Crossing

Subnivean Snuff re-tells an historical environmental crime story. It explores human desires to manipulate ecosystems and their inhabitants. This short, animated film re-imagines a 1958 nature documentary which famously depicts the false suicide of a group of lemmings.

The Cavalcade of Perversion, a traveling freak show, acts as a front for Divine, who is out for blood after discovering her lover's affair.

A young man roams the streets of Caracas.

Filmed back-to-back with three other Sunset Carson vehicles in 1947, this Yucca Pictures Western starred the former Republic cowboy as a Texas Ranger chasing a gang of rustlers into the notorious outlaw territory of Three Corners. Attempting to sabotage the proposed annexation of the territory, desperado Bart Dawson (Stephen Keyes) and his men ambush Sunset and his young trainee Jed (Al Terry). The villains, who have been terrorizing pretty trading post operator Helen Bennett (Patricia Starling), are eventually defeated by the rangers in a violent gun battle and the planned annexation takes place on schedule. For all intents and purposes, the handsome but wooden Sunset Carson ended his screen career with this series of extremely low-budget Westerns, originally filmed in 16mm and released by that dumping ground of Poverty Row flotsam, Astor Pictures.

A young man reminisces on his relationship with a friend while awaiting a midnight train to New York City.

"In a recurrent dream I keep on following your steps, always at your heels." A handicraft film, a travel journal where the lead character is the one behind the camera pulling the trigger regularly and composing the frame’s area and duration.

A fisherman, a banker and an actress are involved in a love triangle in the middle of the ocean.

Inspired by a newspaper article about the plight of monarch butterflies, using found footage from four different sources, I edited, optically-printed, superimposed, scratched on, bleached and otherwise altered the film to highlight, lament and challenge the monarch butterflies’ dilemma. –Caryn Cline

Yours

« Made for the Musee d'Art Moderne de la Ville de Paris exposition VOILA (Summer 2000), from ‘found’ footage taken from hundreds of unfinished films stored in Anthology's basement. A tour-de-force montage film with the spirit of Vigo and Buñuel hovering over it. Made before Godard's Origins of the 21st Century, Ziz's film provokes interesting comparisons. Both deal with images of the 20th century. But while Godard's film could be described as a poster, Ziz's film is a poem. I don't have to tell you which one I prefer...- » (Jonas Mekas)

According to some specialists, the frieze of deers in the Lascaux cave would be the representation of a horde of deer swimming in a river or, according to another version, one same deer, the movement of the swimming being decomposed.

When Devan’s ex-girlfriend, Skye, knocks on his door with unmerited forgiveness and sexual desire, his naive lust leaves him too late to discover the monster which lies beneath her skin.

Laurie Strode struggles to come to terms with her brother Michael's deadly return to Haddonfield, Illinois. Meanwhile, Michael prepares for another reunion with his sister.

As a woman attempts to outrun her intrusive thoughts, her evening begins to unravel alongside her mind.

A visual essay revealing social inequality as the silent sickness of COVID-19 lockdown America. To highlight the disconnect between the fantasy of Los Angeles and the lived reality for many of its citizens, a computerized voice gives a dispassionate monologue over imagery that explores the truth of a city after the tourists, luxury stores and entertainment are removed from the streets. Through silent vignettes, the film leaves us with images of homelessness, and comments on the shallowness of capitalism and the hypocrisy of multiculturalism.

Evelyn has devoted herself to helping people in hard times, and she struggles to connect with her son Ziggy, an aspiring internet star oblivious to the problems of the world. As Evelyn attempts to become a parent figure to an unassuming teenage boy she meets at her women's shelter, Ziggy fumbles through his pursuit of a politically conscious girl at his high school.

A 16mm amateur film.

"This short, silent film, a gallery of shots put together like a jazz improv, uses many devices to affect the image that comes from the camera. I play with superimpositions, with drawing and scratching on the film, and layering over the camera images with texture and color. The result is a rather rhythmic, physical, playful event intended simply to happen as you watch it. The actual imagery of objects in a museum gallery, seen frequently throughout, was footage shot in the Colby College Museum of art in the 1960s." —Abbott Meader

BACK IN MY BODY is a short documentary about musician Maggie Rogers returning to Alaska, a place that has had a huge impact on her life.

Nature and culture. Jesuits and shamans. Exploitation and slavery. Conquerors and colonized. Captains and beheaded. America. Spain. The strategic war games fought by pathogens. The infected frazadas (blankets) which Spaniards distributed to indigenous communities knowing that they would be their end.