Hey Hey It's Esther Blueburger

At 25, Berthe dreams of making a living from her painting, never to marry, and to always stay with her sister Edma. Her parents do not see things from the same angle. Then Berthe meets Edouard Manet, who takes an interest in this young artist apprentice whose face inspires him.

Two friends from Odesa try to compose a video message to their pals, emigrants to the United States. One of them rents his apartment to a tricky girl who invents various excuses not to pay the rent. An exceptional story about people on the verge of despair who nonetheless manage to enjoy life, even if these joys are beyond good and evil.

Dark animation examining the thin line between human definitions of war and peace. Part of Sweet Disaster; a 1986 series of short films made for Channel 4. It consists of “animated visions of the apocalypse”.

Pride is the first of the seven deadly sins. The introduction is made through early allegorical forms and figures (triumphal procession, dance of death, Baroque tragedy etc.) The triumphal procession of the giant haystack as a symbol of human vanities becomes a military parade of abrupt, functional and arrogant gestures. The most diverse musical fragments and rhythms intone the montage of details in the staged triumphal procession, juxtaposed with documentary images, including marches, ticker-tape parades and military review.

Gus Van Sant tells the story of a young African American man named Jamal who confronts his talents while living on the streets of the Bronx. He accidentally runs into an old writer named Forrester who discovers his passion for writing. With help from his new mentor Jamal receives a scholarship to a private school.

When an arranged marriage brings Ada and her spirited daughter to the wilderness of nineteenth-century New Zealand, she finds herself locked in a battle of wills with both her controlling husband and a rugged frontiersman to whom she develops a forbidden attraction.

A young father, his twelve-year-old daughter, a night club, two secrets and a lie that will solve everything.

The star of a team of teenage crime fighters falls for the alluring villainess she must bring to justice.

A transgender woman takes an unexpected journey when she learns that she had a son, now a teenage runaway hustling on the streets of New York.

Anaïs is twelve and bears the weight of the world on her shoulders. She watches her older sister, Elena, whom she both loves and hates. Elena is fifteen and devilishly beautiful. Neither more futile, nor more stupid than her younger sister, she cannot understand that she is merely an object of desire. And, as such, she can only be taken. Or had. Indeed, this is the subject: a girl's loss of virginity. And, that summer, it opens a door to tragedy.

On his 21st birthday, Davy wanders into a gay bar and meets the man of his dreams.

AMG auteur Richard Fontaine started making short, silent posing-pouch snapshot films in the mid-1950s and moved on to sound titles like In the Days of Greek Gods (1958) and Muscles from Outer Space (1962), which featured narratives as well as nudity. Fontaine's films are among the first gay-campaigning documents in American cinema--he often managed to include references to the lowly status of the homosexual. His first feature-length erotic film, In Love Again, is more like propaganda than porn. (from: http://www.glbtq.com/arts/film,3.html)

Once upon a time there was a country known by the name of Laura Molloy. Laura Molloy was the name of this country. Only women lived in Laura MolloyEsmeralda del Rio was a woman. One day Esmeralda del Rio had the idea to undergo a series of transformations, which were to take her very far. So far did she go that she had no way of knowing how far she had gone. Two things were certain: Esmeralda del Rio was blond and in her own way she practiced a kind of magic which I would like to call 'blond magic'.

Moshe and Tami are a couple, Moshe is in his fifties and Tami is in her early twenties. They live together in a cruel and violent relationship, from which Tami seems unable to set herself free. Tami and Moshe are father and daughter...

A sad and troubled man finds a new job five years after the end of WWII, where he writes love letters for other people.

Bridget Jones is an average woman struggling against expectations. As a New Year's resolution, Bridget decides to take control of her life, starting by keeping a diary in which she will always tell the complete truth. Her charming boss takes an interest in her, and she cannot stop running into a rather disagreeable acquaintance whom Bridget cannot help finding quietly attractive.

Dead memories are reborn into grisly new realities as the villagers of small lakefront community hide their monstrous past forcing the local Sheriff to confront the powers that be as well as her own inner demons.

Anthology film. Five heroines from five different, yet similar worlds face social and systematic oppression and injustice. We follow their journeys as they struggle for hope and a better life.

State of Bacon tells the kinda real but mostly fake tale of an oddball group of characters leading up to the annual Blue Ribbon Bacon Festival. Bacon-enthusiasts, Governor Branstad, a bacon queen, Hacksaw Jim Duggan, members of PETA, and an envoy of Icelanders are not excluded from this bacon party and during the course of the film become intertwined with the organizers of the festival to show that bacon diplomacy is not dead.

Muhammad Yunus, Nobel Peace prize winner, is known in the whole world as the banker of the poor, because he pioneered and tested a funding system in Bangladesh: by lending little sums of money to the less well-off with no interest, and returning it by installments gained with their work, people are able to get free from extreme misery. Thus, what can happen if three boys, just graduated, who live in Naples, try to import this funding system that subverts every economic rule?