Once Upon a Time… Contempt

Here and Elsewhere takes its name from the contrasting footage it shows of the fedayeen and of a French family watching television at home. Originally shot by the Dziga Vertov Group as a film on Palestinian freedom fighters, Godard later reworked the material alongside Anne-Marie Miéville.

In 2009, in a small theater in Geneva, Switzerland, the film directors Marcel Ophuls and Jean-Luc Godard met for an unusual, surprisngly intimate and sometimes contentious dialogue with each other in front of a live audience. Luckily for us, it was filmed.

In Le Livre d’Image, Jean-Luc Godard recycles existing images (films, documentaries, paintings, television archives, etc.), quotes excerpts from books, uses fragments of music. The driving force is poetic rhyme, the association or opposition of ideas, the aesthetic spark through editing, the keystone. The author performs the work of a sculptor. The hand, for this, is essential. He praises it at the start. “There are the five fingers. The five senses. The five parts of the world (…). The true condition of man is to think with his hands. Jean-Luc Godard composes a dazzling syncopation of sequences, the surge of which evokes the violence of the flows of our contemporary screens, taken to a level of incandescence rarely achieved. Crowned at Cannes, the last Godard is a shock film, with twilight beauty.

Jean-Luc Godard is synonymous with cinema. With the release of Breathless in 1960, he established himself overnight as a cinematic rebel and symbol for the era's progressive and anti-war youth. Sixty-two years and 140 films later, Godard is among the most renowned artists of all time, taught in every film school yet still shrouded in mystery. One of the founders of the French New Wave, political agitator, revolutionary misanthrope, film theorist and critic, the list of his descriptors goes on and on. Godard Cinema offers an opportunity for film lovers to look back at his career and the subjects and themes that obsessed him, while paying tribute to the ineffable essence of the most revered French director of all time.

Godard by Godard is an archival self-portrait of Jean-Luc Godard. It retraces the unique and unheard-of path, made up of sudden detours and dramatic returns, of a filmmaker who never looks back on his past, never makes the same film twice, and tirelessly pursues his research, in a truly inexhaustible diversity of inspiration. Through Godard’s words, his gaze and his work, the film tells the story of a life of cinema; that of a man who will always demand a lot of himself and his art, to the point of merging with it.

Life isn't a Godard Film

HE is an ACTOR, SHE is an ACTRESS... But this... Is not important to the story.

L'Idiot follows Rajat "Rinku" Chaddha, an awkward, daydreaming young man obsessed with French culture, as he attempts to win over Mona, a charismatic girl in his French class. With the help of a local thief, Rinku devises a plan to become Mona's hero, but things take an unexpected turn, forcing him to confront his fantasies and reality.

A couple in a long-distance relationship reunite for a road trip through Sri Lanka. Things go awry.

Sanning/Lögn

Seàn-Liqué Bleùharde's latest New-New Wave experiment invites the audience to question not just what they’re watching — but when. Shot on stark black & white 16mm film, this is post-silence cinema at its most profound.

Rebels on the surface, retrogrades in essence. “The Ridiculists”, a duo composed of the eccentric and explosive, “The Ridiculer”, and his faithful squirer, “The Talker”, roam through the Brazilian capital breaking into homes, committing murders, as they create a legion of blind supporters along the way.

Three people get together to read the play that one of them wrote; a play that recounts the love that these three experienced in the past. But perhaps not everything is as it is written there, perhaps not everything - or almost nothing - was like that.

l'eau tonne à minuit

O Doce Sal dos Seus Fadigosos Lábios

Burlesque is the new punk-rock, according to Dirty Martini, who will reveal some of the secrets of his art in night-clubs and cabarets of New York's off-off Broadway, from where the revitalization of burlesque as a form of popular mass entertainment is exported to the rest of the world.

Unveiling Yasujiro Ozu’s legacy through his personal diaries, letters, and interviews, the documentary delves into his life, creative process, and lasting impact on filmmaking.

The pleasures of sailing off the Isle of Wight are described by Uffa Fox, while Ralph Wightman tells of the peaceful life of its farms and villages.

The conflict between the running of an efficient bus service and the increasing motor car traffic in Britain's towns. Describes the traffic problem and some of the measures taken to help overcome it from the point of view of different members of the community; the ways in which the planning of new towns and the rebuilding of town centres can take into account the needs of all road users, and the particular contribution the bus can make as the best user of road space per passenger carried.

Pack your bags for a trip to a Catskills summer camp where the stars of tomorrow go to prepare for their shot at the big time as filmmaker Alexandra Shiva allows viewers a fly-on-the-wall perspective of Stagedoor Manor, the training ground for such notable Hollywood heavyweights as Robert Downey Jr., Jennifer Jason Leigh, and Natalie Portman.