Life in Flight

Filmed live at the Wiltern Theatre in Los Angeles, REVOLUTION is comedian Margaret Cho's triumphant return to the screen with the same unbridled, no holds-barred humor that infused her previous two concert films. In REVOLUTION, Margaret tackles the axis of evil, her travels through Thailand's red light district, the explosion of child birth, bartering sex for household chores, revolutionizing one's self-esteem, the joy of bodily functions, her loser ex-boyfriend, and of course, her now world-famous mother. Known as much for her social activism as she is for her raunchy humor, Margaret is a one-of-a-kind phenomenon who once again brings her distinctive and empowering personal voice to her devoted and adoring fans.

When four teenage drug dealers and their boss violate the altar of a crack addicted Santeria prophetess, their lives become unhinged when she predicts one of them will die and one of them will be incarcerated within a day.

Liam wakes from a car crash with no memory of who he is. As he makes his way into town to look for help, he finds only dead bodies, all with strange pale eyes. Liam's first assessment is that a virus is present in the air, but he soon discovers the horrible truth: anyone who comes within a 50-foot radius of him dies instantly.

An 18th birthday mushroom trip brings free-spirited Elliott face-to-face with her wisecracking 39-year-old self. But when Elliott’s "old ass" starts handing out warnings about what her younger self should and shouldn't do, Elliott realizes she has to rethink everything about family, love, and what's becoming a transformative summer.

Four men meet up on the rooftop of an office block for an unusual suicide plan. Driven to the edge by problems and stresses, are going to jump off the roof in a protest against the miserable lives of men. They are in for a big surprise when two more unexpected "guests" with the same suicidal intent join them and share a man-to-man talk.

Courtney is tormented by dreams of the infamous Driller Killer returning to wreak havoc... only to find that the murderous monster is reincarnated as an evil rocker.

After a hard day of volleyball at the beach, a teen whose parents are away decides to have a slumber party with her girlfriends. Their boyfriends predictably show up to scare them, but a stranger from the beach is also seen lurking around the house. Soon the group begins experiencing an attrition problem.

A Los Angeles policewoman's partner has her pose as a stripper to lure a killer of strippers.

When the razor blade slasher begins his reign of terror in the alleys behind the Los Angeles strip clubs, the most famous stripper in the spotlight must walk a tightrope between her own fragile sanity and the inescapable murderer's blade.

The sun enchants and warms, as it burns. Love and ambition as well. The female figure and antihero Zou, like the other two main characters, Anselm and Gustav, are the perfect prototypes of a generation. Dreaming, lost and bored in a society of “freedom”, where globalization and the revolution of social media have strongly shaken the love paradigma.

Following the death of her mother Tessa (Pamela Rabe), a young woman, returns after many years to the weather-beaten family home on the shores of Sydney's Botany Bay. But the old family home begins to bring old wounds more and more to life. The story unfolds through flashbacks yet as it progresses the flashbacks merge into the present as it becomes apparent that the situation Tessa has returned to is very much the result of that which passed before.

All Wally Mellish, an ex-convict in 1960s Australia, wants to do is live a quiet life with his girlfriend Beryl. Unfortunately when two police officers come around to disturb this, a misunderstanding quickly becomes out of control, resulting Wally, Beryl and her child being trapped in their house, surrounded by armed police under the impression that Wally is holding everyone hostage. Events quickly spiral into a media circus as, through the siege, Wally - inadvertently - manages to become a symbol for the anti-war movement.

Bokolo and Mamadou, sweepers in the city of Paris, are looking for a way to pay for the return home of one of their sick comrades. When they find an old book of recipes in the trash, they discover a passion for French cuisine and decide to participate in a televised cooking competition.

COME SWIM is a diptych of one man's day; half impressionist and half realist portraits.

Beautiful young housewife Séverine Serizy cannot reconcile her masochistic fantasies with her everyday life alongside dutiful husband Pierre. When her lovestruck friend Henri mentions a secretive high-class brothel run by Madame Anais, Séverine begins to work there during the day under the name Belle de Jour. But when one of her clients grows possessive, she must try to go back to her normal life.

An unprecedented series of violent tornadoes is sweeping across Oklahoma. Tornado chasers, headed by Dr. Jo Harding, attempt to release a groundbreaking device that will allow them to track them and create a more advanced warning system. They are joined by Jo's soon to be ex-husband Bill, a former tornado chaser himself, and his girlfriend Melissa.

Photographer Robert Kincaid wanders into the life of housewife Francesca Johnson for four days in the 1960s.

Manhattan explores how the life of a middle-aged television writer dating a teenage girl is further complicated when he falls in love with his best friend's mistress.

When an arranged marriage brings Ada and her spirited daughter to the wilderness of nineteenth-century New Zealand, she finds herself locked in a battle of wills with both her controlling husband and a rugged frontiersman to whom she develops a forbidden attraction.

Middle-aged suburban husband Richard abruptly tells his wife, Maria, that he wants a divorce. As Richard takes up with a younger woman, Maria enjoys a night on the town with her friends and meets a younger man. As the couple and those around them confront a seemingly futile search for what they've lost -- love, excitement, passion -- this classic American independent film explores themes of aging and alienation.