Making a Killing

When a drifter befriends a quirky mortician, an unlikely business partnership is formed. Paranoia soon develops, however, and both men are forced to come to terms with the fragility of friendship and loyalty.

A reticent piano player Percival, along with Rooster, his flamboyant lead performer and manager, struggle to keep their speakeasy, in the Prohibition-era South, out of the hands of gangsters who want to take it over.

A doctor and a mortician have teamed up to do re-animation experiments on corpses using gangster money loaned for "remodeling." When they can't pay it back, the Mafia guy sends his nephews to work at the funeral home to keep a watch on the debtors, but the nephews end up helping in the search for new bodies, and mayhem ensues when some undesirable types are re-animated.

On the gritty streets of LA, the destinies of four people desperate for connection and redemption are about to collide.

Mortician Lisa Taubenbaum is presented with the body of a woman named Dorothea Blum, who is said to have committed suicide. When an odd stranger insists on seeing the body and is murdered shortly afterwards, she takes a closer look at the case

For millennia, women have cared for the deceased: as death-bed vigils, as undertakers, as guardians of funeral rituals. Then everything changed. Since we no longer die at home, men took over. But today a growing number of women are making a comeback. For the good of the deceased?

Documentary look at doomed male prostitutes in Prague, ages 15 to 18, who troll at the public swimming pool, the train station, a video arcade, and a disco. After the boys talk about how they got in the game, the camera follows them to the home of Pavel Rousek. Under the name Hans Miller, he makes gay porno videos, primarily for German distribution. Intercut with a movie shoot chez Rousek is an interview that follows him to his day job at a morgue, where he performs an autopsy as he talks about his work. The sex is without protection; the boys are without family. They talk about their bodies and souls, money, their sexual orientation, AIDS, their dreams, and death.

We All Go Up

After decades of working only around bodies, Eunice the mortician can't connect with people and she can't get laid. One night, alone and insecure, Eunice plays out her romantic fantasies when she comes across a 'gifted' corpse.

In the phantasmagorical town of Raven's End, a misguided young girl takes refuge in a decrepit old mortuary. The eccentric undertaker chronicles the strange history of the town through a series of twisted tales, each more terrifying than the last, but the young girl's world is unhinged when she discovers that the final story... is her own.

Issac, a young reclusive mortician who inherited his stepfather's mortuary business, meets a friendly waitress, Cassi. The two create an instant connection and after a night of terror, they pursue a revenge murder together.

A small-town funeral director, doctor and sheriff are vampires who suck blood from the recently not-quite-dead on the embalming table and then immediately kill the newly converted vampire. When one of their victims disappears before being staked, they are threatened with being exposed if the new vampire surfaces.

Every year, five to ten percent of all deceased Berliners are buried by the authorities because no relatives are found. Most of them are put into the ground by mortician Bernd Simon going alone. But sometimes companions do turn up and say goodbye in their very own way. An observational documentary about an undertaker who actually wanted to become an entertainer, a bizarre city portrait and a mirror of how we deal with death, mourning and commemoration.

MORTICIAN LIVE AT SAINT VITUS BAR W/ BOWEL EROSION, BOG BODY & MIASMATIC NECROSIS.

15 directors telling 15 tales about São Paulo.

After an impulsive travel decision to visit friends, Freddie, 25, returns to South Korea for the first time, where she was born before being adopted and raised in France. Freddie suddenly finds herself embarking on an unexpected journey in a country she knows so little about, taking her life in new and unexpected directions.

A group of Vietnamese nationals is making their way to an unknown location in a shipping container to find a better life. Mai, a 16-year-old girl, connects with different passengers on the journey to find out why they are risking everything. As they get closer to the promised land, they are met with hunger and desperation that would push them to the limit of human existence.

When a Korean family unexpectedly immigrates next door, Taylor, a 14-year old Korean-American adoptee discovers her roots and the whereabouts of her birth family.

Las brujas de Salem