Theneechayum Peerankippadayum

Anjali, whose sister Geeta has committed suicide, is haunted by her spirit upon her return to her mother's home. When psychologist Dr Sunny tries to help Anjali, he makes a shocking discovery.

Ezhu Sundara Rathrikal narrates the sequence of events that follow the protagonist's bachelor party.

A mother finds it hard to believe that her son is convicted as a terrorist and is sent to gallows. Eventually, she loses her mental balance.

Veeram is based on the ballads of North Malabar and narrates the tale of the brave and ambitious Kalarippayattu warrior, Chandu, whose story resembles that of William Shakespeare's Macbeth.

Movie is narrated through three different tracks. The romance between two students forms the first track, story of a villain forms the second track and third track played by two friends. Confluence of these three tracks completes the plot.

Oru Indian Pranayakatha is about the life of a young political leader and his association with a woman who comes unexpectedly into his life.

Stop Violence is a 2002 Malayalam film directed by A. K. Sajan. The film stars Prithviraj, Vijayaraghavan, and Chandra Lakshman.

Kannan (Dileep) is the son of a fashion weaver Ayyapanashan (Babu Namboothiri). His father has sent him for fashion designing,but Kannan wants to make more money easier. His friends are Yesudas a.k.a Yesu (Lal),a goonda and Vasu (Kalabhavan Shajon).

Soon after Arvind, a successful lawyer, is appointed as judge, he gets anonymous calls that threaten the safety of his family. He then enlists the help of an IPS officer to unravel the truth.

Businessman Ravuthar, who owns a haunted bungalow, tries several ways to exorcise the ghosts in the bungalow. With Ravuthar's permission, a young man named Anand sets his mind on defeating the invisible power in the bungalow.

Jiya is a rich girl who has a distinctive personality and has great hopes and dreams. An unfortunate incident shook her life. At this juncture two guys Pranav and Prince enter Jiya's life with definite intentions.

The film revolves around the reckless life of three youngsters who maliciously plan a heinous act of violence and the aftermath of their act.

Dia(Pankaja Menon) heroine of the movie is a management student in Mangalore. She and four of her friends(Catherine, Hashim, Yamini and Chinna Gounder) visits Rajasthan for 15 days to attend a marriage. There she meets a Rajput boy Pavan(Arun Shankar) and falls in love with him. What happens to her there after that in that unknown land makes the content of the film.

A stranger who may be the trickster magician Kummatty comes to a village in Malabar, India.

The film interprets a story from the Uttara Kanda of the epic poem Ramayana, where Rama sends his wife, Sita, to the jungle to satisfy his subjects. Sita is never actually seen in the film, but her virtual presence is compellingly evoked in the moods of the forest and the elements. The film retells the epic from a womens' liberationist perspective, and is about the tragedy of power and the sacrifices that adherence to dharma demands, including abandoning a chaste wife.

Pooja Mathew, a spirited young girl, wants to have a love marriage in her life. Thus, she stops at nothing to impress Giri, who saved her once from a group of unruly men.

Sunny, a priest, comes to know that Vavachan is running an old age home with vile intentions. He wants the corpses of the inmates for the medical college run by his son. Sunny decides to expose this.

Pakida tells the story of Aadi who meets a mysterious and concealing traveler George Koshy Anthrapper and travels with him from Kochi to Madurai. On their way, they come across two other characters Sunny and Kani who change their lives.

Nadan is the story of a popular drama troupe owned by Devadas Sargavedi (Jayaram), which was previously possessed by his father and grandfather in the past, and speaks about the problems faced by the owner and his survival. The revival of this mighty art through the sustained effort of the talented theatre artists forms the crux of the narrative.

'Moonu Wicketinu 365 Runs' is a wholly wasted exercise that should have better stayed inside the cans. By unearthing it and presenting it before an audience in 2015, they have only managed to exhibit a fossil of a film that is a matter of discomfiture to all concerned.