Falling for Figaro

David Huxley is waiting to get a bone he needs for his museum collection. Through a series of strange circumstances, he meets Susan Vance, and the duo have a series of misadventures which include a leopard called Baby.

The deformed Phantom who haunts the Paris Opera House causes murder and mayhem in an attempt to make the woman he loves a star.

Treasure hunter Ben "Finn" Finnegan has sunk his marriage to Tess and his trusty boat in his obsessive quest to find the legendary Queen's Dowry. When he finds a vital clue that may finally pinpoint the treasure's whereabouts, he drags Tess and her boss, billionaire Nigel Honeycutt, along on the hunt. But Finn is not the only one interested in the gold; his former mentor-turned-enemy Moe Fitch, hired by rapper-turned-gangster Bigg Bunny, will stop at nothing to beat him to it.

During World War II, two French civilians and a downed British Bomber Crew set out from Paris to cross the demarcation line between Nazi-occupied Northern France and the South. From there they will be able to escape to England. First, they must avoid German troops – and the consequences of their own blunders.

When the Valley of Peace is threatened, lazy Po the panda discovers his destiny as the "chosen one" and trains to become a kung fu hero, but transforming the unsleek slacker into a brave warrior won't be easy. It's up to Master Shifu and the Furious Five -- Tigress, Crane, Mantis, Viper and Monkey -- to give it a try.

Arabella, Op. 79, is a lyric comedy or opera in three acts by Richard Strauss to a German libretto by Hugo von Hofmannsthal, their sixth and last operatic collaboration.

Adventurer/surgeon/rock musician Buckaroo Banzai and his band of men, the Hong Kong Cavaliers, take on evil alien invaders from the 8th dimension.

With the “Méditation”, Jules Massenet probably wrote one of the most famous melodies of our time. It originates from his comédie-lyrique Thaïs, which – unlike Massenet's operas Werther or Manon – never made it into the international opera repertoire. Presumably because the two main roles of Thaïs and Athanaël demand something almost superhuman from the singers. In the new production by Peter Konwitschny at the Theater an der Wien, the American soprano Nicole Chevalier is one of the most exciting singers currently on stage in the title role. At her side, the young Austrian bass-baritone Josef Wagner celebrates his house‍ debut. This is a fascinating and musically excellent performance of a timeless classic of the opera repertoire.

Romeo and Juliet is the most famous love story of all time. In Charles Gounod's operatic adaptation of the Shakespearean tragedy at the Gran Teatre del Liceu in Barcelona “Saimir Pirgu and Aida Garifullina mesmerize as the tragic lovers” (Euronews). Charles Gounod is one of the great representatives of French lyric drama and due to his famous aria “Je veux vivre”, ravishing melodies, magical duets and the unique ballet scene in Act IV, Roméo et Juliette continues to gain much popularity. This production by Stephen Lawless once again demonstrates the abundance of ideas that Shakespeare’s legendary tale is able to inspire, even in the 21st century. In addition to the lavish stage sets and the carefully chosen costumes and props, the production captivates the audience thanks to its refined dramaturgical logic

An American oil company sends a man to Scotland to buy up an entire village where they want to build a refinery. But things don't go as expected.

Mitch Robbins' 40th birthday begins quite well until he returns home and finds his brother Glen, the black sheep of the family, in his sofa. Nevertheless he is about to have a wonderful birthday-night with his wife when he discovers a treasure map of Curly by chance. Together with Phil and unfortunately Glen he tries to find the hidden gold of Curly's father in the desert of Arizona.

A baby dragon and a little bird fail to make beautiful music together.

A young soprano becomes the obsession of a disfigured and murderous musical genius who lives beneath the Paris Opera House.

Into the world of the Emperor Penguins, who find their soul mates through song, a penguin is born who cannot sing. But he can tap dance something fierce!

Wayne Dobie is a shy cop whose low-key demeanor has earned him the affectionate nickname "Mad Dog." After Mad Dog saves the life of Frank Milo, a crime boss and aspiring stand-up comedian, he's offered the company of an attractive young waitress named Glory for a week. At first both are uneasy about the arrangement, but they eventually fall in love. However, the situation becomes complicated when Milo demands Glory back.

Just after a bad breakup, Charlie MacKenzie falls for lovely butcher Harriet Michaels and introduces her to his parents. But, as voracious consumers of sensational tabloids, his parents soon come to suspect that Harriet is actually a notorious serial killer -- "Mrs. X" -- wanted in connection with a string of bizarre honeymoon killings. Thinking his parents foolish, Charlie proposes to Harriet. But while on his honeymoon with her, he begins to fear they were right.

Car Men is a collaboration between the renowned choreographer Jíri Kylían and filmmaker Boris Paval Conen. Based on the opera 'CARMEN' by Georges Bizet they shot a hilarious and poetic short film in the destroyed landscape of a Czech brown coal mine. The actors in this film are older dancers from Kylían's troupe (around 50 years old) and the main prop is a 'TATRA 87', a famous car from 1937.

This is a good video of "Figaro", but there are a couple of better ones available. The Bohm and the Pappano are better still due to the female members of the casts. The reason for buying this one is the "Figaro", Bryn Terfel. No one can top him today in that role. John Eliot Gardiner also stands out. Many of us have voiced their opinion that If the Metropolitan Opera would release it's 1998 version, that would be the one to get.

All the throbbing eroticism—and ultimate heartbreak—of Puccini’s youthful score is unleashed by James Levine and his top-flight cast. Plácido Domingo is Des Grieux, the handsome, headstrong young aristocrat who falls head over heels for the enticing, impetuous Manon Lescaut (Renata Scotto). Manon returns his love, but her obsession with luxury ruins them both. Gian Carlo Menotti’s opulent production, with sets and costumes by Desmond Heeley, superbly captures the colorful world of 18th century France.

It's hard to imagine confirmed Straussians not wanting this starry Metropolitan Opera performance of Elektra. Strauss and his librettist, Hugo von Hofmannstahl, transformed Sophocles' take on Homer's tale into a harrowing opera noir. Elektra lives for one reason, to kill her mother, Klytämnestra, and her stepfather, Aegisth, the murderers of her father, Agamemnon. In contrast to Elektra's vengeful obsession, her sister Chrysothemis desires to get on with life. When their long-missing brother, Orestes, returns to do the deed, Elektra celebrates with a dance of death and, her sole purpose in life fulfilled, dies. Strauss joined the hermetic plot to music of the utmost opulence, violent and yearning by turns, evoking the cardinal principles of Greek tragedy - pity and terror.