As seniors in high school, Troy and Gabriella struggle with the idea of being separated from one another as college approaches. Along with the rest of the Wildcats, they stage a spring musical to address their experiences, hopes and fears about their future.
A self-contained and uniquely seductive world featuring custom built drones with live video feeds, laser set-design, opera singers and an original libretto that combines to drive a narrative of desire, fear and destruction.
Young Vova summons the wizard and asks him to find a friend who looks like him. So a man appears in the apartment, both in appearance and in character, similar to Vova.
The wicked Blue Meanies take over Pepperland, eliminating all color and music. As the only survivor, the Lord Admiral escapes in the yellow submarine and journeys to Liverpool to enlist the help of the Beatles.
Extraordinary soprano Asmik Grigorian tackles the demanding role of Cio-Cio-San, the loyal geisha at the heart of Puccini’s devastating tragedy. Tenor Jonathan Tetelman stars as the callous American naval officer Pinkerton, whose betrayal destroys her. Mezzo-soprano Elizabeth DeShong reprises the role of the steadfast maid Suzuki, and baritone Lucas Meachem is the American consul Sharpless. Acclaimed maestro Xian Zhang takes the podium to conduct Anthony Minghella’s vivid production.
Two singers at the height of their powers—radiant soprano Nadine Sierra and tenor sensation Benjamin Bernheim—come together as the star-crossed lovers in Gounod’s sumptuous Shakespeare adaptation, with Met Music Director Yannick Nézet-Séguin on the podium to conduct one of the repertoire’s most romantic scores. Bartlett Sher’s elegant staging also features baritone Will Liverman and tenor Frederick Ballentine as the archrivals Mercutio and Tybalt, mezzo-soprano Samantha Hankey as the mischievous pageboy Stéphano, and bass-baritone Alfred Walker as Frère Laurent.
In 1979, Brazilian singer Sidney Magal is at the peak of his career. On a TV show, he meets Magali and, enchanted by the young woman, decides to win her over. But, in order to do that, he will have to overcome the resistance of his manager, Jean Pierre, and the distrust of her family, friends and even Magali herself.
American composer Jake Heggie’s compelling masterpiece, the most widely performed new opera of the last 20 years, arrives in cinemas in a haunting new production by Ivo van Hove. Based on Sister Helen Prejean’s memoir about her fight for the soul of a condemned murderer, Dead Man Walking matches the high drama of its subject with Heggie’s beautiful and poignant music and a brilliant libretto by Tony and Emmy Award–winner Terrence McNally. Met Music Director Yannick Nézet-Séguin takes the podium, with mezzo-soprano Joyce DiDonato starring as Sister Helen. The outstanding cast also features bass-baritone Ryan McKinny as the death-row inmate Joseph De Rocher, soprano Latonia Moore as Sister Rose, and legendary mezzo-soprano Susan Graham—who sang Helen Prejean in the opera’s 2000 premiere—as De Rocher’s mother.
Inspired by the magical realism of Gabriel García Márquez, Mexican composer Daniel Catán’s 1996 opera tells the enchanting story of a Brazilian opera diva who returns to her homeland to perform at the legendary opera house of Manaus—and to search for her lost lover, who has vanished into the jungle.
The success of Verdi’s third opera, a stirring drama about the fall of ancient Jerusalem at the hands of Nebuchadnezzar (Nabucco), catapulted the 28-year-old composer to international fame. The music and Verdi himself were subsumed into a surge of patriotic fervor culminating in the foundation of the modern nation of Italy. Specifically, the Chorus of the Hebrew Slaves ('Va, pensiero'), in which the Israelites express their longing for their homeland, came to stand for the country’s aspirations for unity and that exciting era in Italian history, the Risorgimento, or 'Resurgence'.
Director Carrie Cracknell makes her Met debut, reinvigorating the classic story with a staging that moves the action to the modern day, in a contemporary American industrial town.
Music Director Yannick Nézet-Séguin conducts Verdi’s grand tale of ill-fated love, deadly vendettas, and family strife, with stellar soprano Lise Davidsen as the noble Leonora, one of the repertory’s most tormented—and thrilling—heroines. Director Mariusz Treliński delivers the company’s first new Forza in nearly 30 years, setting the scene in a contemporary world and making extensive use of the Met’s turntable to represent the unstoppable advance of destiny that drives the opera’s chain of calamitous events. The distinguished cast also features tenor Brian Jagde as Leonora’s forbidden beloved, Don Alvaro; baritone Igor Golovatenko as her vengeful brother, Don Carlo; bass-baritone Patrick Carfizzi as Fra Melitone; and bass Soloman Howard as both Leonora’s father and Padre Guardiano.
Puccini’s bittersweet love story returns to cinemas, with soprano Angel Blue starring as the French courtesan Magda, opposite tenor Jonathan Tetelman as Ruggero, an idealistic young man who offers her an alternative to her life of excess. Maestro Speranza Scappucci conducts Nicolas Joël’s Art Deco–inspired staging, which transports audiences from the heart of Parisian nightlife to a dreamy vision of the French Riviera. Soprano Emily Pogorelc and tenor Bekhzod Davronov complete the sterling cast as Lisette and Prunier.
A small town teenager in the 1960s believes her dreams of becoming a famous singer will come true when her rock star idol gets stranded in town. But a leak in a nearby chemical plant that is believed to be causing mass mutations threatens to turn her dream into a nightmare.
When Dr Frankenstein decides to retire from the monster-making business, he calls an international roster of monsters to a creepy convention to elect his successor. Everyone is there including Dracula, The Werewolf, The Creature, Dr Jekyll & Mr Hyde and many more. But Frankenstein's title is not all that is at stake. The famous doctor has also discovered the secret of total destruction that must not fall into the wrong hands!
When the American Chicken Bunker, a military themed fast food restaurant, builds its latest chain restaurant on the site of an ancient Native American burial ground, the displaced spirits take revenge on unsuspecting diners and transform them into chicken zombies! Now, it’s up to a dimwitted counter boy, his collegiate lesbian ex-girlfriend and a burqa-wearing fry cook to put an end to the foul feathered menace once and for all.
During the Great Depression, a sheet music salesman seeks to escape his dreary life through popular music and a love affair with an innocent school teacher.
Siblings Geoff and Rich Brewer have competed all their lives for parental affection, career ambitions, and romantic pursuits. Rich, the elder brother, always comes out on top leaving Geoff to struggle in his shadow. Tragedy strikes their family in a freak accident. In a panic, Geoff seeks out a backwoods cult rumored to have supernatural powers. The bumbling cult's ritual initially solves the problem, but it soon becomes apparent that they have unleashed a sinister force on their unsuspecting, Midwestern town.
During a game of catch-the-boy-and-kiss-him, Emmy, a precocious ten-year-old, kisses another little girl, Alice.
"Snakes & Arrows Live" was filmed with 21 High Definition cameras in 16x9 widescreen format, over two nights in October 2007 at the Netherlands' Ahoy Rotterdam arena. Offering fans a rare and close up look at the prodigious musicianship for which the band is renown, cameras follow the band closely, capturing not only their playing but also the intimacy they share on stage. The diverse track list includes many new songs from Snakes & Arrows as well as old favorites like 'Tom Sawyer' and 'Freewill' plus an explosive rendition of 'Between the Wheels.' Among the hidden gems and numerous special tour moments included as extras is the fan coveted "What's That Smell" vignette and outtakes, a skit used to intro the second set, which capitalizes on the still emerging comedic talents of both Alex and Geddy who excel (and revel) in their roles as wild characters.