Vrouwen achter de camera

Lloyd Kaufman and the Troma Team struggle against incompetence, conflict and "the man" in order to complete their latest piece of art, Terror Firmer. The documentarians hold nothing back in the fight for truly independent cinema.

In 1981, iconic Turkish film director escapes jail to France, his last work re-creating with other exiles the prison lives they left behind.

NOTFILM is a feature-length experimental essay on FILM -- its author Samuel Beckett, its star Buster Keaton, its production and its philosophical implications -- utilizing additional outtakes, never before heard audio recordings of the production meetings, and other rare archival elements.

A documentary about the comedy director and producer Judd Apatow.

A film about the career and methods of the master silent comedy filmmaker.

Right at the heart of the debates on the discrimination of women in the film industry, this documentary raises questions, while offering a voice to women and their cinema. Catherine Breillat, Claire Denis, Mira Nair, Margarethe Von Trotta, Ulrike Ottinger, Micheline Lanctot, Rakshnan Bani-Etemad, María Novaro but also the names of the less visible directors of the general public. Joining the filmmakers are the voices and comments of producers, film specialists and archivists through whom our images are meticulously preserved.

On-set documentary on the making of Ingmar Bergman's The Touch.

A documentary of uncompromising, outlaw, cult underground filmmaker Jim Van Bebber, covering his life from 2010-2015 while he tries to make a comeback and make a new exploitation film after years of struggling to work.

Documentary about the making and reception of Carl Th. Dreyer's final movie, "Gertrud."

Film 33 is the most advanced film class in a community college where the entire class teams up to make a short film. In 2023 Spring, the 23rd short film is being made. This epic documentary details the highs and lows of the production of this short film, and all the dramatic events that occurred.

In this documentary about low-budget filmmaking in upstate New York, you'll learn how affordable digital-video technology has changed the lives of the artists behind action flicks, monster movies, nonfiction stories, and comedies. "Every Pixel Tells a Story" introduces viewers to a wide range of independent filmmakers, all of whom prove that with a little ingenuity, access to the right technology, and plenty of tenacity, filmmakers can still practice their craft 3,000 miles from Hollywood. In fact, "Every Pixel Tells a Story" is an example of what can be accomplished on digital video. Producer-director Peter Hanson shot and edited the movie in a matter of weeks using a camcorder, a computer editing system, and a $30 microphone from Radio Shack, all while spending a fraction of what the documentary would have cost had it been shot on film.

An intimate look at cinematographic creation, this visual essay shares with us secrets of the legendary Canadian animator Norman Mclaren and his personal view of filmmaking.

Ostensibly a portrait of a place where the artist had resided until recently, the new film by Robert Beavers conjures not only the memory but also the physical presence of those who have previously stayed there. Adhering to a solitary intimacy while simultaneously acting as an ode to human endeavour and shared impulses toward fulfillment through art, Listening to the Space in my Room is a moving testament to existence (whose traces are found in literature, music, filmmaking, gardening) and our endless search for meaning and authenticity. The film's precise yet enigmatic sound-image construction carries a rare emotional weight.

Behind the chaos and creativity of the making of 2003's THE MANSON FAMILY directed by Jim Van Bebber. This feature-length documentary was included on the film's unrated DVD and Blu-ray releases from Severin Films.

A documentary exploring the birth, death and resurrection of illustrated movie poster art. Through interviews with a number of key art personalities from the 70s and 80s, as well as many modern, alternative poster artists, “Twenty-Four by Thirty-Six” aims to answer the question: What happened to the illustrated movie poster? Where did it disappear to, and why? In the mid 2000s, filling the void left behind by Hollywood’s abandonment of illustrated movie posters, independent artists and galleries began selling limited edition, screenprinted posters — a movement that has quickly exploded into a booming industry with prints selling out online in seconds, inspiring Hollywood studios to take notice of illustration in movie posters once more.

Video diary from behind the scenes of 2002's "Cruise of the Gods."

During the production of my Jabba documentary short, Slimy Piece of Worm Ridden Filth, I was put in contact with Toby Philpott’s colleague and Jabba’s right hand man. Literally, his right hand man, puppeteer Dave Barclay. Dave helped us, along with Toby (Jabba’s left arm), Mike Edmonds (tail) and John Coppinger (animatronic engineer) to reconstruct just how it was inside that filthy Hutt. And of course it couldn’t have been done without the amazing work of Eletrographica aka Pete Starling, who rendered all that information into a multilayered illustration. Dave was so impressed with the Jabba documentary that he asked if I would consider doing one on Yoda. Dave aged just 19 in 1979 was involved in building and puppeteering Yoda for The Empire Strikes Back. After a few email exchanges, Dave kindly found time between his work on The Muppet Show for an interview.

A documentary that tells the epic life story of Alfreda Glynn, 78-year-old Aboriginal woman, stills photographer, co-founder of the Central Australian Aboriginal Media Association (CAAMA), and Imparja TV, mother, grandmother, great grandmother, radical, pacifist, grumpy old woman, who in equal measure loves the limelight and total privacy. Part bio-pic, part social history, it details the life of a woman born beneath a tree north of Alice Springs in 1939, her childhood living under the Aboriginal Protection policies and the impact, both good and bad they had on her life.

Artist Kate Blackmore looks at motherhood and mobility, film and feminism through the prism of Margaret Dodd's 1982 classic short film 'This Woman is not a Car.'

When she realizes that her grandmother, the woman who raised her, is losing her sight, the director decides to explore the bond that unites them through the episodes of non-vision that these three generations share, the memories of the past, the misunderstandings and the new memories they seek to have in common.