Fortune

Image analysis in slow motion. Distortion and reversed reality perspective.

In a futuristic city sharply divided between the rich and the poor, the son of the city's mastermind meets a prophet who predicts the coming of a savior to mediate their differences.

Britain's first drama (i.e. non documentary) film.

Based on the novel Marthandavarma, the film recounts the adventures of the crown Prince, Marthandavarma on how he eliminates his arch-rivals one by one, to ascend to the throne of the Kingdom of Travancore.

Gevaërt and his daughter Marie show the latter's fiancé, Sergeant Tressignies, the system that opens or closes the swing bridge connecting the banks of the Yser. The Germans having taken this key position, the sergeant receives the order to reoccupy the house of the smuggler.

“A portrait of Carla Liss, evoking the atmosphere of the old horror films we both loved.”

A man faces a life-changing decision to make; one of the two choices that could make a huge impact to his life.

It’s New Year’s Eve and while the Brussels’ city streets are teeming with drunken revelers, the paths of two solitary souls will cross. Max, a poor sod, is drowning his existential confusion in alcohol. Julie, a young woman, finds it impossible to reconcile herself with the bitter realities of her life. But on this festive night, they’ll try to put aside their personal mess and painful pasts. Unfortunately, that past remains hot on their heels. Max’s urgent money needs drove him to commit a robbery with a trio of idiots. Juliette missed a meeting with a bottle of sleeping pills and feels the urge to try again if she can’t find anything worth living. The clock is ticking away to midnight. Whatever happens, there will be fireworks!

A woman goes hunting night after night, looking for someone, anyone, to satisfy her hunger in an alienating urban landscape.

In 1921, we follow two women - Marie and Grete - from the same poor Viennese neighborhood, as they try to better the lives of themselves and their families during the period of Austrian postwar hyperinflation.

Adrift in the vast expanse of the ocean, a solitary boat carries three castaways—a man and two women. Stranded and devoid of any glimmer of rescue, they find solace in recounting the tales of their lives to one another. As they delve into their personal narratives, reminiscing about the circumstances that led them to this desolate predicament, they navigate through the depths of three distinct destinies. Bound by the confines of their shared space, every aspect of their existence becomes a boundary, underscoring their plight.

Three teenagers from the industrial part of Los Angeles try to form a punk rock band in Hollywood, in this feature length film by renowned artist Raymond Pettibon.

A family prepares to meet friends.

The picture tells the story of Maria, a devoted wife of a bank employee. The couple has a cozy life; they have a baby but he is cared for by their maid so Maria can spend her time doing terrific things like going shopping. During one of these consumer afternoons, Maria meets by chance an old friend, Lidia, who will introduce her to exclusive idle class social circles. Soon Maria's beauty attracts the interest of Lebedev, a rich old libertine. From that point on Maria suffers continual sexual harassment (worthy of inclusion in any silent film encyclopedia article on beleaguered heroines) which she resists for a time. In the end, however, she falls into his bourgeois claws.

In English known informally as "The Half of a Boy" and "Stepmother". Based on the novel by Kálmán Mikszáth. After his wife's death Gáthy Lörinc (in Serbian version: Mr. Wickfield) remarries and in secret he takes his son born from this second marriage to the same foster parents who take care his first son born from his first marriage and left without mother. Five years later, when both boys return home, his wife does not know which is her own child, and which is the child of the previous wife, so the husband's desire is fulfilled, his orphaned son doesn't have step-mother, because his wife loves both boys equally, as her sweet children.

A tramp cares for a boy after he's abandoned as a newborn by his mother. Later the mother has a change of heart and aches to be reunited with her son.

God and Satan war over earth; to settle things, they wager on the soul of Faust, a learned and prayerful alchemist.

Dennis O'Hara is a poverty-stricken Irishman who believes that if he comes to America he will immediately land a job as a policeman. So he manages to scrape together the funds to get him to Manhattan, and leaves his sweetheart Katie O'Grady behind while he makes his fortune. Naturally he discovers that joining the force isn't as easy as he expected, and when he does finally get in, he winds up in trouble because of the graft collections of his boss.

Who Pays? was a series of twelve three-reel dramas, released between March and July 1915. Henry King and Ruth Roland starred in each episode, playing different roles each time, with a variety of supporting players who varied from one episode to another. Each episode told a complete and individual story, but they were all inter-related by a uniform theme. Although there were no cliff-hanger endings, each episode did, in fact, end with a challenge to the audience: Who was responsible for the misfortune of the principal characters? The titles of the twelve episodes were: #1: The Price of Fame; #2: The Pursuit of Pleasure; #3: When Justice Sleeps; #4: The Love Liar; #5: Unto Herself Alone; #6: Houses of Glass; #7: Blue Blood and Yellow; #8: Today and Tomorrow; #9: For the Commonwealth; #10: Pomp of Earth; #11: The Fruit of Folly; #12: Toil and Tyranny.

The daughter of a wealthy man secretly marries a man below her station— one whom her father violently disapproves of. The father, in an excess of parental concern, separates the lovers by sending his daughter away so that she might forget her lover, unaware of their married state. During this time, she gives birth to a daughter. After some months, the young mother returns to her family manor and presents her father with his new granddaughter, which causes a most unfortunate scene. Unbeknownst to the young woman, her enraged father falsely accuses his son-in-law of theft and has him incarcerated in order to separate the lovers in an irrational attempt to force his daughter to forget this "unworthy" young man.