La Roue

A social drama set in the milieu of the arts.

A dramatized account of a great Russian naval mutiny and a resultant public demonstration, showing support, which brought on a police massacre.

This pioneering documentary film depicts the lives of the indigenous Inuit people of Canada's northern Quebec region. Although the production contains some fictional elements, it vividly shows how its resourceful subjects survive in such a harsh climate, revealing how they construct their igloo homes and find food by hunting and fishing. The film also captures the beautiful, if unforgiving, frozen landscape of the Great White North, far removed from conventional civilization.

Two families, abolitionist Northerners the Stonemans and Southern landowners the Camerons, intertwine. When Confederate colonel Ben Cameron is captured in battle, nurse Elsie Stoneman petitions for his pardon. In Reconstruction-era South Carolina, Cameron founds the Ku Klux Klan, battling Elsie's congressman father and his African-American protégé, Silas Lynch.

Sergei M. Eisenstein's docu-drama about the 1917 October Revolution in Russia. Made ten years after the events and edited in Eisenstein's 'Soviet Montage' style, it re-enacts in celebratory terms several key scenes from the revolution.

"GEMINI - THE TWIN STARS" is a story of star-crossed friendship, growing from one young man's flight from danger and another's quest for adventure. This lush and romantic thriller moves from New York to Geneva, and from remote Swiss mountain villages to the jet-set night life of Mykonos.

Lilla Gravert falls into the clutches of a master blackmailer, Eric Helsingor.

The Devil's Toy is a 1916 American silent drama film directed by Harley Knoles and starring Adele Blood, Edwin Stevens and Montagu Love.

A married farmer falls under the spell of a slatternly woman from the city, who tries to convince him to drown his wife.

Four-generation story-saga dealing with the decline of a middle-class Lübeck family. The first adaptation of a Thomas Mann book was also Gerhard Lamprecht’s first major film.

The Super-Sex is a 1922 American silent comedy film directed by Lambert Hillyer and starring Robert Gordon, Charlotte Pierce and Tully Marshall.

As a reporter, Dick Farrington is sent to cover an assignment that promises a big story. A lawyer has advertised for an ex-Marine who is a boxer. He makes good beating up a gang of roughnecks picked for the purpose, and secures the mysterious job that is filled with danger. It is to guard the heiress Lady Chatfield, but the hero is told nothing as to the secret in back of it all. Dick poses as Lord Grantmore, wears a monocle, and otherwise acts like a titled Englishman. They proceed to the mining town of Goldbrook, where the heiress is to occupy a mysterious mansion on the occupancy of which hinges a great fortune. The engineer of the mines is deeply interested in thwarting the plans of Lady Chatfield, and with his gang of roughneck miners makes things lively for the pugilist star in a series of fights that are hair raisers.

When Madge, a clerk in a flower shop, is sent to a bachelor's apartment to deliver and arrange a bouquet, she discovers a guest, young and handsome Bradley Lane, taking a bath. She loses her job and becomes a playgirl until Bradley, her true love, asks her to marry him.

A working-class love story set in and around the London Underground of the 1920s. Two men – gentle Bill and brash Bert – meet and are attracted to the same woman on the same day at the same Underground station. But the lady chooses Bill, and Bert isn't the type to take rejection lightly...

The dramatised story of the Irish civil rights protest march on January 30 1972 which ended in a massacre by British troops.

Miguel, a debutant director, and his young team live a series of tribulations during the shootings of their first film, which unrolls between Lisbon, Venice, Paris and Madrid.

Left with the care of his little grandchild through the death of his daughter, old Mr. Blinn tries in every way to give her the cure and attention which she needs.

A teenage skateboarder becomes suspected of being connected with a security guard who suffered a brutal death in a skate park called "Paranoid Park".

Else Riedel (Lissy Arna), locked out by her authoritarian father, seeks refuge with her boyfriend Hans. Complications threaten when Hans's roommate Max falls in love with her, but the situation is resolved: the three remain friends, and decide to form a music hall act. They want to ascend, but how? A way out beckons when a theatrical agent named Nevin enters Else’s life. He is played by Hubert von Meyerinck as a slick and oily villain, who oozes refinement; his experience behind bars is waved away with a silk scarf. He is cunning to the point of perfidiousness, but is not completely unsympathetic. He also embodies a new type - the scrounger.

In this realistic, unsentimental portrait of Germany’s dire economic situation, a middle-aged payroll clerk loses his job due to technological advances and, unable to find another, descends into despair. The film’s director, Marie Harder, was one of only a few women directors of the time and was also the head of the German Social Democratic Film Office. She made only two known films before her accidental death in exile in Mexico in 1936.