Document: A Film About Malojian

On August 26, 2017, VOLBEAT became the first Danish band to headline and sell out their hometown venue, Denmark’s Telia Parken, setting the record for the biggest show by a domestic artist in Denmark ever with over 48,250 people in attendance. To commemorate and immortalize the record-breaking event, the band will release their live album and concert film, Let’s Boogie! Live From Telia Parken,on December 14th. Michael said about the historic show: “Headlining Telia Parken was a dream come true, and we’re humbled and honored that so many members of the Volbeat family came from far and wide to celebrate with us. We’re thrilled to be able to share what was a milestone night for us with everyone.” Special guests on the album include Mille Petrozza, Johan Olsen, Mark “Barney” Greenway, Lars Ulrich, boxer Mikkel Kessler and Danko Jones.

Strawinsky in Hollywood

It all begins with a childhood memory: that day when the father of the future filmmaker Sebastiano d'Ayala Valva forces him to listen to certain music that initially terrifies him; a distant echo from the past that leads him to follow the trail of his mysterious ancestor, the Italian composer Giacinto Scelsi (1905-1988), who claimed that his music was directly inspired by the gods.

The heart of Ireland beats strongly throughout The Destiny Tour, which features an entirely new production with many songs from Destiny. As the country commemorates the events of 100 years ago that led to the nation's independence, Celtic Woman offers a rousing version of "Óró sé do bheatha 'bhaile," an anthem closely connected with the 1916 uprising. The all female ensemble also delivers other timeless traditional Irish songs such as "Bean Pháidín" and "Siúil A Run" highlighting the beauty of Ireland's heritage and its Gaelic language. Alongside newer songs such as "Walk Beside Me" and "The Whole Of The Moon," the show also features reimagined renditions of audience favorites "Amazing Grace" and "You Raise Me Up."

La Grave BB

Sleaford Mods - Invisible Britain shows the most exciting and uncompromising British band in years sticking two fingers up to the zeitgeist and articulating the rage and desperation of those without a voice in austerity Britain. The film follows Sleaford Mods on a tour of the UK in the run up to the 2015 General Election, visiting the neglected, broken down and boarded up parts of the country that many would prefer to ignore. Part band doc, part look at the state of the nation, the documentary features individuals and communities attempting to find hope among the ruins, against a blistering soundtrack by Sleaford Mods.

'The Ambiguity of David Thomas Broughton' is a musical documentary following the creative process of one of the UK’s most enigmatic musicians and performers. As a musical act, David Thomas Broughton is almost unclassifiable. His live shows are a exhilarating mix of musical experimentation and performance art, underlined with a raw unpredictability. His recorded material is dark but beautiful, marrying traditional folk with a surrealist edge. Off-stage, he’s an introvert with a passion for bird watching. Who is the real David Thomas Broughton? Through a series of interviews with friends, family and collaborators, filmmaker Greg Butler attempts to unravel this ambiguity. His journey takes him to David’s home town of Otley, where we track David’s creative process as he records new material to be played at the End of the Road Festival.

Chronicles the musical career of British post-punk art rockers Wire.

A video CD by Japanese visual artist, musician, and game developer Osamu Sato.

As her 80th birthday is approaching, Vera Klement, an oil painter in Chicago, adamantly starts yet another new figure painting: a portrait of an artist under oppression, an homage to Russian composer, Dmitri Shostakovitch.

A musical romantic tragedy about a famous composer who moves back to his small hometown after having had heart troubles. His search for a simple everyday life leads him into teaching the local church choir, which is not easily accepted by the town yet the choir builds a great love for their teacher.

Suffering debilitating grief from the passing of his best friend who introduced him to the world of dance, Derrick must confront a monster that seeks to separate him from everything he loves.

Jake Blues, just released from prison, puts his old band back together to save the Catholic home where he and his brother Elwood were raised.

Astrophysicist Jean Surdej brings a small group of teenage pupils on a trip to the Lofoten islands in northern Norway, for a very special class on the solar system. Using the geography of the archipelago to illustrate the distances between the planets, they journey through space by car and ferry, with the picturesque landscapes standing in for the black emptiness that surround the heavenly bodies. A masterstroke of both pedagogy and filmmaking, Children of Stars is a captivating documentary about humanity's place in the grand scheme of things.

Drop out of school to ride with the Merry Pranksters. Form America’s most enduring jam band. Become a family man and father. Never stop chasing the muse. Bob Weir took his own path to and through superstardom as rhythm guitarist for The Grateful Dead. Mike Fleiss re-imagines the whole wild journey in this magnetic rock doc and concert film, with memorable input from bandmates, contemporaries, followers, family, and, of course, the inimitable Bob Weir himself.

J’m’en va r’viendre

Les États-Unis d'Afrique

Ten years after the release of their controversial documentary Metallica: Some Kind of Monster, filmmakers Joe Berlinger and Bruce Sinofsky catch up with the members of the band at the 2013 Toronto film festival world premiere of their 3D feature film, Metallica Through the Never, using the premiere of the new film as a springboard to reflect upon the legacy of Some Kind of Monster, its influence on the band and their experiences during the decade since its release.

Atmosphere concert and tour footage following the release of the album God Loves Ugly.

The year is 1981, the German New Wave is at the peak. Harry, otherwise Sparkasse trainee, wants to make it big as a manager of the band of his friends, Apollo Schwabing. He has booked the band as the opening act for a concert where the group DAF are the headliners.