Passageways

An exploration —manipulated and staged— of life in Las Hurdes, in the province of Cáceres, in Extremadura, Spain, as it was in 1932. Insalubrity, misery and lack of opportunities provoke the emigration of young people and the solitude of those who remain in the desolation of one of the poorest and least developed Spanish regions at that time. (Silent short, voiced in 1937 and 1996.)

Now aged 17, Antoine Doinel works in a factory which makes records. At a music concert, he meets a girl his own age, Colette, and falls in love with her. Later, Antoine goes to extraordinary lengths to please his new girlfriend and her parents, but Colette still only regards him as a casual friend. First segment of “Love at Twenty” (1962).

A short film about Slenderman.

A girl with uncommonly large ears is bullied at school, but finds solace in her friendship with a crow in the woods. She feeds the bird everyday and in exchange it presents her with gifts, until a violent encounter at school causes their ritual to take an unsettling turn.

Tormented by a mysterious figure named Belmiro, a young woman goes up on a stage to deliver a monologue about her past and fight against herself.

Every Friday, Sophie and her friends organize what they call "scary fridays" - watching horror movies on DVD. Sophie is not scared anymore now by horror movies. She thinks they're not scary anymore. But tonight she's going to change her mind completely when she gets abducted...

Johnny is an alcoholic, Johnny is fatalistic, Johnny is tormented, Johnny isn’t able to behave, Johnny is impetuous, Johnny is moody, Johnny believes in nothing, Johnny is footloose, Johnny isn’t brave. But Aurélien doesn’t care because first and foremost Johnny is radiant.

In an alternate universe, Jada continues her relationship with her deceased boyfriend.

The Busy Business Boy lands at his desk like the Early Bird with the intention of tearing off a week or two of correspondence in an hour or so. But the Napoleon of finance reckons not with the Man with the Funny Puzzle, the Fruit Vender, the Insurance Agent with the Flowing Vocabulary, and last, but not least, with Rube.

Robert is stuck on a boating holiday with his parents in the English countryside. Impatient to grow and become a man, an unexpected sight cracks his world open.

16mm film by Paul Clipson, and music by Sarah Davachi. Filmed in New York, Los Angeles, Hong Kong, Brisbane, Krakow, Sidney, Portland, Napa, Oakland and San Francisco.

The bond between a disabled Muslim father and his son is tested when love is pitted against religion.

Una de miedo

An unlikely connection sparks between two creatures: a fiercely independent stray kitten and a pit bull. Together, they experience friendship for the first time.

A father discovers that his son floats, which makes him different from other kids. To keep them both safe from the judgement of the world, Dad hides, covers, and grounds him. But when his son's ability becomes public, Dad must decide whether to run and hide or to accept his son as he is.

This short, started early on into sobriety, finished about nine months in, is a collage of diaries and notes, collected from within addiction and into recovery.

"In the Basement of Apollo Hall" delves into the greatest and most significant question for a composer: What is music, and why does it exist? Attempting an answer Appelqvist draws upon the philosopher Friedrich Nietzsche's theories about art, where the Greek gods Apollo and Dionysus are used to describe humanity's inherent conflict between order and chaos, a tension that also plays out within the music.

This short documentary, presented and directed by MGM sound engineer Douglas Shearer, goes behind the scenes to look at how the sound portion of a talking picture is created.

It's Bobo's birthday, but sadly no one showed up to his party. A big game hunter figures it's the perfect opportunity to capture the fearsome monster—by throwing Bobo the birthday party of his dreams.

At a meeting of the game "Truth or Dare?" two young boys, Matthew and Maximus, are challenging to embrace. The kiss will cause them some excitement. From that time, teens who witnessed this scene are allusions more or less directly to the possible homosexuality of Maxim. A revelation will then destabilize the group.