Dan Ballard, a respected citizen in the western town of Silver Lode, has his wedding interrupted by four men led by Ned McCarty, an old acquaintance who, as a US Marshal, arrests Ballard for the murder of his brother and the theft of $20,000. Ballard seeks to stall McCarty while tracking down evidence that will prove his innocence.
In this radically reimagined American Western set towards the end of the Civil War, Southerner Augusta encounters two renegade, drunken soldiers who are on a mission of pillage and violence. After escaping an attempted assault, Augusta races back to the isolated farmhouse that she shares with her sister Louise and their female slave Mad. When the pair of soldiers track Augusta down intent on exacting revenge, the trio of women are forced to take up arms to fend off their assailants, finding ways to resourcefully defend their home––and themselves––as the escalating attacks become more unpredictable and relentless.
The Navajo Kid goes in search of the villains who murdered his foster-father and stole both ring and watch. The trail leads straight to Canyon City, Texas, and smooth cardsharp Honest John Grogan, who is in possession of both the stolen items. But Grogan has an ironclad alibi for the time of the murder, an alibi confirmed by none other than Sheriff Roy Landon.
This film was produced and released in 1944 by Film Enterprises for the 16mm school-and-institutional market, and was picked up and released in 1948 by Astor for theatrical 35mm showings. Both versions finds the citizens of Rockford upset over a series of murders and robberies. The Sundowners, Andy Clyde (Andy Clyde), Jay Kirby (Jay Kirby) and Russ Wade (Russell Wade), ride into Rockford and innocently takes jobs with Tug Wilson (Jack Ingram) and his tough crew of line riders, who are in cahoots with Yeager (Hal Price) in a big land swindle scheme.
In TV's pioneer days when kids idolized the Lone Ranger, the Texas Kid was a knight errant of the frontier leading the fight for law and order alongside his Mexican companion Pepe. In this rarely-seen TV pilot, the Kid and Pepe intercede on behalf of the murdered rancher's daughter, openly defying the landgrabbers in a cow town so lawless that rustlers operate in broad daylight! Shot at the Corrigan Ranch in 1950, TEXAS KID co-starred Mercury Records recording artist John Laurenz as Pepe and stuntman Hugh Hooker as the Kid. Hooker, a specialist in stunts involving horses and stagecoaches, often doubled Gene Autry and even produced a few movies, including the low-budget gem . That movie's star was Hugh's teenage son Buddy Joe Hooker, whose own subsequent, stellar stunt career inspired HOOPER (1978), Burt Reynolds' hit comedy tribute to movie stuntmen.
Tom Cameron is searching for the outlaws who ambushed a wagon train, murdered his parents and stole the deed to their land. Though he was only a child at the time, he vividly remembers the scar on the ringleader's face -- and Tom will stop at nothing until he brings him to justice … and exacts vengeance.
On vacation at his ranch, western actor Roy quickly finds himself involved with a horse rustling operation and a boy ward of one of the rustlers, leading to the kidnapping of Roy's trick horse Trigger by the gang with a demand for ransom.
Cowboy Jack Horton searches for the killer of his father and brother, both of whom were found with an ace of clubs pinned to their bodies.
Rangers Tex Haines and Dave Wyatt track a killer known as the Whispering Skull. In the wake of the Skull's slaughter, a band of thieves takes advantage of the fear he's brought to town.
Two missionaries witness a murder by hired guns and go on the run. They stumble onto the cabin of two retired contract killers who agree to help the women find safety, but only their guns can secure that promise.
The four sons of Katie Elder reunite in their hometown of Clearwater, Texas for her funeral and discover that the family ranch is now in the hands of Morgan Hastings, a corrupt businessman who wants to exploit the area around the town.
When a Chinese rebel murders Chon's estranged father and escapes to England, Chon and Roy make their way to London with revenge on their minds.
In 1870s America, a peaceful American settler kills his family's murderer which unleashes the fury of a notorious gang leader. His cowardly fellow townspeople then betray him, forcing him to hunt down the outlaws alone.
Lightning Carson's nephew has been falsely accused of murder. To get in with the gang, Lightning poses as a Mexican. He also appears as himself making his costume changes at his sister's ranch. Just as he about to bring in the gang, a henchman finds evidence of his masquerade and arrives to expose the hoax.
The players in an ongoing poker game are being mysteriously killed off, one by one.
Upon receiving reports of missing persons at Fort Spencer, a remote Army outpost on the Western frontier, Capt. John Boyd investigates. After arriving at his new post, Boyd and his regiment aid a wounded frontiersman who recounts a horrifying tale of a wagon train murdered by its supposed guide – a vicious U.S. Army colonel gone rogue. Fearing the worst, the regiment heads out into the wilderness to verify the gruesome claims.
U.S. marshal Ritter arrives in town to round up bandits who are attempting to fix the local elections.
Singing cowboy Monte Hale plays "himself" in the Republic western Last Frontier Uprising. Actually, he's not really himself, but a federal agent, dispatched to Texas to buy horses on behalf of the government. Hale runs up against a vicious gang of horse thieves, including such veteran western hard cases as Roy Barcroft and Philip van Zandt. The romantic interest is in the dainty hands of Adrian Booth, who used to go by the name of Lorna Gray. Put together with the standard Republic efficiency, The Last Frontier Uprising benefits from the breathless direction of Lesley Selander.
One man wants to control all the land in the state to graze all his cattle. His band of outlaws are raiding ranchers and homesteaders, trying to drive them out. Rocky and Fuzzy are brought in to help stop the raiders and keep the land for the small ranchers and homesteaders.
Jerry Johnson inherits a 50,000 acre ranch. Lucky Miller wants to take over the ranch. Roy is trying to get a railroad spur right of way. Lucky has a woman come west to marry Jerry to get control of the ranch. After the wedding, Lucky has the owner killed. Roy’s gun is substituted for the murder weapon, so Roy is put in jail.