52 Sundays

Thomas Pesquet : Objectif France

In Barcelona, the Casa Batlló alone sums up the genius of Antoni Gaudí. During the exhibition devoted to it by the Musée d'Orsay, we take a guided tour of this eccentric, colorful residence, completed in 1906.

His teachers, coaches, childhood friends and Barça teammates, together with journalists, writers and prominent figures from the history of football, come together in a restaurant to analyze and pick apart Messi's personality both on and off the field, and to look back at some of the most significant moments in his life. Viewed from Álex de la Iglesia's unique perspective, Messi recreates the player's childhood and teenage years, from his very first steps, with a football always at his feet, through to the decision to leave Rosario for Barcelona, the separation from his family, and the role played in his career by individuals such as Ronaldinho, Rijkaard, Rexach and Guardiola.

Combining real footage, archival footage, fiction and 3D modeling, this unseen documentary traces the history of this spectacular and unfinished work.

Spain, 1968. An analysis of the political and social situation of the country, suffocated by the boot of General Franco's tyrannical regime. (Filmed clandestinely in Madrid and Barcelona during the spring of 1968.)

In their spare time, after their studies or their work, children and adolescents between the ages of eight and sixteen meet at the School of Bullfighting in Madrid to learn the Art of Cúchares: Torear. In their stomachs there is no hunger as in the past, their dreams do not lie in having a farmhouse and being famous. Their only dreams are to be in front of a bull, animal with which death goes, fact of which they are fully aware, as their teachers continually remind them. These, retired bullfighters, some by age, others by force and all with their bodies full of scars produced by the horns of a bull. The nude bullfighting scene is fascinating without being exploitive, and it serves as an analogy for the vulnerability these young bullfighters have when in the ring with the bulls.

Paco and Manolo are two Catalan photographers from the outskirts of Barcelona who have been working together for thirty years as if they were a single person, capturing their images in Kink magazine, a very personal photography fanzine with a homoerotic aesthetic of Mediterranean essence.

In the heart of the Camargue region, in the south of France, Jawad and Belka find freedom in their love of Camargue races. For these young Maghrebi men, the event is more than a simple tradition. Facing off with a bull is an opportunity to establish their place in the arena—and in French society. But at what cost?

A sincere portrait, and in first person, of the multifaceted Andalusian artist José Pérez Ocaña.

[Here] Pollet made a work that is the very definition of what French critics like to call an ovni or ufo (as in ‘unidentified filmic object’). [It] has been described as being ‘like a comet in the sky of French cinema,’ an ‘unknown masterpiece,’ and an ‘unprecedented’ work that refuses interpretation even as it has provoked reams of critical writing. Its rhythmic collage of images – a girl on a gurney, a fisherman, Greek ruins, a Sicilian garden, a Spanish corrida – is accompanied by an abstract commentary written by Sollers, and only the somber lyricism of Antoine Duhamel’s score holds the film’s elements together. At first viewing, you fear that [it] might fly apart into incoherent fragments. Instead, over the course of its 45 minutes it invents its own rules, and you realize you’re watching something like the filmic channeling of an ancient ritual. – Chris Darke, FILM COMMENT

Joan Ximénez el Petitet is a Catalan gypsy who pursues a dream. A former musician now —a percussionist, son of Ramón el Huesos who worked with the mythical singer Peret—, and affected by a rare chronic disease, he wants to accomplish the promise he made to his mother before she died: to celebrate a rumba concert on the stage of the Liceu, a great theater in Barcelona, along with a big symphony orchestra.

Year 2002. In a neighborhood of Barcelona, residents demonstrate against the expropriation of their homes. Since the 80s, this neighborhood in ruins is the main drug market in the city. Juan lives there with his father, eight brothers and about twenty nephews. Surrounded by addicts, Juan output grows hoping his mother from prison. The neighborhood will be demolished, and the family will have to find another home.

An author spends a year and a half filming what happens as a new apartment building is built in a neighborhood of Barcelona.

Gaudi's Sagrada Familia has been continuously under construction since 1882.

Take the Ball, Pass the Ball is the definitive story of the greatest football team ever assembled. For four explosive years, Pep Guardiola's Barça produced the greatest football in history, seducing fans around the world. In this exclusive, first-hand account of events between 2008 and 2012, the players themselves reveal the tension of the bitter Guardiola-Mourinho rivalry, the emotion of Abidal's fight back from cancer to lift the European Cup and how Messi, the best footballer the world's ever seen, was almost rejected by Barça as a 13-year-old.

Documentary following the new board of FC Barcelona as they attempt to turn around the club's business performance.

The life of Paco Martínez Soria (1902-1982), one of the most famous and beloved Spanish actors, both on stage and screen; a comedian, a theatrical producer, an idol for the masses. A celebration of the uncommon gift of making people laugh.

Metamorphosis is a story of an irreversible change seen through the eyes of one of Catalunias many invisible citizens: Laia. From her individual experiences, we will follow the process of Barcelona In Common from the public presentation as Guanyem Barcelona in June 2014, to the victory in the municipal elections of May 2015 that lead Ada Colau to be the first female mayor of Barcelona. This documentary wants to portray the will of this group of citizens to articulate a space of confluence of social movements, neighborhood and political actors, aiming to the conquest of municipal power.

Upon the outbreak of the Spanish Civil War in July 1936, the anarchist union CNT socialized the film industry in Spain, so in Madrid and Barcelona film workers took over the production assets and, between 1936 and 1938, numerous films on a wide variety of topics were released, composing a varied mosaic that gives rise to one of the most unusual and original moments of Spanish cinematography.

This grisly documentary presents horrifying journalistic footage of suicides, assassinations, bombings, mob hits, decapitations, and more in bloody detail. Not for the faint of heart.