Forgotten Treasure

Documentary on various aspects of Kuwaiti life, the contrasts between a backward society that lives in the desert and a very modern society that lives in the city.

Manon de Boer films the dancer Cynthia Loemij, who improvises to Eugène Ysaÿe’s 3 Sonates for Violin Solo.

During his adventure in Mexico, Sergei Eisenstein made footage of a Mexican "Death Day" celebration for inclusion in his "Que Viva Mexico!" film project. When the 200,000-plus feet of film he eventually exposed in Mexico was first attempted to be made into a feature film, "Thunder Over Mexico", the producers excluded the Death Day material for subsequent compilation as an independent short subject. Silent with music track and explanatory English intertitles.

Documentary about the universe and the craft of popular photographers who work at parties, fairs and pilgrimages in the northeastern interior of Brazil.

Spain, 1932. Spanish filmmaker Luis Buñuel travels to the region of Las Hurdes, in Extremadura, where he shoots his third film, a very critical and later controversial documentary about the living conditions of the poor peasants, abandoned and forgotten by the national authorities.

An audiovisual snow storm in front of a black ground, a white horizontal line that divides the image, grid planes, unfolding and folding dimensions. Set to atonal, techno, and orchestral sounds; an abstract (non-)world beyond comprehension, a visual experience that one must intuitively sense. Lost in space and time – the big bang of consciousness

Argemira

An Eternalism film.

Informed by an underlying sense of anxiety and anguish, Michael Robinson’s Polycephaly in D nestles fragments of narrative within a collage of sound, image, and text that oscillates between the elegant and the discordant.

Erika Blanc self-reflectively narrates her descent into Italian genre cinema while she hyperbolically playacts in the woods.

Pestilent City covers Manhattan from South to North, from Times Square to Harlem, finding along the way ever more poverty, violence, rage and tragic drunkenness.

Although it was actually an impersonal commissioned film, the director's style is clearly recognizable. Once again he manages to make something that is normal very strange: the dancing people in costumes are filmed in such a way that they look bizarre and absurd. Jan de Bont's camerawork shows a series of color images of dancing people, edited to the rhythm of the music. Halfway through the film, a lonely clown can be seen among the dancing crowd, accompanied by sad music. This clown is played by Ditvoorst himself.

Amateur taxidermist, Walter Potter, became an unlikely success by putting his creatures in human positions and scenarios, referred to as anthropomorphic taxidermy. Potter's Museum, filled with his creations and collection of oddities and curiosities dazzled millions for over a hundred years until the collection's unfortunate separation in 2003. While largely about the man and his creations, the film also takes a look at the obsessive nature of collecting, as well as the controversial history of stuffing dead animals.

A symphony of found footage scenes, each shot loosely connected to the one before.

Kurt Vonnegut, Jr., discusses his development as a writer, including references to some of his major novels, his themes and their meaning, his relationship to other writers, problems in sustaining his special vision of American life, and his future. Accompanied by photographs that chronicle the author’s life and selections from home movies taken during his youth.

These film clips tell the story of the human experience of living with HIV/AIDS. People with HIV/AIDS, their husbands and wives, their families, their doctors and health workers talk about how HIV/AIDS has affected their lives. These are the personal video stories from Cameroon and Zimbabwe in which people speak out about their hopes and fears, their struggle against pain and abandonment and their fight for greater awareness and understanding. The film challenges stereotypes and calls for a concerted effort to face up to the epidemic.

An interview with cinematographer Richard H. Kline talking about his filming experience in Brian De Palma's film The Fury.

An interview with composer Pino Donaggio talking about his career in music and his experience with Brian De Palma's film Raising Cain

A film by Krzysztof Zanussi inspired by Leonardo da Vinci’s painting “The Lady with an Ermine”. The director takes us to the Museum Czartoryski in Cracow where he presents his favourite painting and with the aid of video effects, he wryly invites us to compare “The Lady with an Ermine” with the better known “Mona Lisa”.

Short film directed by Peter Baudendistel