Music scores are atomized and recompiled into instructions for visual edits and cues. Ties are uncovered between sight and sound.
Panasonic PV-GS83 in a plastic bag thrown in the ocean.
Single frames vectorized and stitched before processing through an analog EAB.
White Rock Lake Water Theater in Dallas, Texas. Sculpture by Frances Bagley and Tom Orr. Video compiled from 35mm stills.
Oil spills around Oak Cliff, Dallas.
Compiled and animated from still images.
CREE CODE TALKER reveals the role of Canadian Cree code talker Charles 'Checker' Tomkins during the Second World War. Digging deep into the US archives it depicts the true story of Charles' involvement with the US Air Force and the development of the code talkers communication system, which was used to transmit crucial military communications, using the Cree language as a vital secret weapon in combat.
An exploration —manipulated and staged— of life in Las Hurdes, in the province of Cáceres, in Extremadura, Spain, as it was in 1932. Insalubrity, misery and lack of opportunities provoke the emigration of young people and the solitude of those who remain in the desolation of one of the poorest and least developed Spanish regions at that time.
During WW2 a boy tries to save himself and his baby sister from a German soldier.
Documentary short showcasing the genius of jazz greats Coleman Hawkins, Roy Eldridge, Cozy Cole, and Milt Hinton, among others.
Latest installment from the on-going collaboration between filmmaker Paul Clipson & musician Jefre Cantu-Ledesma. Paul's Super8 films, shot entirely in New York City, channel the blissed out states of color drenched psychadellia explored by Brakage as well as lovely black and white still life's that reminisce on Ozu's 'pillow shots' & Chantel Akermans monumental portrait of Pre-Giuliani New York 'Letters Home'. Jefre's music is culled from the same sessions that launched his 2007 release on Students Of Decay 'Shinning Skull Breath', (the two share a track in common). Billowy clouds of distorted guitar expand out into long passages of muffled static and fuzzed out melody.
In this documentary, survivors recall the catastrophic 2018 Camp Fire, which razed the town of Paradise and became California’s deadliest wildfire.
In a convenience store, the door of the storage room is a two-way mirror, reflecting a romantic story of love at first sight.
Legacy takes the audience on a rapid-fire journey through the evolution of the world, starting with a cosmic bang, evolving through billions of years of plants, animals and the creation of natural resources, ending with man and his bounty – “sitting on his world contemplating his coconut”. Preserved by the Academy Film Archive in 2012.
Set to a classic Duke Ellington recording "Daybreak Express", this is a five-minute short of the soon-to-be-demolished Third Avenue elevated subway station in New York City.
When the Iron Curtain cuts his tiny German village in half, Peter the bull gets separated from his 36 cows. Based on a true story narrated by Christoph Waltz.
Stuart Iredale was born with Fragile X during the 1950s; a time when the disability was little know. At 60 years old Stuart was correctly diagnosed.
Redheads. Fire crotches… This film collects samples of their testimonials and their body hair and skin. About being different genetically, about gay gingers, doubly in a minority, from Ireland to Israel to Brazil. A film made especially for ginger lovers.
A film about peace, love and war. Dedicated to the 100th anniversary of the end of the Civil War in Russia. The film takes place at the end of the summer of 1917, when Russia and the whole world were at a crossroads between two eras. None of the people could even imagine how much his life would change in the very near future. In a strange way, the atmosphere of the film echoes our current reality and what is happening in Russia today. According to the form of visualization, the film belongs to experimental mockumentary cinema. To give greater authenticity to what is happening on the screen, the shooting was carried out on black-and-white negatives of 16 and 35 mm, hand-operated cameras were used and the material was developed in manual spiral tanks. The documentary chronicle of the Kolchak army of 1919 and the White army in the Far East of 1922 is embedded in the finale of the film.
The nuns of the Anglican Benedictine Community at St. Mary's Abbey, West Malling, reflect on their calling and the joys and challenges of their way of life. In this short documentary, directed by Jamie Hughes, the nuns' voices are complemented by images from the life of the Abbey.