Lalbaugchi Rani

3

Out of breath

This very dark, very Gothic and very grim medieval horror follows the tumultuous reign of Queen Ginnarra and her mounting obsession to murder her exiled brother, the prince, by any means possible. No matter the cost in blood, lives or even souls.

La otra yo

Victor and Ben, in their thirties, have plans to open their own hairdressing salon. Victor manages to convince Célia, whom he knew while still at the hairdressing school, to follow him on the adventure.

Tomoya leisurely sketches the Ultra Monsters in his sketchbook but an unknown forces suddenly radiated the book. Misuzu, Kenta and Chigusa discover several Spark Dolls, which were thought to be sent into outer space but somehow returned to Earth. Hikaru soon arrives, and soon the group are transported into a virtual room by Tomoya's Gunpad. The room itself has several Spark Dolls in its collection. Tomoya introduces them to the Livepad, a tablet which allows its user to use UltLive simulations by simply scanning the Spark Doll via the tip of its pointer pen. The group begins experimenting with the new technology.

Siblings torn apart by the hazards of life meet in Spain to settle the family's modest inheritance. Gustave, the mover, on the brink of bankruptcy, Jules the anarchistic activist, and Lou, the youngest, lost between her brothers, yearning for the unknown. Each one has a different outlook on life and their personal projects for this inheritance will reawaken family disagreements and phantoms of the past.

Catita intercedes when a producer courts a chorus girl who is the director's girlfriend.

Satoshi returns to Taketomi Island to take part in his grandmother's 97th birthday 'mandala' party, a special celebration that's unique to this island. Just as he arrives at her house, he learns that she has just passed away. The next day from his grandmother's diary, they discover a long kept secret...

In amongst the fishing quaysides of the North East of England, manipulative Bob is first able to wangle his way into a prominent position within a fish distribution firm. It isn’t long before he has his sights not only on the boss’s job - but also his wife as well.

SherDil follows it's lead character Haris Mustafa, as he journeys from the academy to becoming a Flt Lt in the PAF, chasing his goals that are layered with personal and professional challenges.

The Blue Virgin

The personal stories lived by the Uncle, the Father and the Son, respectively, form a tragic experience that is drawn along a line in time. This line is comparable to a crease in the pages of the family album, but also to a crack in the walls of the paternal house. It resembles the open wound created when drilling into a mountain, but also a scar in the collective imaginary of a society, where the idea of salvation finds its tragic destiny in the political struggle. What is at the end of that line? Will old war songs be enough to circumvent that destiny?

When Mali, the popular Omelet Chef is incited by his friends to enter the Omelet Cooking competition. So, he needs help from his gang Prince, Pleungsak, Kim and Namo to win the competition.

In the thriving Tokyo neighborhood of Ginza, a woman in the process of selling her estranged husband’s art collection attempts to identify the man who painted her own portrait fifteen years prior.

Amanda Birch, after years of estrangement, returns to reconnect with her sister Lauren. Things only get worse when her sister mysteriously dies days later. The entire family is suspected in a murder investigation as it becomes clear that Lauren’s death was no accident.

A stripper reluctantly returns to her manager and husband with her new lover in tow. The lover tries to claim her but after escaping a beating he takes to the road alone meeting several women along the way.

This filmed treatment of the original Stratford Festival production of Timothy Findley's Governor General Award-winning play is a lavish treat for the eyes and the ears. William Shakespeare and his company of actors are brought together with the formidable Queen Elizabeth I in a remarkable encounter on the night of April 22, 1616, hours before the execution of Elizabeth's former lover Essex. Through the course of the evening, actor Ned Lowenscroft, famous for his female roles in Shakespeares' plays, very touchingly teaches the Queen to be more of a woman, while the Queen helps Ned be more of a man. Part history lesson, part theatrical insight, the play is a beautifully crafted Shakespeare-like work with poignant reflections on grief, love, friendship, and art. Compelling performances are delivered by Diane D'Aquila as Queen Elizabeth, Peter Hutt as Shakespeare and Brent Carver as Ned Lowenscroft.