How I Became am Art Collector Without Really Trying

Experimental short film

A young artist is caught in between the world of fantasy and reality. There he finds a girl that he can't understand, explain, or identify.

Ana had the perfect husband, the perfect children, and the perfect friend, but she wanted to turn her life around and turned everything upside down.

Un Chien Andalou is an European avant-garde surrealist film, a collaboration between director Luis Buñuel and Salvador Dali.

Nice Coloured Girls is a short film classic by Tracey Moffatt, one of Australia's foremost visual artists. Three Aboriginal women cruise through Kings Cross and pick up a 'captain' (a drunken white man). They encourage him to spend his money on them and to drink until incapacitated while they steal his wallet and race off to catch a cab, self-satisfied. Nice Coloured Girls contrasts the relationship between Aboriginal women and white men in the past and present.

In an underground orchard in Bethlehem, decades after an otherworldly ecodisaster, two scientists discuss exile, loss and nostalgia.

One night. On the deserted ski slopes, the nocturnal outing of the snow-grooming machines is being prepared. Twenty-five-year-old Antoine meets up with his team. Right in the middle of the world the hypnotic ballet of the machines, which tirelessly shape the landscape, begins. The mountain rumbles suddenly. Immobilized in the night, Antoine begins a journey in the interval where the myths of a mountain, both feared and venerated, are embodied.

A terminally ill young man wants to live the pleasures of love at least once before kicking the bucket.

Set during the Meiji reformation era in a small village in Kyushu, Japan. The story revolves around a young boy named Izana and a blind woman named Takiri, the two encounter the large monster Nebula who since ancient times was feared as the god of lake Amenosagiri. Theme of the film focuses on the Japanese concept of light and darkness, as told by puppetry and model miniaturization of the films’ world with practical special effects by Keizo Murase.

Fanny meets her high school friends at home for the annual Switch & Bitch. A ton of clothes, girls, alcohol and old grudges are at stake during this reunion.

A group of people are standing along the platform of a railway station in La Ciotat, waiting for a train. One is seen coming, at some distance, and eventually stops at the platform. Doors of the railway-cars open and attendants help passengers off and on. Popular legend has it that, when this film was shown, the first-night audience fled the café in terror, fearing being run over by the "approaching" train. This legend has since been identified as promotional embellishment, though there is evidence to suggest that people were astounded at the capabilities of the Lumières' cinématographe.

Now aged 17, Antoine Doinel works in a factory which makes records. At a music concert, he meets a girl his own age, Colette, and falls in love with her. Later, Antoine goes to extraordinary lengths to please his new girlfriend and her parents, but Colette still only regards him as a casual friend. First segment of “Love at Twenty” (1962).

Daniel Johnston stars in this psychedelic short film about an aging musician coming to terms with the dreams of yesteryear.

A teenage boy, troubled and alone wanders the grassy hills looking for something. He settles on a slope and searches for some activity to amuse him. He begins to pick pieces of his body off and taste them. This seems like a good thing to do. So he removes his eye, his face and finally his own guts and eats them all in an orgy of ecstasy and gore.

Bogo, a self-deprecating stand-up comedian, struggles to find happiness in a life where his only value seems to be making other people laugh.

This entry in Universal's series of "Musical Westerns" shorts has Tex Williams, assisted by Deuce Spriggins and Smokey Rogers, bringing his six guns, fists and singing abilities against a gang of stage-robbing bandits. This film was combined with another Tex Williams short, Coyote Canyon, and reissued as the feature-length "Tales of the West No.2.)

Three siblings come to Super Star Lee Hyo-ri.

A man confronts his past during an experiment that attempts to find a solution to the problems of a post-apocalyptic world caused by a world war.

Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.

As daylight breaks between the border cities of El Paso, Texas, and Juarez, Mexico, undocumented migrants and their relatives, divided by a wall, prepare to participate in an activist event. For three minutes, they’ll embrace in no man’s land for the briefest and sweetest of reunions.