Come Here

Living images from the dead past help 'Tara' cope with her present, which is devoid of any contact with the outer world. But for how long can this self deception keep the body and soul together?

Set on a night out, UK rock band Wolf Alice decided to bring the music of their album Blue Weekend to life with this film.

Carter Is struggling in school due to his video game addiction. When he doesn't take his professors advice seriously, a strange turn of events leave him in shock.

The 1975 Super-8 short Aquarium is Zulueta’s first available incursion into the psychodrama—in which the filmmaker dramatises a disturbed state of consciousness—in which appear lyrical passages of the kind that will be made by the fictional experimental filmmaker played by Will More in Zulueta’s 1980 feature Arrebato. (Senses of Cinema)

Russian researchers funded by the Soviet Union during WWII are testing an expirimental gas on subjects deemed enemies of the state. The experimental gas is meant to eliminate the need for sleep, but all goes wrong as the gas has unexpected effects on the subjects.

An animated short film, narrated by two asylum-seeking men detained in Australia's Manus Island Offshore Processing Centre, recounting the dangerous journeys that brought them to the island and their memories of the riot that erupted in 2014.

A documentary special taking a look at the upcoming films making up the DC Universe. Kevin Smith hosts with Geoff Johns, as they take a look at Batman vs Superman: Dawn of Justice, Suicide Squad, the upcoming Wonder Woman and Justice League movies.

Edward, Susan, and their son, Lino, live a nice life in the suburbs having all that their bourgeois life can afford. Then, one day and without warning, stinky, brown, "doughy" stuff starts appearing outside their expensive and luxurious home. Despite their son's pleas to get their hands dirt and clean it up, the parents insist that this is "someone else's job"

A filming exercise becomes a memory of young Nico's crush and fall for his classmate, Iris.

Likely in June 1897, a group of people are standing along the platform of a railway station in La Ciotat, waiting for a train. One is seen coming, at some distance, and eventually stops at the platform. Doors of the railway-cars open and attendants help passengers off and on. Popular legend has it that, when this film was shown, the first-night audience fled the café in terror, fearing being run over by the "approaching" train. This legend has since been identified as promotional embellishment, though there is evidence to suggest that people were astounded at the capabilities of the Lumières' cinématographe.

Now aged 17, Antoine Doinel works in a factory which makes records. At a music concert, he meets a girl his own age, Colette, and falls in love with her. Later, Antoine goes to extraordinary lengths to please his new girlfriend and her parents, but Colette still only regards him as a casual friend. First segment of “Love at Twenty” (1962).

An young urban cowboy copes with the death of his best friend.

A woman is locked in her home with an egg, which she is both attracted to and scared of. She eats the egg, she repents. She kills it. She lets the egg die of hunger. EGG is a poetic short film based on a small yet significant moment of the director’s own life. It portrays a moment of shame, defeat and yet of victory.

A young mother discovers a homeless woman is nesting in her house.

An exploration —manipulated and staged— of life in Las Hurdes, in the province of Cáceres, in Extremadura, Spain, as it was in 1932. Insalubrity, misery and lack of opportunities provoke the emigration of young people and the solitude of those who remain in the desolation of one of the poorest and least developed Spanish regions at that time. (Silent short, voiced in 1937 and 1996.)

Every year, five to ten percent of all deceased Berliners are buried by the authorities because no relatives are found. Most of them are put into the ground by mortician Bernd Simon going alone. But sometimes companions do turn up and say goodbye in their very own way. An observational documentary about an undertaker who actually wanted to become an entertainer, a bizarre city portrait and a mirror of how we deal with death, mourning and commemoration.

Emma and Louise meet at a nightclub. They enjoy each other, have a drink and end their evening in bed. This is when the question of protected sex arises...

Journey of a man's visit to an all-male sex club bathhouse.

Before Martin dies, he asks Jan to carry out three wishes. Will Jan be up to making them happen? Sometimes, one can also be faced with other, unforeseen wishes.