The Age of the Stateless

The story of Alex, who, with the help of his charismatic grandfather, embarks on a journey in search of his real self.

La hoja de la caleta

ADRIFT- People of a Lesser God is the story of an incredible odyssey made by several-times Pulitzer Prize-nominated undercover reporter Dominique C. Mollard. In this gripping story, Mollard sails with 38 African migrants, among them a five-month-old baby, out of West Africa on a quest to reach the golden shores of Europe. All aboard are packed together like sardines in a leaky fishing canoe as they set off under full moon on their harrowing journey. ADRIFT-People of a Lesser God captures the struggle of these desperate migrants as they brave their way across the cold Atlantic, risking their lives in search for a better future. —Ziad H. Hamzeh

The imprint of the past is made present by the return of three migrants to a community in the upper Mixteca region of Oaxaca, where the three stories intersect.

A former war photographer tries to ward off his personal ghosts by taking pictures of trees only. He lives alone among olive trees in southern Italy. One day he decides to cross the sea. Once in Albania, he goes near the location where he had made his last war picture, as if he was retracing his steps. He finds a tree he wants to photograph. He is just about to do so, when he discovers a runaway girl hiding in it with the sole objective of crossing the sea and getting to the other side. The man has no choice. He has to flee with her, follow her and guide her along until a storm separates them.

On a ferry travelling towards Lampedusa, we find a teenager on his first day of work as a gravedigger and a boy on his first mission as a diver. They do not know each other, but when they will set foot on the island, both their lives will change forever: one has to retrieve the bodies of drowned shipwreck victims, the other one has to bury them. A sort of dance between life and death, innocence and its loss.

Released from prison and terminally ill, Parvis Karimpour is determined to be reunited with his daughter, Nasrin, who fled Iran for Europe many years before. Crossing the Mediterranean only to be unceremoniously dumped on the Spanish coast, Karimpour makes for Madrid in search of his erstwhile only child. Along the way he meets failed Italian pianist Fabrizio and spoilt German dreamer Almut – fellow migrants struggling to make their way in a Europe beset by economic turmoil. The search for Nasrin lends Karimpour’s new friends a sense of purpose, and the unlikely threesome take up her trail.

A young man receiving medical treatment in the hospital reminisces about fishing in the small dory his grandfather owned.

Struggling with the move to Australia, a father concedes that he might not be the only one having a hard time with the transition.

Thirst overcomes the hordes of Wildebeest and Zebra moving through Kenya's Masai Mara game reserve on their spectacular annual migration. With the cycle of the seasons comes the dry months, the water of the marsh receded. Now the residents of the marsh face a time of hardship, food will be scarce, until the next rains fall.

Shin-ae moves to her recently late husband’s hometown. Despite her efforts to settle in this unfamiliar and too-normal place, she finds that she can’t fit in. After a sudden tragedy, Shin-ae turns to Christianity to relieve her pain, but when even this is not permitted, she wages a war against God.

Herr Samba

On the one hand, there’s the desert eating away at the land. The endless dry season, the lack of water. On the other there’s the threat of war. The village well has run dry. The livestock is dying. Trusting their instinct, most of the villagers leave and head south. Rahne, the only literate one, decides to head east with his three children and Mouna, his wife. A few sheep, some goats, and Chamelle, a dromedary, are their only riches. A tale of exodus, quest, hope and fatality.

Nabil has to deal with his fear of water caused by a trauma he had, which he tries, day after day, to fight.

Sister Tse is brought to New York by a Snakehead, a human smuggler. Although she is indebted to the crime family responsible for her transport, her survival instincts help her gain favor with the matriarch, and she rises quickly in the ranks. Soon Tse must reconcile her success with her real reason for coming to America—to find the child that was taken from her. In the end, Sister Tse must draw on the strength she found in transforming her victimhood into power.

A man and his dog cross the desert in search of La Frontera, a mighty river that represents the geographical limit with the neighboring territory. Exhausted, they manage to see their goal, but they must cross other obstacles before conquering its waters.

Ramin flees from persecution in Iran and ends up living in the limbo of exile, far from everything he knows, in the tropical port town of Veracruz, Mexico. There his nostalgia and melancholy are confronted with new friendships, while he starts to rediscover his own desires.

Stephen Tan, the youngest and the only photographer in his family, is tasked with creating his grandmother's funeral portrait. Never having taken his grandmother's photograph, he searches for old photographs in his family's ancestral home. There, he finds his Aunt Ellen who is hastily preparing for the wake later the same day. As the clock ticks closer to the funeral, a mishap in the house catches them off guard, opening up sentiments long left in the past.

People who have to leave where they live, let their photo taken for the last time in front of a backdrop. The photographer gives the photographs to everyone and they move away from the backdrop. "The Photograp"h takes a glimpse into the lives of all refugees who are forced to leave their country, from the point of view of the last moment they were together and happy. In doing so, the director who does not use any dialogues and thus does not offer any description, reveals his discourse on a global basis.

During a random check, the commander of the Czech Customs Unit notices that there are immigrants in the back of a van. In the turmoil that followed, a minor is injured while trying to escape into the forest. The officers scatter the woods to look for the boy who managed to escape. Their aim is to find him and cover up the event. When the child's father refuses to cooperate, the incident becomes insurmountable and the officers start to mistreat the refugees. It is a fairly harsh short film about human emotions and views against immigrants.