I Don't Think I Can See an Island

Amélie is haunted by the memories of the last Black Friday as she returns to the scene.

Wallace and Gromit have run out of cheese, and this provides an excellent excuse for the duo to take their holiday to the moon, where, as everyone knows, there is ample cheese. Preserved by the Academy Film Archive.

Wallace rents out Gromit's former bedroom to a penguin, who takes up an interest in the techno pants created by Wallace. However, Gromit later learns that the penguin is a wanted criminal. Preserved by the Academy Film Archive.

Wallace's whirlwind romance with the proprietor of the local wool shop puts his head in a spin, and Gromit is framed for sheep-rustling in a fiendish criminal plot.

In a lawless outpost in 17th Century England, the people have ceased to be God-fearing but learn to fear the Devil instead.

Rudra has come back one morning, has return to his friend Saruar's home. He had disappeared from home leaving no cue, a year ago. Saruar first came to know about Rudra's disappearance in Rudra's mother's call. Then he had gone to Rudra's home and saw how his agitated parents and elder brother were tracing out reasons of his desertion. Rudra do not answer any of these questions of Saruar now. He become immutable and eloquent. He only replies that he is tired and cinema experience Rudra's exhaustion from this world's journey in a non-narrative way. Rudra's consciousness become aware of a bigger crisis. Rudra just express interest to go to sleep for a while.

An accidental encounter with an uninvited guest disrupts Alice's life. As her husband Tom's hidden secret gradually surfaces, Alice finds herself one of the bio-mechanical substitutes of his deceased wife.

Basking in a theatres lights, a realm of dust particles dances in unison. One sprite suddenly gets the chance to be centre stage…

A house is visited by a clean, organized, well-mannered guest.

In Finland, a small child is waiting for his time to begin. His heart is broken. A major heart surgery is expected. There is a fight against time. The boys parents are wandering in the corridors of the hospital. The heart is stopped during the surgery operation. Le Locle, a village in Switzerland acts as the heart of watch industry. Narrow streets of the village carry vital parts to watches and nowdays also into human bodies, for example pacemakers. Village is formed as a big factory line and appears as a time-twisting machine. There pieces are refined and workers hands turns the time on and off.

A grand collision of Mizue’s signature visual music forms and Onohana’s mesmerizing impressionistic illustrations, featuring music by Twoth.

On a laid-back summer day, a young woman spends some time with her casual partner. Irmak Akgur directs "Limerence," a slice-of-life portrait that flows in uninhibited vignettes. Minimally plotted but tonally sharp, Akgur's film captures a couple of free spirits in their element - spending the day preening, dancing in the sun, making love. Built with convincing intimacy and naturalism, it culminates in a moment of carnal revelation.

A fed up housewife at the edge of reality is planning to murder her husband on Christmas Eve, but when three questionable packages arrive under her tree she must confront her intentions through a magical exploration of time and perspective.

A 1984 fan film made as a school project.

1974, b/w, sound, 10 min., aka Express Implication

Follows an assassin after completing a job.

Coming back during Winter, Alex Powell explores both the places and personal connections found in his hometown and how they've changed. “Guide to a Midwest Hometown” explores what makes the barren places at home feel sentimental and special, and the good and bad feelings that come when being back home. Inspired by "How To With John Wilson".

Bugs takes a wrong turn off the Hollywood freeway and tunnels into the headquarters of Napoleon Bonaparte.

Crusoe, played by Yosemite Sam, has been living off coconuts for 20 years when Bugs washes up on his island.

To the sound of a heartbeat and made entirely without the use of a camera, this film projects abstract forms and illuminations on a night-black background and suggests as Tambellini says, “seed black, seed black, sperm black, sperm black.”