Commissioned to make a propaganda film about the 1936 Olympic Games in Germany, director Leni Riefenstahl created a celebration of the human form. This first half of her two-part film opens with a renowned introduction that compares modern Olympians to classical Greek heroes, then goes on to provide thrilling in-the-moment coverage of some of the games' most celebrated moments, including African-American athlete Jesse Owens winning a then-unprecedented four gold medals.
Commissioned to make a propaganda film about the 1936 Olympic Games in Germany, director Leni Riefenstahl created a celebration of the human form. Where the two-part epic's first half, Festival of the Nations, focused on the international aspects of the 1936 Olympic Games held in Berlin, part two, The Festival of Beauty, concentrates on individual athletes such as equestrians, gymnasts, and swimmers, climaxing with American Glenn Morris' performance in the decathalon and the games' majestic closing ceremonies.
Werner Herzog's documentary film about the "Grizzly Man" Timothy Treadwell and what the thirteen summers in a National Park in Alaska were like in one man's attempt to protect the grizzly bears. The film is full of unique images and a look into the spirit of a man who sacrificed himself for nature.
Early Balkan footage.
Born into Mexico's first family of sports-entertainment, Eddie Guerrero's career choice was only natural. In the ring, Eddie was unbeatable. He was part of the most popular tag team in Mexico. Fans worldwide were captivated with his high-flying style. Soon, he moved to Japan and experienced similar success. After returning to the United States, Eddie faced a challenge he was not prepared for - addiction. Surviving a car accident that almost killed him, Eddie felt he was bulletproof, resulting in reckless behavior that put his life, career and marriage in jeopardy. Then it all fell apart. The true test of any man is how he handles adversity. In one of the most inspiring stories in the history of sports-entertainment, Eddie Guerrero not only regained his life, he surpassed his wildest dreams. This is his story.
In 1983 World Class Championship Wrestling and its franchise stars, the Von Erich brothers, were known around the world. A small Dallas based promotion running out of a shack of a venue, the Sportatorium, World Class was one of the most syndicated television programs in America, making the Von Erichs household names. Run by legendary wrestler Fritz Von Erich, a.k.a. Jack Adkinsson, World Class made his oldest sons, Kevin, David and Kerry, three of hte biggest stars in the world of wrestling. Little did anyone know that just as the Von Erichs and World Class were reaching worldwide stardom they would begin a downfall that would cast a full eclipse on their meteoric rise to fame. Directed by Brian Harrison who, as a ten year old in 1983, watched on television as wrestling's world of staged combat between good and evil took a sharp turn into a surreal and tragic reality.
Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.
A group of Macedonian women are shown hard at work.
Academy Award winning film maker Hilary Harris’ epic vision of New York City shot over 15 years [1959-74] during which time Mr. Harris pioneered and contemporized time-lapse film making techniques to achieve this unique experiential view of the world we inhabit: chaos and confusion seem to multiply in every corner of the Big Apple. Yet there seems to be some order in all that chaotic and relentless system and things seem to work just fine. The same can be said about the human body. Director Hilary Harris proves with this short documentary that cities and organisms are all-alike.
Filmmaker Alain Resnais documents the atrocities behind the walls of Hitler's concentration camps.
An exploration —manipulated and staged— of life in Las Hurdes, in the province of Cáceres, in Extremadura, Spain, as it was in 1932. Insalubrity, misery and lack of opportunities provoke the emigration of young people and the solitude of those who remain in the desolation of one of the poorest and least developed Spanish regions at that time. (Silent short, voiced in 1937 and 1996.)
At the end of his life, gravely ill, François Truffaut took refuge with his ex-wife Madeleine Morgenstern. She tried to keep him occupied during his long agony. The filmmaker confided in his friend Claude de Givray, with the intention of writing his autobiography. Too weakened, he abandoned the project. The film reveals part of this final story.
Jacques Rozier or the fierce, independent itinerary of a filmmaker in perpetual disarray, admired by his peers and pampered by the critics.
Through honest reflection, complemented by insight from colleagues and friends, Faye Dunaway contextualizes her life and filmography, laying bare her struggles with mental health while confronting the double standards she was subjected to as a woman in Hollywood.
According to the U.S. Department of Veterans Affairs, one veteran dies by suicide in America every 80 minutes. While only 1% of Americans has served in the military, former service members account for 20% of all suicides in the U.S. Based in Canandaigua, NY and open 24 hours a day, 365 days a year, the Veterans Crisis Line receives more than 22,000 calls each month from veterans of all conflicts who are struggling or contemplating suicide. This timely documentary spotlights the traumas endured by America’s veterans, as seen through the work of the hotline’s trained responders. CRISIS HOTLINE captures extremely private moments, where the professionals, many of whom are themselves veterans or veterans’ spouses, can often interrupt the thoughts and plans of suicidal callers to steer them out of crisis.
No clothes. No apologies. This film marks artist Spencer Tunick's third 'Naked' documentary which feature photo shoots that create art from the naked bodies of men and women. In this shoot, 85 HIV-positive men and women gather in a downtown Manhattan bar where they bare it all for Tunick's camera, creating an unsentimental look at life with AIDS in America today.
The spotlight's on Parchís, a record company-created Spanish boy/girl band that had unprecedented success with Top 10 songs and hit films in the '80s.
A documentary of the German national soccer team’s 2006 World Cup experience that changed the face of modern Germany.
A celebration of the universe, displaying the whole of time, from its start to its final collapse. This film examines all that occurred to prepare the world that stands before us now: science and spirit, birth and death, the grand cosmos and the minute life systems of our planet.
The untold story of Charles Manson's obsession to become a rock star, his rise in the LA music scene, the celebrities who championed his music, his tragic friendship with The Beach Boys' Dennis Wilson and his descent into violence and chaos once his dreams fell apart.