The adventure in Tunisia

After years of absence, a man comes back to a hometown that no longer feels like his, pushing him to question identity, memory, and the meaning of home.

Aldo and Marco are twins. Marco, a parish priest, has always been his mother's pride and joy, whereas Aldo has a history of repeated prison stints. A womanizer and high-rolling gambler constantly in need of cash, he frequently finds himself embroiled in wild, shady schemes—most of which go awry. Wanted by the police, he flees to Tunisia, posing as his brother Marco and disguised as a priest. There, he reconnects with his childhood friend Prosper, dragging him into a life of reckless escapades, chasing after a million-dollar fortune and pretty women alike.

The Real Story of Fake Democracy. Filmed over three years in five countries, FREEDOM FOR THE WOLF is an epic investigation into the new regime of illiberal democracy. From the young students of Hong Kong, to a rapper in post-Arab Spring Tunisia and the viral comedians of Bollywood, we discover how people from every corner of the globe are fighting the same struggle. They are fighting against elected leaders who trample on human rights, minorities, and their political opponents.

During World War II, a squad of five American soldiers become lost in Tunisia and are killed one by one in fights with German units. Finally only one man, Private Russo, is left, in the midst of a mine field, together with a German officer, locked in a stalemate. Russo has water, while the German claims to have a map revealing the mine positions. So Russo agrees to swap water for the map, but the German officer tries to double-cross him. This was Burt Topper's debut film, made on 16mm on weekends together with some friends in Indio, California. It was also Wally Campo's debut film, as well as script supervisor Joyce King's.

The story of the sexual development of a filmmaker through three stages of his life.

Saved from shipwreck, a little girl is taken into the protection of the North-African tribal chief and named "Zohra".

The story of the dysfunctional Tounsia family where Zakia, the matriarch of the family loves her son Selim to the point of enslaving the rest of the family. And the rest of the family just want one thing, and that is for Selim to get married and be out of their lives forever.

The daughter of a local authority is in love with a poor minaret crier and resists a rich man from Tunisia.

January 2011 : the revolution bursts in Tunisia, my father’s country. The Tunisian people scream in a rage and I, here in Paris, can feel their revolt vibrating in my heart.

Lilia is a girl with magnetic, hypnotic and rare beauty that gives her a power of seduction which she uses and abuses with impunity, until the day she falls madly in love with her alter-ego.

The director meets Amir and Ramzi in a café in a small Tunisian town. They don't want to be seen there. They have to find a discreet place to talk. Like many other gay couples in Tunisia, Amir and Ramzi are living a nightmare since the Tunisian Revolution. With them, the director will discover the daily life of the Tunisian homosexual couples, even in the discrete parties organized in hotels of the country.

In a neighbourhood in Bhar Lazrak, Tunis, residents live under the imminent threat of the state, which plans to demolish the area. Built spontaneously during the 2011 revolution by a group of people without state authorisation, the neighbourhood now faces an uncertain fate. One evening, mysterious lights appear in the neighbourhood, breaking the silence of the sleepers.

Giacomo has an idol: James Bond. When he dreams, he dreams of himself, his fabulous adventures, especially in Tunisia, and a beautiful wife, Belle. In reality he is unemployed, overwhelmed by an obsessive mother who continually called to see if he wore his woolen tank top and is treated by a doctor who thinks he is Einstein. Finally Giacomo is followed by bizarre characters, kidnapped and taken to Tunisia to live a wonderful adventure of her dreams, from the dangers of any kind ... and he met Beatrice

"Islam" by Georges Régnier (1949) is a documentary about Islamic art in Algeria, Tunisia, Morocco, and Spain. The documentary received a special mention at the Venice Film Festival in 1949. Georges Régnier, a French documentary filmmaker active in the post-war period, was interested in North African cultures and colonial issues. In this film, he traces the history of Islam and its architectural art across these regions, and describes the expansion of Islam from Arabia to the Maghreb and Andalusia, highlighting mosques, minarets, and palaces such as those in Kairouan, Algiers, and Marrakech, all accompanied by the sounds of the Arabic call to prayer.

A workaholic father becomes sole parent to his two young sons, and finds it hard to relate to them, consumed as he is with his own grief.

Four women meet at Dar Joued on the eve of Independence. With different ages and social conditions, they are condemned to live together under the authority and injustice of their jailer: "El Jaida". They will share memories of the outside world, joy, emotions and distress of their daily lives.

Born to an Algerian father and a Sicilian mother in Tunisia, I have always been wealthy of three cultures. This motherland is where were born my Algerian ancestors when it was called Ifriqya but also my Sicilian grand-parents whose parents were part of the important migration flux of the beginning of the last century. A reservoir of workforce by the thousands reached the shores of this "promised land". A hundred years later, I embark on a quest to rediscover my Sicilian family, exiled for the past sixty years, scattered between Italy and France.

An intimate portrayal of Tunisia’s architectural landscape and its atmospheres, memories and traditions. The film appropriates ethnographic documentaries on architecture and rural life in Tunisia, sourced from France’s national audiovisual archive (INA). Scenes from 1940s newsreels produced by Les Actualités Françaises are combined with new footage from the same sites, including Matmata, Douiret and Tameghza.

Dizzy Gillespie's brilliant trumpet is making up to nightly mysteries in the gleam of the half-moon where two courting flamingos are dancing while a grumpy parrot wants peace and quiet for his night's sleep. This is the fourth and last short film in the Birdland series by Danish animator Jannik Hastrup.

A herd backs into a dusty courtyard. The sheep, on the ground with their four legs bound, are quickly and skillfully shorn. The animals, now without their fleece, leave one by one, leaping over a narrow channel to allow the shepherds to count them. Everything is crystal clear, efficient, encouraging in a sense – and this goes for both the shearing and the film. Except for the final panning shot of the men grinning at the camera and brandishing shears ready to be put to use. –Andrea Meneghelli