In the new film "Undercity: Las Vegas," urban historian Steve Duncan and director Andrew Wonder head below Sin City to see what lurks beneath the surface of one of America's most bustling cities.
There are places in the world that are forgotten by everyone, places where time seems to have stopped, where nature seems to have won the battle. These places are the playgrounds of modern-day adventurers called urbexers. They explore, discover, and photograph the most emblematic abandoned sites in France with a single leitmotif: to prevent them from falling into oblivion forever.
An experimental documentary about dead turtles, crab swarms, decaying tennis courts, and microscopic histories. The filmmakers shot their explorations into the abandoned golf courses, factories, and resorts of Sarasota, Florida and spoke to local youths who are using them for new and strange purposes. What would the Surrealists and Situationists think of a suburban, subtropical tourist town? What goes on in a storage unit in the dead of night? What is the afterlife of a decommissioned train car? What ghosts haunt a ruined hotel? What is the life cycle of a city? When will waters wash it all away?
Dan Bell and Jake Williams explore various abandoned and lonely places in south Florida.
A collection of urban explorations videos made by filmmaker Will Krupinsky between 2015-2017.
Anxious to explore the mysterious hidden world under metropolitan Berlin, an international group of four urban explorers hires a local guide, Kris, who leads them into the maze of escape tunnels and subterranean fortifications under the city. When their guide has a bad fall, two of the girls in the group frantically set off to seek help while Denis, the young American, stays behind. Armin, a former East German border guard suddenly appears from nowhere. Out of sheer desperation, Denis allows Armin to lead them and their unconscious guide to safety and it is at this moment that Denis realizes he has just made the biggest mistake of his life!
A group of young amateurs participants in chats begin a risky game, attracted by the mysterious personality of a surfer. In one of these adventures, one of them dies. Then begins a nightmare of suspicion between them.
A group of friends explore an abandoned factory out of curiosity, only to find out they are not alone.
Three college students enter a mysterious building and encounter forces beyond their comprehension.
This film is a ternary tale, a rumour. The protagonists try by all means to communicate, but they don't know what to say to each other. They may be deaf, but they're certainly not dumb. They wander around hoping that the environment around them will listen and respond. So, like bewildered surveyors, our two characters wander through urban and natural spaces, changing distances as they see fit. Moving from refuge to building, they see how fragile our environments are. In the beginning, they stand beside a waterfall. At the end, they face concrete and glass.
58 seconds is the story of a lost swimming race. The tense moments of preparation and anticipation of the spectators are brought to life, and during the race we get a glimpse of the swimmer's hard training. After the defeat, the swimmer's emotions are unveiled, and the closing moments flash images of a new beginning.
Dramatically portraying the Peasants' Revolt of 1381, the film reveals the conditions of virtual slavery which persisted throughout the Middle Ages, and the weaknesses of the feudal system; its oppressive tax structure, its cruelty and its social inequality
Kapwa, a Filipino term that means "togetherness" or "neighbor", is a recognition of a shared identity; an inner self that is shared with others. WHO WE BECOME is a story of kapwa and follows three Filipino women each coming into their political consciousness and discovering themselves during a pivotal moment in their lives.
David S. Goyer, Stan Lee, and Wizard magazine's Gareb Shamus discuss the shift from brightly colored superheroes of the 1970s to the darker antiheroes of the '80s and '90s.
The story of how Tetris was broken, fought for, and finally beat.
Based on Dr. Ahron Bregman's book, this documentary examines the life and mysterious death of Ashraf Marwan, an Egyptian billionaire and double agent.
This documentary tracks the history and importance of the golf caddie.
Dillon, a 23 year old virgin, sets out on a comedic journey to discover what virginity means in our society.
Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.
Concerning Violence is based on newly discovered, powerful archival material documenting the most daring moments in the struggle for liberation in the Third World, accompanied by classic text from The Wretched of the Earth by Frantz Fanon.