Coerência

In this drama, Lesia convinces her English-Canadian friend Sarah to perform a Ukrainian dance with her as part of their school's Christmas pageant. Sarah's father, angry at the growing number of Ukrainian settlers, won't allow his daughter to participate. Despite the prejudices of their parents, the girls' friendship remains strong, and they meet in Sarah's barn to celebrate Christmas Day together. Part of the Adventures in History series.

A butcher whose meat is most tender, surrounded successively by ephemeral and delightful cashiers.

Two strangers meet in a motel room where everything is not as it seems.

An animated film made without the use of a camera using the technique of drawing and painting directly on a film strip, illustrating a grandfather's ballad, the protagonist of which seeks an explanation for the cruel phenomena of the world around him. Rockets thrown to the ground and bombs exploding, a car falling off a cliff, a driver driving a man on the street or a policeman firing a gun at an opponent - images of this type of catastrophic behavior are intertwined with the recurring image of a man running somewhere.

A man finds out that his wife is going to meet her new lover and it drives him crazy.

Elem Klimov's tribute to his late wife, director Larisa Shepitko, killed in a car accident a year earlier. Features excerpts from all of her films, and archival audio of her discussing life and art.

Under the leaden sky of a summer day, Eric goes to work to defend a great issue. But, blinded by stress, Eric is forgetting the most important thing...

A misunderstanding leads to sombre consequences as two flatmates recall very different turns of event from the previous night.

Henry and Marion have a lover's quarrel and part in anger. They do not reconcile, and ten years pass without contact. Marion becomes a society girl and spends her time at parties with her friends. Henry has become very ill and wishes to see Marion one more time. He writes asking her to visit. When she recieves the note, she laughs and tosses it on the floor, but, later, on a whim, decides to take all her drunken friends with her to visit him. When they arrive, Marion finds Henry dead, clutching her portrait in his hand. She sends her friends away and falls to her knees in remorse. Mary Pickford's debut!

This is the story of a son who wants to spend time alone with his mother. This is the story of a father who doesn't want his son to see his mother alone. This is the story of a mother who never knew what she wanted. This is the story of just about everyone.

An experimental short film loosely adapting the story “My Pretty Pony” by Stephen King.

Guide and Good are at a club when Guide starts reminiscing about an ex. He then finds himself bumping into a stranger and has a strong urge to kiss him.

After years of bitter separation, Quinn learns that his brother Ray is gone for good. Seeking closure, he attends the funeral where he meets Daphne and discovers the shocking truth about Ray’s final hours.

When a recent widow moves to New Zealand from India, she's forced to confront her grief by completing an ordinary ritual in an extraordinary circumstance: quarantine.

After escaping from a psychiatric hospital, Manu quickly reverts to his old patterns built around his passion for graffiti. When his brother threatens to send him back, Manu makes other plans.

In 1967, de Andrade was invited by the Italian company Olivetti to produce a documentary on the new Brazilian capital city of Brasília. Constructed during the latter half of the 1950s and founded in 1960, the city was part of an effort to populate Brazil’s vast interior region and was to be the embodiment of democratic urban planning, free from the class divisions and inequalities that characterize so many metropolises. Unsurprisingly, Brasília, Contradições de uma Cidade Nova (Brasília, Contradictions of a New City, 1968) revealed Brasília to be utopic only for the wealthy, replicating the same social problems present in every Brazilian city. (Senses of Cinema)

A few weeks before Carnival, slum boys organize huntings for stray cats, whose leather can be used in Samba percussion instruments, like the Tamborim, a small drum.

A 10-minute portrait of modernist poet and de Andrade’s godfather, Manuel Bandeira, is clear in its affection for it subject, though like many New-Waveish films of the time, depicts the modern urban landscape as an ominous and alienating force.

Documentary about influential Brazilian sociologist Gilberto Freyre, made in his country house in Apipucos, Pernambuco (Northeast Brazil).

A Canadian woman with two working class boyfriends writes letters to them, breaking off with one of them while professing her love for the other, but fears that she mixed up the letters.