Krawall

A portrait of three female skaters in Switzerland.

A Rebel Without a Cause for a new generation, and one of the most defiant children to ever grace the big screen, 14-year-old Hai is a teenage terror, a high school dropout and an all-around badass. He is also entirely irresistible. You cannot take your eyes off this kid, complete with a motorbike and an everpresent cigarette butt drooping from the corner of his mouth. (Dorothy Woodend, DOXA Documentary Film Festival)

This Anti-ELAB (Anti-Extradition Law Amendment Bill) Movement documentary short takes us back to the airport occupation on 12 August 2019. Although this new form of protest soon turned into a crisis, it became an important lesson for the protesters. Compared to the tension inside the airport terminal, the long walk home at sunset on the Lantau highway, which connects the Hong Kong International Airport to the residential areas, felt like a reminiscence of a school field trip.

Alois Diethelm-Signer from Sattel is the last Swiss tree ladder maker. He has been producing tree ladders for orchards since 1966. He used to make up to 300 ladders a year, but today he still makes a good 40. Despite declining demand, he continues to work, supported by his wife, out of a love of the craft.

This documentary on the "youth movement" of the late 1960s focuses on the hippie pot smoking/free love culture in the San Francisco Bay area.

Behind the gas masks of Hong Kong’s democracy movement, the often very young activists are just as diverse as the youths of the rest of the world. But they share a demand for democracy and freedom. They have the will and the courage to fight – and they can see that things are going in the wrong direction in the small island city, which officially has autonomy under China but is now tightening its grip and demanding that ‘troublemakers’ be put away or silenced. Amid the violent protests, we meet a 21-year-old student, a teenage couple and a new father.

Rosa is from Croatia and lives in Switzerland, with her husband who depends on her care. She takes care of everything. Her children have grown up and want to leave home. Rosa stays behind alone.

I followed the everyday lives of Ali, Kais, Ertan and Alban with my camera for over two years. The time was characterized by disappointments, conflicts and also great successes. It all began with a visit to the "Klingelpütz" youth center in the middle of Cologne. Young migrants have been meeting here for many years.

HISTORY brings you an all-encompassing documentary event cantered around the 25th anniversary of the LA Riots, the most destructive riot in American history that left 53 people dead and caused over a billion dollars in damage.

Award-winning director Langjahr returns to his beloved Alps to document a group of people continuing the legacy of their forefathers. Every year on Swiss National day, August 1, the Wildheuer climb up the steep mountain of the «Hinteren Heubrig», fitted out with scythes and wearing wooden shoes with spikes, just as their ancestors did before them. They are part of a generation who have lived with the challenges of nature and survived it. In his film, Langjahr's poetic realism gives an insight into these people's experience of the simple life, the very foundation of human existence.

Six young black men from Akron, Ohio, enter college, determined to redefine society's images and low expectations. Despite their confidence, the stark reality of being away from home brings a series of crises. Well trained in critical and metaphorical thinking, and unusually articulate about their inner lives, each of the protagonists guides us to his core. Since sixth grade, they have been part of an innovative mentoring program called 'Alchemy, Inc.' that uses mythological stories, drumming and writing. In the twice-yearly reunion workshops everyone speaks of his trials and his triumphs with authenticity, intelligence, honesty and heart. In turns quiet, thoughtful and exuberant, the six protagonists grow before our eyes, whether navigating racial provocations, or seeking support with new friends, estranged fathers and wise grandmothers.

Wolves divide and fascinate us. 150 years after they were driven to extinction in Central Europe, they are returning slowly but inexorably. Are they dangerous to humans? Is it possible to coexist? Using Switzerland as a point of departure, where wolves have returned in the very recent past, this documentary sheds light on the wolf situation in Austria, eastern Germany, Poland, Bulgaria, and even Minnesota, where freely roaming packs of wolves are more common sight.

Switzerland still carries out special flights, where passengers, dressed in diapers and helmets, are chained to their seats for 40 hours at worst. They are accompanied by police officers and immigration officials. The passengers are flown to their native countries, where they haven't set foot in in up to twenty years, and where their lives might be in danger. Children, wives and work are left behind in Switzerland. Near Geneva, in Frambois prison, live 25 illegal immigrants waiting for deportation. They are offered an opportunity to say goodbye to their families and return to their native countries on a regular flight, escorted by plain-clothes police officers. If they refuse this offer, the special flight is arranged fast and unexpectedly. The stories behind the locked cells are truly heartbreaking.

Santiago Mitre co-directs his first movement following The Student together with choreographer Onofri Barbato. Although it would have been more accurate to say “his first film-story-adventure-movie-great movie following The Student”, the word movement fits perfectly in Los posibles, the most overwhelmingly kinetic work Argentine cinema has delivered in many, many years. The film deals with the adaptation of a dance show directed by Onofri together with a group of teenagers who came to Casa La Salle, a center of social integration located in González Catán, trying to find some refuge from hardship. Already entitled Los posibles, the piece opened in the La Plata Tacec and was later staged in the AB Hall of the San Martín Cultural Center. Now, it dazzles audiences out of a film screen, with extraordinary muscles and a huge heart: Los posibles is a rhapsody of roughen bodies and torn emotions. Precise and exciting, it’s our own delayed, necessary, and incandescent West Side Story.

A personal essay which analyses and compares images of the political upheavals of the 1960s. From the military coup in Brazil to China's Cultural Revolution, from the student uprisings in Paris to the end of the Prague Spring.

Mio blir som barn skickad till Sverige för att tjäna ihop pengar till sin familj i Thailand. Men det går inte som föräldrarna planerat. Under tre år följer regissör Jonas Embring Mio och hans gäng på Henriksdalsberget utanför Stockholm. De lever i en hård vardag med kriminell identitet och våld. Till sist bestämmer sig Mio för att förändra sitt liv.

A collage of five people from different cultures living in Switzerland. They reflect on life by looking at their origins. The liveliness and diversity of life can be divined.

THE PERFUMED GARDEN is an exploration of the myths and realities of sensuality and sexuality in Arab society, a world of taboos and of erotic literature. Through interviews with men and women of all ages, classes, and sexual orientation, the film lifts a corner of the veil that usually shrouds discussion of this subject in the Arab world. Made by an Algerian-French woman director, the film begins by looking at the record of a more permissive history, and ends with the experiences of contemporary lovers from mixed backgrounds. It examines the personal issues raised by the desire for pleasure, amidst societal pressures for chastity and virginity. The film discusses pre-marital sex, courtship and marriage, familial pressures, private vs. public spaces, social taboos (and the desire to break them), and issues of language.

Walter Mittelholzer - Eine Schweizer Pioniergeschichte

This visceral cinematic snapshot is an inventive commentary on the pleasures and dangers of wielding a camera. Using different video and film formats, the director tries to record life as it is, unpredictable and at times dangerous.