Theneechayum Peerankippadayum

Prince, a dog trainer, faces an awkward situation when his pet dog Diana acts in a film alongside his ex-lover, an actress who shares the same name as the dog.

Afzal is happy after his uncle helps him to set up his mobile shop. However, things take an unexpected turn when Azhagarsamy gifts him a virus-infected mobile application.

Chinna Dada is a Malayalam movie. The movie is directed by Raju Champakara and featured Riyaz Khan, Jayan Cherthala and Ganga T. Krishnan as lead characters. Other popular actors who were roped in for Chinna Dada are Kalabhavan Shajon, Jinu Aanikkad, N. Gopalakrishnan and Nazeer Samkranthi.

The story of "Pallikkoodam" travels through the realities and imagination of a 12 year old boy named Althaf , hailing from a lower middle class family.

Soman is brought up by his elder brother Raju and his shrewish wife Janu. Soman is in love with Lakshmi, the daughter of a poor village performer Kaniyan who belongs to a lower caste. Raju, employed by the zamindar and Janu resent the inter-caste marriage between Soman and Lakshmi.

An emotionally childish man who never outgrows his childish fascination for flying, dreams of making his own aircraft which is considered foolish by his family and friends.

The student politics in a government college has for long revolved around the students' organisation KSQ. Subhash and Paul attempts to change the political scenario by launching a new movement called SFY based on their ideologies.

Newspaper Boy is a Malayalam–language Indian film released in 1955. It is the first neo realistic movie in the language. The film, a drama of stark realism, narrates the life of the common man on the street. The film is noteworthy in that the entire production programme from script-writing to direction was controlled and executed by students.

Hari and Ravi are identical twins who share a very delicate and special emotional bond. When Hari dies in an accident, Ravi goes into a strange state of psychosis. Yousuf, a cop tries to uncover the mystery involved in the case.

A washed-up wrestler's life changes when he brings a passionate female wrestler from Punjab to his conservative Kerala village, sparking a comedic yet inspiring revolution in the local wrestling pits.

Karthi and Riya elope one early morning to Ooty, fearing that the elders in the family will not accept their inter-religious relationship. They return to their respective homes after a couple of days after having a fight. They convince their loved ones that they hate each other and vow never to see each other again. The film would then trace the eventual course of their lives.

Kadhaveedu' is a dedication to Malayalam being accorded the Shresthabhaasha (Malayalam has been declared a Classical language in 2013) status and presents, as a single entity, three different stories penned by the doyens of Malayalam literature - Vaikkom Muhammed Basheer, M T Vasudevan Nair and Madhavikutty. The film is an anthology with adaptations of stories written by renowned Malayalam fiction writers Basheer, M. T. Vasudevan Nair and Madhavikutty (Kamala Surayya).. The stories have been tweaked to fit in a modern setting and the script has been conceived by the director himself.

Ghost-busting is both scary and hilarious in this tale of bhoots on the ground.

Dum is the story of a goon named Xavier and his henchman Antony and the struggle they face to achieve their goals.

Dia(Pankaja Menon) heroine of the movie is a management student in Mangalore. She and four of her friends(Catherine, Hashim, Yamini and Chinna Gounder) visits Rajasthan for 15 days to attend a marriage. There she meets a Rajput boy Pavan(Arun Shankar) and falls in love with him. What happens to her there after that in that unknown land makes the content of the film.

A stranger who may be the trickster magician Kummatty comes to a village in Malabar, India.

An anthology of three stories which portray various shades and motives of violence through different characters that are dissimilar in nature.

A wayward youth of a rich father, Jomon is a carefree youngster who doesn’t care about ‘being responsible enough’ for his age. When the family lands in a financial soup out of the blue, a different side of the youngster surprisingly emerges. ​

Anxious Durga and her friend, Kabeer are running away from their village at midnight. On the same night there is a huge festival happening at the village temple where Goddess Durga is being worshipped. Devotees are offering their body and mind to please their Goddess. At the same time the woman, Durga, faces complete darkness of the night on the highway. Some drivers offer help to Durga and Kabeer to reach the railway station. Their journey filled with darkness and agony is mystical. Devi Durga is the Goddess of power but what about the woman Durga who is in the midst of darkness?

Shadiya Akbar IPS, a renowned police officer, addresses a group of trainees by narrating a memorable instance from her career. The episode and the characters of the case offer her a valuable lesson in a current case, that extends beyond the litigation.