Russian Meat

Germany in the autumn of 1957: Lola, a seductive cabaret singer-prostitute exults in her power as a temptress of men, but she wants out—she wants money, property, and love. Pitting a corrupt building contractor against the new straight-arrow building commissioner, Lola launches an outrageous plan to elevate herself in a world where everything, and everyone, is for sale. Shot in childlike candy colors, Fassbinder’s homage to Josef von Sternberg’s classic The Blue Angel stands as a satiric tribute to capitalism.

Darren Aronofsky’s AFI short opens with angry slacker Dave sitting in a dreary, empty junkyard. Dave stares into space, sips beer, and beats the hell out of a cracked guitar. We quickly realize the emptiness of the dump parallels the emptiness of Dave’s life which consists of smoking weed, staring at television screens and watching school children. Dave’s friend Pete is shortly introduced, along with their friend, Ari, who despite calling her pals losers, doesn’t seem to accomplishing much herself. These three are going nowhere fast. They’re the amoebas of life… protozoa….

As the city of Paris and the French people grow in consumer culture, a housewife living in a high-rise apartment with her husband and two children takes to prostitution to help pay the bills.

Elliot, a successful gynecologist, works at the same practice as his identical twin, Beverly. Elliot is attracted to many of his patients and has affairs with them. When he inevitably loses interest, he will give the woman over to Beverly, the meeker of the two, without the woman knowing the difference. Beverly falls hard for one of the patients, Claire, but when she inadvertently deceives him, he slips into a state of madness.

Teenagers Solomon and Tummler kill time in Xenia, Ohio, a small town that has never recovered from the tornado that ravaged the community in the 1970s.

Meet Pietro Angeli, a man haunted by a tragedy in his past, and Chan, a prostitute in search for a better life. Both alone in the crowd and constantly seeking for redemption. Maybe, despite everything, it's never too late to start dancing again.

A vice cop and her partner investigate a string of murders apparently tied to high-priced Las Vegas call girls.

A chronicle of the life of a middle-class French girl's sexual adventures, her then fall into prostitution, and her ultimate redemption.

In the manner of a well run Greek tragedy, leaving aside one of its components, dragging in its passing narrative certainty by the viewer that violent death is the hallmark of so much misfortune purifier, Los Dioses Rotos crowns the very successful arrival of Ernesto Daranas to the feature domains and with it, the team that accompanied him, including the actors.

Rome, 1957. A woman, Cabiria, is robbed and left to drown by her boyfriend, Giorgio. Rescued, she resumes her life and tries her best to find happiness in a cynical world. Even when she thinks her struggles are over and she has found happiness and contentment, things may not be what they seem.

This erotically charged drama traces the intersecting stories of a group of employees and visitors at a notorious "love hotel" in Tokyo's red-light district.

Robinson, a once peaceful, law-abiding school teacher, has turned into an obsessed vengeance machine, intent on killing the man who murdered his wife - ruthless Las Vegas mob boss James Dolan. But to do so, Robinson must infiltrate the dangerous underworld, and devise a diabolical plan that will bury Dolan once and for all.

A prostitute sets out to frame a cop.

A triad of vicious vixens scam (and occasionally murder) hapless, lonely men from the internet but run into a nightmarish labyrinth of deception and horror when one attempts to use her wiles on a far more cunning adversary.

Bo is a transexual prostitute in Brussels who left home after being abused by her father. She's infuatuated with a neighbor and suspected by the police in a series of transexual murders. In order to clear herself she must turn detective.

A lurid, dark look into the lives of sex workers, where victims of child abuse deal with the consequences later in life.

This last gasp of the grindhouse "Olga" series is a tossed off shrug of a movie that nonetheless entertains in a tacky, surreal style. Audrey Campbell no longer stars as the sinister femme fatale Olga, and her replacement retains none of her clumsy menace. Instead she languidly lounges about the flimsy sets smoking cigarettes and looking pale and sweaty. This new Olga is apparently too bored by the proceedings to even torture her white slaves. Instead the dirty work is handled by her partner Nick (Larry Hunter), a slimy, weasel faced man who lures innocent housewives into prostitution by offering them jobs as "dance instructors" in Olga's dance hall. Group sex, nude dancing and pretty ladies wrestling in their underwear are the results, along with several long, seemingly impromptu scenes where the characters talk endlessly and in circles.

Obsessed with finding her old boyfriend, Gumer, a 25-year-old girl, is released from jail in Barcelona, one of Europe's most sought-after port cities for drug trafficking and prostitution. Charo, her best friend, tries to help her, although she is not free, since depends on her pimp "Toni". But Gumer will persuade Charo to abandon Toni and form, along with other friends, a band to start businesses on their own.

A young boy named Pelle falls in love with the drug addict Lena. Then he and his friend Proffen try to save her from drugs.

I am ... a "prostitute". The film refers to the harrowing life of a prostitute, Rita, who is a daughter of a prostitute - with her mother now in a very difficult situation as she is ill and miserable. However, she seems to be reconciled with her fate. But when she learns that her promoter, Takis, is trying to corrupt her daughter's daughter, she rages up and goes to the murder.