Secrets of the Forbidden City

During the brutal invasion of China in 1937 by Imperial Japanese forces, tens of thousands of civilians and prisoners of war are murdered and women raped in what is known simply as "The Rape of Nanking." This docudrama is a stirring account of a small band of courageous American missionaries who choose to stay in Nanking to try and protect a quarter million vulnerable Chinese civilians who are trapped in a city ruled by a savage, out of control army. Their stories are brought vividly to life through actual real-time letters and diaries as they bear witness to one of the worst wartime atrocities in history.

As a decades-old state-run aeronautics munitions factory in downtown Chengdu, China is being torn down for the construction of the titular luxury apartment complex, director Jia Zhangke interviews various people affiliated with it about their experiences.

Ran Ran is about to leave Beijing. With only ten days left, how will she decide to spend the rest of her time?

During the Cultural Revolution in China in the late 20th century, ethnic Manchu people were persecuted and forced to give up such cultural traditions as the shaman dance (tiao tchin, meaning "spirit-jumping" or "god's dance"). However, on Changbai Mountain in Northeast China, a farmer named Guan Yunde decided to start designing and building traditional Manchu shaman drums. At age 70, he is one of a minority of ethnic Manchu people in China's Jilin province, and one of the few people keeping the Manchu shamanic tradition alive.

The Shoe Shiner's Journey

The Ta'ang or Palaung people, an ethnic minority living in the mountainous area between Myanmar's Kokang region and China's Yunnan province, have historically suffered many forced migrations due to war. When their survival is threatened again in 2015, thousands of them flee across the border. Filmmaker Wang Bing accompanies them and becomes a privileged witness to a human story that is both a modern reportage and a mythical epic.

Draussen bleiben

China Tradition trifft Moderne

How do you reconcile a commitment to non-violence when faced with violence? Why do the poor often seem happier than the rich? Must a society lose its traditions in order to move into the future? These are some of the questions posed to His Holiness the Dalai Lama by filmmaker and explorer Rick Ray. Ray examines some of the fundamental questions of our time by weaving together observations from his own journeys throughout India and the Middle East, and the wisdom of an extraordinary spiritual leader. This is his story, as told and filmed by Rick Ray during a private visit to his monastery in Dharamsala, India over the course of several months. Also included is rare historical footage as well as footage supplied by individuals who at great personal risk, filmed with hidden cameras within Tibet.

Leading Chinese Sixth Generation filmmaker Jia Zhangke returns home to Fenyang in Shanxi province after winning the Golden Lion Award at the Venice Film Festival for Still Life (2006). The experiences of his childhood, the people he grew up with, and the changing landscape of his home town gave Jia the inspiration to make his first films. The documentary forms a poignant inquiry into the past of the director's life and Chinese society at the same time.

Shot over the course of ten years on both film and video, the film consists of a series of carefully composed tableaux of people and environments. Pedestrians shuffle across a bustling Beijing street, steelworkers linger outside a deserted factory, tourists laugh and scamper across a crowded beach, worshippers kneel to pray in a remote village. With a painterly eye for composition, Wang captures China as he sees it, calling to a temporary halt a land in a constant state of change.

Como a China encobriu a pandemia de COVID-19

In the 1990s HIV/AIDS came to Wenlou through a blood purchasing program. To supplement their income many poor villagers sold their blood and 60% of those who sold blood contracted HIV/AIDS from unsanitary equipment. Many have died from the disease. In his documentary film, To Live is Better than to Die, Wiejun Chen tells of the impact AIDS has had in parts of rural China by showing how it has affected the Ma family. It is spring when the film takes up the family’s story.

For six years the film follows 3 young Chinese from different social levels, different regions and different mindsets into their adult lives.

This documentary gives fascinating insights into the aspect of Chinese culture that evolved from the One Child policy. Young adults born during the first years of the policy are interviewed. They discuss the struggles with their parent's generation and their children's generation, the pros and cons they experienced being single children, their losses, their aspirations.

The implantation of African traders in Guangzhou is a recent phenomenon, on which Marie Voignier reports through her interlinking portraits of Jackie, Julie, Shanny who have come to set up their business on site. Amidst the monstrous accumulation of merchandise on the endless markets of the megacity, the film follows these African businesswomen grappling with the globalised Chinese economy.

In 1946, Heidi is entrusted to a Swiss family by her father. He will never come back for her. Today, François Yang questions his mother about her past. What follows is a journey to China, a quest to reconstruct memory. Through contact with her brothers and sister, Heidi measures the extent of the drama experienced by her family that remained in China, persecuted by the Communist Party.

The accumulated history of Tibet and other issues contributing to the current situation in the region as it relates to China.

“Bored in Heaven” follows New Years celebrations in Putian, Fujian, Southeast China. An experiential project based on 20 years of research by Kenneth Dean and Zheng Zhenman, this film illustrates the growing intensity of local traditions, as rural villages and their temples transition into a new century. Villages in this part of China are undergoing radical transformations. As land that was once public and agricultural is rebuilt and changes hands, the intricate temple system has responded. During the Cultural Revolution temples were torn down—now they are being built up into ritual alliances.

A poetic, experimental portrait of four Hong Kong women in London working to digitise records of the handover agreement between the United Kingdom and China. Impressionistic and precise, personal and expansive, Cheung's elegant, eloquent work decodes history and how politics are enacted.