During the Irish housing crisis, a documentary crew follows a greedy and corrupt Landlord who claims to have solved the housing problem for college students by creating "Boxtown", accommodation for students made out of cardboard boxes located in the car park beneath their college. But is this the paradise that the Landlord would have them believe?
Altruistic Jane finds herself facing her worst nightmare as her younger sister announces her engagement to the man Jane secretly adores.
Following a childhood tragedy, Dewey Cox follows a long and winding road to music stardom. Dewey perseveres through changing musical styles, an addiction to nearly every drug known and bouts of uncontrollable rage.
Clouds 1969 by the British filmmaker Peter Gidal is a film comprised of ten minutes of looped footage of the sky, shot with a handheld camera using a zoom to achieve close-up images. Aside from the amorphous shapes of the clouds, the only forms to appear in the film are an aeroplane flying overhead and the side of a building, and these only as fleeting glimpses. The formless image of the sky and the repetition of the footage on a loop prevent any clear narrative development within the film. The minimal soundtrack consists of a sustained oscillating sine wave, consistently audible throughout the film without progression or climax. The work is shown as a projection and was not produced in an edition. The subject of the film can be said to be the material qualities of film itself: the grain, the light, the shadow and inconsistencies in the print.
Pla Thong's friend, Tod dies but his unfinished business means he can't move on. Pla Thong helps Tod figure out what that unfinished business is, and they realise how each other feels in the process.
A detailed profile of the life and career of musician Phil Collins.
On the surface, this collection of shorts by up-and-coming African American filmmakers arrived at a perfect time. The cutting-edge products of the New Black Cinema of the early '90s had disappeared, giving way to embarrassingly stereotypical, scatological fare such as Booty Call and Next Friday. This feature-packed compilation (which includes production notes, interviews with all of the filmmakers, and audio commentary by four) attempts to prove that African American cinema is intent on moving past the lowbrow humor, as six of the seven shorts steer clear of any comedy.
Short film about electric railroad lines
East German short film
A team of amateur filmmakers journeys into the backwoods of Georgia in search of the mysterious creature known as Bigfoot.
Follows the exploits of two hapless stoners named Nixon and Hogan as they find themselves on the receiving end of a zombie apocalypse.
A tense card game.
In this soap-powder animation, ten-year-old John theorises on the miracle of space travel and speculates as to what the future might have in store.
Clowns are more than jesters; they hold a mirror up to society. They move between the worlds and like to break rules, albeit with a wink. At the same time, clowns are contradiction experts by nature, because they know on the one hand that life is far too short to be sad, and on the other hand use their art not only to entertain us but to make oppression and violence visible and attackable.
Bob is a busboy, complacent with working his dead-end job. When his boss tells Bob that he is moving up in the company, the older, quiet cook, Lewy, opens up to Bob and shows him that there is more to life than cleaning tables.
Rachelle his spending her vacations in the country. One night, as she is watching a silly reality tv wedding show, she decides to plan the most magical marriage.
Famous Spanish film critic Alfonso Sánchez talks about his personal life, his work and Anouk Aimée. A sentimental tribute to one of the most relevant figures on the Spanish film scene.
One filmmaker's exploration of natural light in California and its influence on people's lives.
Documentary film interviews leading Latinos on race, identity, and achievement.
Thanks, Smokey!