The weekend before their high school graduation, longtime best friends Hally and Joe visit their old hometown haunts to reminisce about the past. Each location represents a stage of grief as the two friends leave their adolescence behind them and prepare for the next chapter of their lives.
The lives of a group of young Chicago men, as seen through the eyes of one of them, a writer.
A couple of English tourists arrive at the island of Almanzora, off the Spanish Mediterranean coast, where they discover that there are no adults in a small fishing village, only some children who stare at them and smile mysteriously.
Anne Shirley, an orphan, is fostered by farmer Matthew Cuthbert and his sister Marilla, who were expecting a boy to be sent them to help with their farm work. They accept Anne, who quickly endears herself to them and to the local villagers.
Mladen (44) Belgrade born, is a timeshare salesman at Montenegrin Holiday resort. He is having an affair with his colleague, Sonja (40), who is married to Metod (50) the chief sales manager who learns about his wife's infidelity. He assigns Mladen the toughest client - Omer, a Bosnian war veteran, who doesn't try to hide his aversion to Mladen. Everything becomes hopeless when Omer's three year old son Svendy falls over the edge of the hotel terrace and ends up in a hospital. Grim mood that prevails among the potential buyers is about to ruin the sales. Sonja and Metod blackmail Mladen to continue the sales at the hospital while Omer and his wife are waiting for their son's operation.
A group of high school friends reunite in their hometown for the funeral of an old buddy, 'Bender'; they will spend a weekend struggling to accept that Bender escaped what they can't - adulthood.
Daphne is a young woman negotiating the tricky business of modern life. Caught in the daily rush of her restaurant job and a nightlife kaleidoscope of new faces, she is witty, funny, the life of the party. Too busy to realise that deep down she is not happy. When she saves the life of a shopkeeper stabbed in a failed robbery, the impenetrable armour she wears to protect herself begins to crack, and Daphne is forced to confront the inevitability of a much-needed change in her life.
In the south of France, in a vast plain region called the Camargue, lives White Mane, a magnificent stallion and the leader of a herd of wild horses too proud to let themselves be broken by humans. Only Folco, a young fisherman, manages to tame him. A strong friendship grows between the boy and the horse, as the two go looking for the freedom that the world of men won’t allow them.
'Alan Smithee' is a film about a boy growing up. It delves into the darker side of what 'growing up' sometimes means: growing into your flaws, inevitably being met with the errors of your parents, and the necessity to make room for the pain. While Alan is surrounded by what is thought to be the American ideal, all the material comforts that should equate happiness, he learns that sometimes all we are is lost in the woods.
J.P. Tannen (Jon Voight) wants a second chance to be a father to his children ... but someone else has taken his place. Determined not to just be a friendly 'uncle' in their lives, he gets permission from his ex-wife Kathleen (Millie Perkins) and her new husband (Richard Crenna) to take the kids on a Mediterranean cruise. On the journey he comes to realise it's not that easy and, feeling overwhelmed, begins to doubt his abilities until a tragedy back home forces him to become the father he always hoped to be.
Dog and Mirales have been friends since childhood, and live in a small village in the south of France. They spend most of the day hanging around in the streets. To kill time, Mirales has got into the habit of teasing Dog, to the extent that he has become a sort of whipping boy. But one summer, Dog meets Elsa, and they fall in love. Eaten away with jealousy, Mirales will have to get over his past to be able to grow and find his place…
Meena, a 12-year-old living in a mining village in the English Midlands in 1972, is the daughter of Indian parents who've come to England to give her a better life. This idyllic existence is upset by the arrival in the village of Anita Rutter and her dysfunctional family.
Jim Morris never made it out of the minor leagues before a shoulder injury ended his pitching career twelve years ago. Now a married-with-children high-school chemistry teacher and baseball coach in Texas, Jim's team makes a deal with him: if they win the district championship, Jim will try out with a major-league organization. The bet proves incentive enough for the team, and they go from worst to first, making it to state for the first time in the history of the school. Jim, forced to live up to his end of the deal, is nearly laughed off the try-out field--until he gets onto the mound, where he confounds the scouts (and himself) by clocking successive 98 mph fastballs, good enough for a minor-league contract with the Tampa Bay Devil Rays. Jim's still got a lot of pitches to throw before he makes it to The Show, but with his big-league dreams revived, there's no telling where he could go.
Blue-collar Paulie prepares for fatherhood and his forthcoming wedding to Sue by hanging out with his groomsmen. Brother Jimbo, cousin Mike, and his pals fill the reunion with drinking, boys-will-be-boys antics and a few unexpected personal confessions. But, when the bonding devolves into accusations and regret, Paulie has to decide whether he's ready to tie the knot and take this big step into adulthood.
Instead of enjoying her vacations in a peaceful peninsula of Turkey, Anna feels stuck in a strange torpor, while her boyfriend, Thomas, doesn't seem to notice it at all. Later in the afternoon, when a little girl suddenly disappears on the beach, Anna awakens and decides to go and find her, despite the unknown and the nightfall.
Delphyne (meaning ‘womb’) discusses the stigma around menstruation. Addressing shame and acceptance, taboos around menstrual blood are told through a fabric-themed metaphor, and the conflict between a mother-daughter relationship; to find a shared unity and language to beat the conflict which projects itself in the shame metaphor that they’ve unwound and removed from their life. The historical connotations of staining, feminine purity and the divide between private and public space as well as ownership of the body come into play. The coming of age theme is reflected in reference to her struggle with the self (alter-ego), struggle with the ‘other’ (male influence) and struggle with the home (her Mother).
Mila and María are two teenagers who get to know each other through video correspondences they send to each other. One day, they arrange to meet in person.
Following a tumultuous breakup, a young college student tries to win back her ex-girlfriend by performing in a confessional-style poetry slam.
Faced with unemployment, a young paperboy must choose between his trade and his friends.
Three friends in their mid-20s struggle to navigate their professional and personal lives, colliding head on with the messy, hilarious and dreadful growing pangs of adulthood.