Jimmy on the Run

Likely in June 1897, a group of people are standing along the platform of a railway station in La Ciotat, waiting for a train. One is seen coming, at some distance, and eventually stops at the platform. Doors of the railway-cars open and attendants help passengers off and on. Popular legend has it that, when this film was shown, the first-night audience fled the café in terror, fearing being run over by the "approaching" train. This legend has since been identified as promotional embellishment, though there is evidence to suggest that people were astounded at the capabilities of the Lumières' cinématographe.

Now aged 17, Antoine Doinel works in a factory which makes records. At a music concert, he meets a girl his own age, Colette, and falls in love with her. Later, Antoine goes to extraordinary lengths to please his new girlfriend and her parents, but Colette still only regards him as a casual friend. First segment of “Love at Twenty” (1962).

Filmmaker Alain Resnais documents the atrocities behind the walls of Hitler's concentration camps.

Overwhelmed by her suffocating schedule, touring European princess Ann takes off for a night while in Rome. When a sedative she took from her doctor kicks in, however, she falls asleep on a park bench and is found by an American reporter, Joe Bradley, who takes her back to his apartment for safety. At work the next morning, Joe finds out Ann's regal identity and bets his editor he can get exclusive interview with her, but romance soon gets in the way.

Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.

The Last Supper, part 6 of Alexandre Promio's Passion Play.

An aesthetician does her brother's makeup for his final showcase.

Nulepsy: the pathological need to be nude. An elderly man recounts his life story characterised by the rare, exceptional and inconvenient disease he suffers from.

With his grainy women's portraits, Gerard Fieret (1924-2009) managed to antagonize the entire late sixties establishment. In his mouse-infested studio he photographed his semi-or wholly undressed models as well as himself. His photographic work is increasingly recognised by collectors and museums. This documentary film by Frank van den Engel was shot during the final two years of his life. The camera shows Fieret alternately lucid and confused, stubborn and cooperative, accusing all and bemoaning his physical decline. (Summary from WorldCat)

Rolling Stones – Hearts for Prague

Ana, a poor woman, agrees to be locked in an anechoic chamber, the most silent place in the world.

Images, voices, and interrupted silences that evoke the intangible losses caused by COVID-19.

The story of photographer Elizabeth 'Lee' Miller, a fashion model who became an acclaimed war correspondent for Vogue magazine during World War II.

An unusual pair on the run are forced to find solace through each other when home is not an option.

Young-Jae left home when he was eighteen and didn't have any contact with his family for years. One day, his sister calls him to come back and help her with his uncle's funeral. At the funeral, Young-jae meets his niece and gets to spend the time together.

As teens ransack a suburban home for food and clothing, one recounts how he got there and how desperation has changed him.

An innocent mix-up leads to disaster when two girlfriends encounter an extraterrestrial substance at a winter music festival.

Řečtí umělci

Krvavý Bagrám

A foreign girl arrives to her new apartment. Her three roommates welcome her rather distantly, for no reason at all, and she can smell that there is something going on...Literally. Everyday when she walks out of her room, she notices a strong smell of insecticide that nobody is willing to explain.