Treasures from the Wreck of the Unbelievable

A living room, two video cameras, an armchair, two televisions and a mirror: domestic daily life in which colleagues, family and friends come together to decipher the life, personality and artistic trajectory of one of the most important actresses of Venezuelan Cinema: Hilda Vera

Directed by Marianne Chaud

Marcel Theroux investigates the Russian art scene and the multi-millionaires who are acquiring the works of art.

Podkarpatská rusínska maliarska škola

Kunst aus dem Todeslager

Poème Électronique is an 8-minute piece of electronic music by composer Edgard Varèse, written for the Philips Pavilion at the 1958 Brussels World’s Fair. The Philips corporation commissioned Le Corbusier to design the pavilion, which was intended as a showcase of their engineering progress. The pavilion was shaped like a stomach, with a narrow entrance and exit on either side of a large central space. As the audience entered and exited the pavilion, the electronic composition Concret PH by Iannis Xenakis (who also acted as Le Corbusier's architectural assistant for the pavilion's design) was heard. Poème électronique was synchronized to a film of black and white photographs selected by Le Corbusier which touched on vague themes of human existence.

‘Get Better – A Film About Frank Turner’ was directed by friend Ben Morse, and follows Frank Turner and his band The Sleeping Souls for a year on the road, but the band swiftly came off the road – and Frank came off the rails before recovery.

Stopa vede do Liptákova

A portrait of the painters Edgard Tytgat, Albert Dasnoy, Jean Brusselmans, and Paul Delvaux. Under the eye of the camera, the artists present a large glass panel depicting the four seasons representing a stage in human life (adapted from Wikipedia)

An unconventional portrait of painter Frida Kahlo and photographer Tina Modotti. Simple in style but complex in its analysis, it explores the divergent themes and styles of two contemporary and radical women artists working in the upheaval of the aftermath of the Mexican Revolution.

Follows the plight of real-life dancers as they struggle through auditions for the Broadway revival of A Chorus Line and also investigates the history of the show and the creative minds behind the original and current incarnations.

A year in the life of troubled Australian graffiti artist Justin Hughes.

This documentary on the effect the talent competition "Afghan Star" has on the incredibly diverse inhabitants of Afghanistan affords a glimpse into a country rarely seen. Contestants risk their lives to appear on the television show that is a raging success with the public and also monitored closely by the government.

A documentary about rock scene of Niš, the third largest city in Serbia.

The popular rise of darts is charted in this pin-sharp documentary that follows the trajectory of arrows from local pub to beer-soaked arena. Featuring archive footage, behind-the-scenes access and interviews with current darting personalities such as Michael van Gerwen, Gary Anderson and Raymond van Barneveld, the film traces the sport's evolution from humble beginnings through to the glamorous heyday of the 1980s and on into the lucrative professional era.

Documentary report from a journey through Equatorial Africa.

Larry Wessel invites you to explore the phantasmagorical worlds created by a variety of artists, writers, photographers, musicians and collectors.

A portrait of the day-to-day operations of the National Gallery of London, that reveals the role of the employees and the experiences of the Gallery's visitors. The film portrays the role of the curators and conservators; the education, scientific, and conservation departments; and the audience of all kinds of people who come to experience it.

A documentary about vivid punk and alternative rock scene of Subotica, the northernmost Serbian city, through the periods of communism, tyranny of the 1990s regime, and economic transition at the beginning of XXI century. Seen through the eyes of its witnesses, these musicians and creative artists deliberately refused the imposed way of behavior, hence staying "invisible" to everyday people.

Anything can happen on Russian roads and is precisely shot by the dashboard camera. Super-objective video registration grows into the strong image of Russian national character – with its permanent awaiting for the miracle and habitual approach to real dramas. A forest on fire as a symbol of Russian hell, a military tank at a car wash and car chase in the vicinity of Kremlin shot with a dashboard cam at the same time when Boris Nemtsov, the leader of political opposition, was shot dead near Kremlin. Dashboard cam depicts life in it’s purity as an unbiased observer.