When a drifter befriends a quirky mortician, an unlikely business partnership is formed. Paranoia soon develops, however, and both men are forced to come to terms with the fragility of friendship and loyalty.
A reticent piano player Percival, along with Rooster, his flamboyant lead performer and manager, struggle to keep their speakeasy, in the Prohibition-era South, out of the hands of gangsters who want to take it over.
A doctor and a mortician have teamed up to do re-animation experiments on corpses using gangster money loaned for "remodeling." When they can't pay it back, the Mafia guy sends his nephews to work at the funeral home to keep a watch on the debtors, but the nephews end up helping in the search for new bodies, and mayhem ensues when some undesirable types are re-animated.
On the gritty streets of LA, the destinies of four people desperate for connection and redemption are about to collide.
Mortician Lisa Taubenbaum is presented with the body of a woman named Dorothea Blum, who is said to have committed suicide. When an odd stranger insists on seeing the body and is murdered shortly afterwards, she takes a closer look at the case
Issac, a young reclusive mortician who inherited his stepfather's mortuary business, meets a friendly waitress, Cassi. The two create an instant connection and after a night of terror, they pursue a revenge murder together.
After decades of working only around bodies, Eunice the mortician can't connect with people and she can't get laid. One night, alone and insecure, Eunice plays out her romantic fantasies when she comes across a 'gifted' corpse.
For millennia, women have cared for the deceased: as death-bed vigils, as undertakers, as guardians of funeral rituals. Then everything changed. Since we no longer die at home, men took over. But today a growing number of women are making a comeback. For the good of the deceased?
Documentary look at doomed male prostitutes in Prague, ages 15 to 18, who troll at the public swimming pool, the train station, a video arcade, and a disco. After the boys talk about how they got in the game, the camera follows them to the home of Pavel Rousek. Under the name Hans Miller, he makes gay porno videos, primarily for German distribution. Intercut with a movie shoot chez Rousek is an interview that follows him to his day job at a morgue, where he performs an autopsy as he talks about his work. The sex is without protection; the boys are without family. They talk about their bodies and souls, money, their sexual orientation, AIDS, their dreams, and death.
Every year, five to ten percent of all deceased Berliners are buried by the authorities because no relatives are found. Most of them are put into the ground by mortician Bernd Simon going alone. But sometimes companions do turn up and say goodbye in their very own way. An observational documentary about an undertaker who actually wanted to become an entertainer, a bizarre city portrait and a mirror of how we deal with death, mourning and commemoration.
In the phantasmagorical town of Raven's End, a misguided young girl takes refuge in a decrepit old mortuary. The eccentric undertaker chronicles the strange history of the town through a series of twisted tales, each more terrifying than the last, but the young girl's world is unhinged when she discovers that the final story... is her own.
We All Go Up
A small-town funeral director, doctor and sheriff are vampires who suck blood from the recently not-quite-dead on the embalming table and then immediately kill the newly converted vampire. When one of their victims disappears before being staked, they are threatened with being exposed if the new vampire surfaces.
In a futuristic city sharply divided between the rich and the poor, the son of the city's mastermind meets a prophet who predicts the coming of a savior to mediate their differences.
A fatally ill mother with only two months to live creates a list of things she wants to do before she dies without telling her family of her illness.
An assassin is shot by her ruthless employer, Bill, and other members of their assassination circle – but she lives to plot her vengeance.
Jarhead is a film about a US Marine Anthony Swofford’s experience in the Gulf War. After putting up with an arduous boot camp, Swofford and his unit are sent to the Persian Gulf where they are eager to fight, but are forced to stay back from the action. Swofford struggles with the possibility of his girlfriend cheating on him, and as his mental state deteriorates, his desire to kill increases.
Eyal, an Israeli Mossad agent, is given the mission to track down and kill the very old Alfred Himmelman, an ex-Nazi officer, who might still be alive. Pretending to be a tourist guide, he befriends his grandson Axel, in Israel to visit his sister Pia. The two men set out on a tour of the country, during which Axel challenges Eyal's values.
Matt, a young glaciologist, soars across the vast, silent, icebound immensities of the South Pole as he recalls his love affair with Lisa. They meet at a mobbed rock concert in a vast music hall - London's Brixton Academy. They are in bed at night's end. Together, over a period of several months, they pursue a mutual sexual passion whose inevitable stages unfold in counterpoint to nine live-concert songs.
At the height of the Vietnam war, Captain Benjamin Willard is sent on a dangerous mission that, officially, "does not exist, nor will it ever exist." His goal is to locate - and eliminate - a mysterious Green Beret Colonel named Walter Kurtz, who has been leading his personal army on illegal guerrilla missions into enemy territory.