Three young people—Haris, a gay painter; Vishnu, a rural kabaddi player and their friend Sia, an activist who refuses to conform to dominant norms of femininity—struggle to find space and happiness in a conservative Indian city.
After a worker kills a superior and commits suicide, each of his family members attempts to forge a path forward in life.
Jewell and Gil are farmers. They seem to be working against the odds, producing no financial surplus. Gil has lost hope of ever becoming prosperous, but Jewell decides to fight for her family.
A patriot (René Lavan) with a rebellious brother falls in love with a dissident's daughter (Mayte Vilán) in Castro's Cuba.
Abraham, the planter comes from Jaffna to his ancestral home in central Kerala unaware of the unpleasant things waiting for him. On the night of his arrival, he dies under mysterious circumstances and the cloud of suspicion falls on everyone.
George Vadakkan is the quintessential prodigal son of a priest, who wished he followed the father’s path. His friends and George generally hang out at Mathayi Parambu, a public playground cum hangout space of the area. How the park plays a part in setting his life straight is the core of the pooram.
A kind-hearted government employee in his forties, who spends most of his time with youngsters, selflessly intervenes in the problems of his near and dear ones.
France, 1975. Jean, an exiled Spanish Communist, is a successful screenwriter who, after a tragic event, struggles with his political commitment, his love for his country, under the boot of General Franco, whose death he and his comrades have waited for years, and his complicated relationship with his son. (A sequel to “The War Is Over,” 1966.)
An extremely passionate kathakali artiste falls in love with a mohiniyattam artiste and their blossoming affair gives rise to a new and unique form of art.
Comrade Krishna Kumar wants to make it big in politics but lacks the ideals a sakhavu should possess. He is ruthless enough to even get rid of friends who might be possible hurdles on his way up. His paths cross with that of a veteran comrade, sakhavu Krishnan and the film depicts how his life influences Krishna Kumar.
The lives of a vedic scholar Pattabhiramagiri and his family come under threat after a godman and his goons try to displace him from his centuries-old ancestral home as part of building an ashram. The “curse” that befalls Pattabhiraman in the face of opposition leaves him broken, till a mysterious ally lends him his support. Their fight against the evil forces forms the rest of the plot.
Daffadar is the story Ayyappan, a 65 years old honest, sincere, and compassionate security personnel (Daffadar) of the Collector for over 40 years. Evenafter his retirement he dresses as Daffadar and goes to the Collectorate every day
Kaagaz (transl. Paper) is a biographical drama about a farmer, Lal Bihari's 19-year struggle to make himself come alive again when he is declared dead in Government records by interests keen to take over his assets.
Pressured by his superiors to disgrace public intellectual Warczewski, a professor and respected writer whom they believe to be a "camouflaged Zionist," rough security-services colonel Rozek enlists his sexy but naive girlfriend, Kamila, to insinuate herself into the distinguished older man's life and report on his every move. Not particularly interested in serving communism but eager to please her domineering lover, Kamila accepts the mission, reporting under the code name "Little Rose." As quick scenes contrast Kamila's crude pleasures with Rozek and her more refined experiences with Warczewski, it becomes clear that the more time the unschooled young woman spends with the professor, the more she comes to have true feelings for him.
Sita devi is a very strict aunt for a number of young ladies, and does not allow them to fraternize with males. Along comes Pritam disguised as an elderly Professor Khanna to break every possible rule of the aunt.
Saira Banu, a post woman and a single mom, is caught unawares when her son Joshua Peter, a law student, gets entangled in a legal hassle. The opponents in the case are a bunch of affluent and powerful names of the society. How would the middle-class woman help her son?
The story of the film goes through the time of H. Mehboob, who tell us the story of the slavers and Jews, who worked for the Dutch and Britishers who ruled over India. It tells us the songs of Cochin that go beyond caste, creed and nation.
Framed for two crimes he didn't commit, and betrayed by his girl, Cliff Banks finds himself on the run from the police. Now distrustful of everyone, he finds a safe haven hiding out at a quaint country cottage under the care of a kindly old farmer and his daughter, a Cinderella-like blind woman who seems to be able to communicate with nature. There he is forced by their love to question his misanthropy.
A simple yet proud rancher conspires to murder his wife for financial gain, convincing his teenage son to participate.
Sam Tucker, a cotton picker, in search of a better future for his family, decides to grow his own cotton crop. In the first year, the Tuckers battle disease, a flood, and a jealous neighbor. Can they make it as farmers?