Lucy and Viv clean up messes for the county, and they're having a bad day. Viv's husband has just left her, and supervisor Lucy struggles to figure out how the two will make their numbers or lose their jobs. On a routine stop, the ladies are led into a very remote area... (Screamfest)
Servant Eeva promises to marry her childhood friend, tailor Aapeli, via letter, but withdraws after meeting the man. Though mostly preserved, the film is partially lost.
Oh! What a Nurse! is a 1926 American comedy film directed by Charles Reisner and written by Darryl F. Zanuck. The film stars Sydney Chaplin, Patsy Ruth Miller, Gayne Whitman, Matthew Betz, Edith Yorke, and David Torrence. The film was released by Warner Bros. on March 7, 1926.
Les deux vieilles dames et l'accordeur
Simon Haldane works in the office of the Faulkner Iron Works, but he has been raised by his two maiden aunts in an extremely sheltered manner and is basically afraid of everyone and everything. One morning he finds a strange girl shivering in his bedroom, and although he's terrified of her, he manages to call a doctor for her. This starts a rumor that Simon is married. Complications ensue.
Part of the Wintergartenprogramm.
A widower becomes infatuated with his daughter's governess, to the displeasure of the child and her nurse.
An ailing woman is visited by her family doctor. This film was seized by Austrian authorities in 1911, and the fact was announced in the Wiener Zeitung, the Official Journal of Vienna.
Three woman playing a game of catch leads to one of them exposing herself as she gets stuck whilst peering out the window.
Benitez pretends to be a toreador and his friends decide to pull a prank on him.
Funny how we think of the loutish behaviour of some of today's teens as a modern-day phenomenon. Here, in a short film more than one hundred years old, we see two tearaways terrorising a bed-ridden old lady, sabotaging a number of honest workmen as they go about their daily work, vandalising a bakery and taking a vehicle without consent - all in the space of six frenetic minutes.
A cheeky female jester uses the smoke of her cigarette to make things appear and disappear. After showing her talents by playing with a chair or a dog, she lets clowns appear; one female, and two male. The male clowns fight each other over the girl who gets changed over and over again by the jester.
Cretinetti goes hunting with his friends, stalking the ferocious Chicken, and produces a typical Italian slapstick, which makes your typical Keystone slapstick look like tea time at the Ritz. Raw, bone-breaking slapstick.
Polidor is a hypochondriac, so he goes to a hypnotist to have his neuroses dealt with. The hypnotist uses a feather to to hypnotize him, but doesn't turn it off properly, so Polidor goes into a trance on sighting anything with feathers. This means that he leans over in an impossible looking pose, and walks on.
Based on characters from Shakespeare's play: When Juliet's father refuses to let Romeo see her, Romeo resorts to extreme measures.
Mother in law gets a new set of dentures. Despite being initially happy, the family soon discovers the teeth have a life of their own and jump from their owner's mouth and bite everyone who comes near--from ladies to gentlemen to policemen.
A scientist has acquired a microscope and is showing it off to his friend. He takes various body samples - hair, phlegm, etc. - and puts them under the microscope. The "microbes" coalesce and form different shapes, creating caricatures of various people, such as mothers-in-law and drunks. These animated characters goof around in traditional cartoon fashion.
Two lovers perform a fandango dance. A jealous quarrel follows and the heart-broken swain decides to end it all. He throws himself from the window of his room, but instead of falling to his death, the anchor of a passing balloon intercepts his flight and he is taken high into the clouds. Laughing at his plight, the moon arouses the anger of the desperate lover and a battle between the two ensues.
The set-up here is that Cretinetti has been invited to a friend's wedding and dressed up in a fine new outfit, which so impresses every woman he sees that they wind up pursuing him en masse -- along with a couple of men.
Pickpock is behind bars. But more elusive than Arsène Lupin, no chain resists him and he plays with policemen like a cat with mice. After having masterfully taken them for a ride, having brought them down to an effigy, he rolls them up and throws them out the window. But the policemen come back to life and the chase goes on. Pickpock, caught a second time, locked up behind heavy bars, finds a new way of escaping and imprisoning in turn the policemen.