The Dangerous Stranger

An exploration —manipulated and staged— of life in Las Hurdes, in the province of Cáceres, in Extremadura, Spain, as it was in 1932. Insalubrity, misery and lack of opportunities provoke the emigration of young people and the solitude of those who remain in the desolation of one of the poorest and least developed Spanish regions at that time. (Silent short, voiced in 1937 and 1996.)

Oscar works in a public bath, where he murders several people.

New Year's Eve 1999 finds college-bound Clark and Trevor concerned about the future of their friendship, and a request for Clark to be Trevor's wingman ensures things will never be the same again.

Although Eva is a good swimmer, she was unable to save her brother from almost drowning. He is in a coma, and the cold relationship with her mother doesn’t help Eva feeling any less guilty. Then she discovers a mysterious puddle in her bathroom that leads her into the depths of the sea

Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.

Lucas wants a motorcycle. He meets Alvaro, who will give him money for just some innocent pictures. With them Alvaro is able to create a fake online identity to contact young girls.

Newly arrived in town Nat and Gabe accept a dinner invitation from the volatile Hungarian Helene and her boorish husband Sasha. Whilst the other guests, ex-Bananarama member Marty, Angie, who 'makes bullets' and the supposedly suicidal Danny are affable enough, Nat and Gabe are shocked by their hosts' very public rows and Gabe's attempt at peace-making is awkwardly received. Nat is taken aback when virtual stranger Helene confides in her about Sasha's suspected infidelity and Gabe is rudely rebuffed when he tries to have a heart to heart with Sasha. After Helene physically attacks her husband the newcomers are desperate to leave but when Danny drops a bombshell Gabe is torn between responsibility and the easy way out.

In 1978, just after Le fond de l'Air Est Rouge, which mercilessly analyzed the previous ten years of the revolutionary left's momentum until its collapse, Chris Marker made this complementary piece entitled Quand le Siècle a Pris Forme (Guerre et Révolution).

A young boy, Alfred, is dying, but through the stories about Helium, a magical fantasy world, told by the hospital's eccentric janitor, Enzo, Alfred regains the joy and happiness of his life, and finds a safe haven away from daily life.

Nine years ago, high school girl Jeongmin suggested a bizarre plan to her same-sex lover, Yoonseong, that they have a child who looks like both of them. Jeongmin’s wedding, scheduled in a few days, is just the start of that scheme.

When the MV Sewol ferry sank off the coast of South Korea in 2014, over three hundred people lost their lives, most of them schoolchildren. Years later, the victims’ families and survivors are still demanding justice from national authorities.

Divorcee Susan Blakely, with no alimony and two kids to support, begins turning to amphetamines. While at her lowest ebb, she meets an alcoholic and three-time loser in marriage -- who, incredibly, turns out to be the ideal man!

Set to a classic Duke Ellington recording "Daybreak Express", this is a five-minute short of the soon-to-be-demolished Third Avenue elevated subway station in New York City.

After a dreadful incident coupled with an ungovernable paroxysm of violence, a butcher will fall into a downward spiral that will burn to the ground whatever dignity still remained in him.

An Italian laborer is mistakenly accused of kidnapping the child of one of his clients.

After being sent to stay with his grandfather, a Cheyenne teen uncovers a connection to his family and community in a way he never thought possible.

While he's receiving an enigmatic phone call from his girlfriend Francine, Thomas remembers the milestones of their relationship, from the very moment they met in a really strange way. A segment of “Paris, je t'aime” (2006).

Baby Bink couldn't ask for more: he has adoring (if somewhat sickly-sweet) parents, lives in a huge mansion, and he's just about to appear in the social pages of the paper. Unfortunately, not everyone in the world is as nice as Baby Bink's parents—especially the three enterprising kidnappers who pretend to be photographers from the newspaper. Successfully kidnapping Baby Bink, they have a harder time keeping hold of the rascal, who not only keeps one step ahead of them, but seems to be more than a little bit smarter than the three bumbling criminals.

A widowed mother and her son change when a mysterious stranger enters their lives.

A tale about isolation and lack of communication, the gap between the reality a teenage boy lives, and how he would like it be. He has a secret that he would like to tell his family, something that he has come to terms with and is about to affect the rest of his life. But how will they react?