The story of Alex, who, with the help of his charismatic grandfather, embarks on a journey in search of his real self.
Tahir Agha sells all his assets when his business in Maraş deteriorates. He immigrates to Istanbul with his wife Hatice, sons Selim, Murat, Kemal and daughter Fatoş, where he sets his mind to open a repair shop. But in the metropolis, things don't go as planned.
Soriba Samb is a Senegalese who has just received a much sought after internship to study filmmaking in Paris. Soriba heads to Paris, accompanied by the five-year old son of a friend who he believes to be still living in Paris. On arrival he struggles to find the boy’s father. In addition to coping with his new internship, Soriba has to also spend time tracking down the boy’s father ‘Issa’.
In the midst of the current crisis in Venezuela, Daniel deals with the difficult decision he had to make. Leaving his family, his girlfriend and his life in his country, while confronting the memories and doubts of what he left behind.
On the one hand, there’s the desert eating away at the land. The endless dry season, the lack of water. On the other there’s the threat of war. The village well has run dry. The livestock is dying. Trusting their instinct, most of the villagers leave and head south. Rahne, the only literate one, decides to head east with his three children and Mouna, his wife. A few sheep, some goats, and Chamelle, a dromedary, are their only riches. A tale of exodus, quest, hope and fatality.
An orphaned dinosaur raised by lemurs joins an arduous trek to a sancturary after a meteorite shower destroys his family home.
An impressionistic look at Irish emigrants in London, representing the emigrant's journey, a confusion of anticipation, memories and experience.
A man encounters colorful characters while driving a taxi in Papua New Guinea.
Shin-ae moves to her recently late husband’s hometown. Despite her efforts to settle in this unfamiliar and too-normal place, she finds that she can’t fit in. After a sudden tragedy, Shin-ae turns to Christianity to relieve her pain, but when even this is not permitted, she wages a war against God.
Just married Hong Kong couple Chen & Lily emigrate to England, soon to become parents to a little baby boy and generally struggle through life. Chen works long days in a restaurant, while Lily does the housekeeping, daydreaming of setting up their own business, much to Chen's chagrin. When Chen lets his colleague Fok seduce him down a path of mounting gambling debts, he is recruited as a drug courier for a shadowy Chinese triad. Suddenly he realizes that getting their own enterprise could be their only means of escape.
The promise of a bigger and better life in Canada where his older brother has already settled has long inundated the dreams of Navraj, a young Punjabi man in Chandigarh. But when his long-awaited visa finally gets approved, he realizes the cost of leaving home may be far greater than he ever anticipated. More than leaving behind his friends, he cannot bear to break the news to his beloved grandmother who adoringly depends on him.
A man and his dog cross the desert in search of La Frontera, a mighty river that represents the geographical limit with the neighboring territory. Exhausted, they manage to see their goal, but they must cross other obstacles before conquering its waters.
For years, the immigration officer Dr. Ludwig Sarheimer and the chairman of the Turkish community Cengiz Demirkan in Cologne have been fighting a small war. While the one, as a hodja, upholds the traditions of his homeland and brings Anatolian brides to Germany for Turks who are willing to marry, the other wants to prevent exactly that. Cengiz's daughter Lale Demirkan is at the center of these ongoing disputes. At home, the young woman plays the well-behaved Turkish daughter, but as soon as the German studies student leaves the house, she takes off her headscarf and sense of tradition and has fully arrived in German life. In her free time, she practises martial arts fighting techniques. So far, she has successfully fended off potential grooms.
Sister Tse is brought to New York by a Snakehead, a human smuggler. Although she is indebted to the crime family responsible for her transport, her survival instincts help her gain favor with the matriarch, and she rises quickly in the ranks. Soon Tse must reconcile her success with her real reason for coming to America—to find the child that was taken from her. In the end, Sister Tse must draw on the strength she found in transforming her victimhood into power.
A man and a woman in Lagos want to escape their everyday lives, but extricating themselves is no easy task. Two stories narrated with tenderness and restraint that only fleetingly touch, the dream of migrating to Europe floating above them all the while.
The film tells the story of Imri, who at 19 goes to live in Tel Aviv, but dreams of moving to Japan. Through his relationships and encounters and in diverse cinematic tools, we are introduced to the young person’s life. An exploration of living in the exotic city of Tel Aviv is presented through a hero who are themselves in the midst of exploring his own choice of an exotic place. A unique correlation is formed between the hero’s misconception of Japan and ours of them. The movie was constructed by both improvised and pre-scripted scenes, as required by the nature of each scene. (Source: Filmmaker Website)
A Lebanese migrant in The Netherlands receives a haunting voice message from his former best friend in Beirut.
A little boy walks alone through a toy store, past people who speak a strange and, for him, incomprehensible language. A young mother finds a way to communicate with him without language. But she is not prepared for what he then tells her.
Maysa unfolds over a single afternoon as a young woman and her stoic middle eastern mother navigate the quiet tension of a long-held silence. As memories of migration and girlhood surface in fractured flashbacks, their unspoken history begins to unravel. A tender, restrained portrait of love, resilience, and the things women carry - even when they no longer have to.
This anthology film, whose Chinese title begins with a romantic name for human excrement, premiered internationally at Rotterdam and won Best Screenplay from the Hong Kong Film Critics Society. A variety of Hong Kong people wrestle with nostalgia when facing an uncertain future. Their stories give way to a documentary featuring a young barista turned political candidate.