wherever they may be coming from.

Two boys, Kekec and Rozle, come to serve a farmer, with a blind daughter Mojca, as shepherds. As the night falls, the two boys start talking about a woman who lives in the mountains and is supposed to steal children. Her name is Pehta. In the morning, Kekec, Rozle and Mojca go to an Alpine cottage and Kekec promises Mojca that he will find her a remedy for her eyes. As the girl is picking flowers, Pehta arrives and takes Mojca into her cottage. She wants to keep Mojca because of her singing.

A film about short-lived Slovenian war of independence.

On the surface a straightforward tale of the search for a buried treasure, the film is a textbook example of German expressionism, with the passions of the protagonists conveyed as much through symbolism as action.

One weird but at the same time very difficult and sad story about the Bosnians, the temporary workers in Slovenia. Their survival and the constant demand for a better place under the sun. It also movie speaks of the great longtime animosity between Bosnians and Slovenians.

Charlie, the protagonist of the Slovenian film “Porno Film”, is so dedicated to his porn viewing that his two friends John and Frank jokes that he must have a PhD in pornography by now. Using Charlie’s extensive knowledge of all things porn, the trio sets out to make the “first real Slovenia porn film”, in Slovenian language and everything — except the women in the film are emigrated Russian hookers, and their Slovenian isn’t very good.

Jean, a young French hooligan, is sent on a forced vacation to his grandfather Evald, who lives in the Slovenian countryside. Despite Evald's warm welcome, Jean remains quite withdrawn, speaks only French with his grandfather, and coldly rejects his lifestyle, which is mainly devoted to tending the orchard and selling apples on the local road. While they struggle to get used to life together, frost is slowly approaching Evald's orchard.

Breza, a country boy from a godforsaken Prekmurje village, wishes to perform at the village festivities playing his electric guitar, but is faced with fierce competition in the form of a traditional Roma band entertaining the villagers by playing popular folk music. Nevertheless, his music seems to be the key to the heart of Silvija, a village beauty and the daughter of a wealthy gastarbeiter from Switzerland, who was sent home to find a healthy Slovene husband. However, the story of Breza and Silvija only marks the beginning of the plot whose main character is actually Düplin, an eccentric outsider, a deaf-and-dumb tramp or, as Breza's mother, the old Popovka, a farm owner and a fortune-teller also referred to as Strina, called him "a lad from a citrus producing country".

A war disabled lieutenant colonel, who did not make it in the society, after many years of loneliness meets happy woman who loved him in the past, and not forgotten him despite the fact that she married meanwhile.

Tasmania, 1954: Slovenian migrant Melita abandons her husband and young daughter, Sonja. Sonja's distraught father perseveres with his new life in a new country, but he is soon crushed into an alcoholic despair, and Sonja herself abandons him at the earliest opportunity. Now, nearly 20 years later, a single and pregnant Sonja returns to Tasmania's highlands and to her father in an attempt to put the pieces of her life back together.

The only true friend he had was an wolf. Or was it a dog?