Following the death of Josip Broz Tito (1892–1980), one city in each of the six republics and two autonomous regions of the Socialist Federal Republic of Yugoslavia had the honour to be named after the long-serving president. Having been chosen due to leftist ideas, proletarian character, industrialisation, urbanisation and modernity, they were often privileged. Now located across seven countries, not one of these cities is still named after Tito. We learn the stories of these cities from their residents who look back at the period under Tito’s name. Many of these stories are tragic since the majority of cities have been touched by war.
Filmed in Belgrade in 1962, Parade documents the city’s engagement with the annual May Day celebration by largely ignoring the formal procession. Instead, Dušan Makavejev records the informal moments surrounding it: workers, officials, wanderers, and organizers negotiating space, hierarchy, and appearance. Shot with a detached, humorous eye, the film assembles a mosaic of everyday behavior that reveals the contrast between official ceremony and lived social reality.
Based on a true story of a meeting in June 1945 between two powerful men with very opposite philosophies and perspectives on the future of their country.
At his school, 10-year-old Zoran wins the competition for the best essay about Tito. His reward is participation in the march "Revolutionary trails" to Tito's hometown of Kumrovec.
The lives of many people in one Serbian town are changed after Tito's breakup with Stalin.
In former Yugoslavia, following Tito's break-up with Stalin, the rocky island of Goli Otok was the camp site for political prisoners. From that officially non-existant yet dreaded place a young man escapes and seeks refuge on a nearby island. The nuns from the local convent find him unconscious and decide to give him shelter. A relentless secret policeman comes to the island and starts making life miserable for its inhabitants, hoping to find his prey...
Blue Train is Serbian atipic teenage comedy. Just before Tito's death a high school graduates in Belgrade live their normal life before the end of the school year. Spring is relaxed and they organize the election "Princess Of Spring" for the most beautiful girl in school. Vojislav is in love with Anica, friend from class. While his best friend, convinces him that the organization of the miss elections is the best way to win Anica's heart. Milena has crush in Vojislav, and she want to spoil his plan. After the death of professor of Marxism, in the school comes a new, very young and ambitious professor Božičković, a former pupil of the school. His charm and informal dress manages to win the sympathy of students, especially girls. Professor Božičković like Anica, and he shows that in front of the class. Anica and Vojislav do not appritiate that.
A young man by the name of Atif Kurtovic goes into a mine for the first time in his life to become a miner and to continue exactly where his now retired grandfather had left off. However, his fate is soon completely changed when he is picked as the face for the most valuable banknote in the country, the bill in the amount of one thousand dinars. Because of this, Atif soon finds himself on his way to Belgrade where Tito's personal photographer takes his picture and thus allows Atif to become a part of history. Into this story enters a young girl whose nickname, "Hiljadarka / A Thousand", is no accident and with whom Atif falls in love. When Tito announces his personal visit to Atif's hometown, there begins an adventure that they will all remember for the rest of their lives.
Stipan is a policeman who comes to small Adriatic island off the Croatian coast in order to investigate reported strange phenomena that had frightened the whole population. At first, nobody wants to co-operate with him, but he finally finds that the island is being allegedly haunted by the ghost of Josip Broz Tito, Communist leader of former Yugoslavia. For Luka, the mayor, this is the opportunity to turn entire island into Tito-themed amusement park. Tito's WW2 veterans, on the other hand, don't believe in ghosts; for them, the apparition is actually Tito himself, who had returned in order to lead them into a new revolution which would restore Communism. Written by Anonymous
"Frank Gehry: An Architecture of Joy" illustrates the unique intertwining of art and architecture throughout Gehry's spectacularly eclectic career. In this portrait, Gehry explores his work of the 1990's including The Guggenheim Museum in Bilbao and the Frederick R. Weisman Museum in Minneapolis, as well as his first European commission, the EMR Communication and Technology Center in Bad Oeynhausen, Germany. Seeing himself as an artist first, Gehry discusses his early relationships in the art world and how sculpture, painting and small scale work has influenced his architectural style. Like Rauschenberg, Johns, and Warhol, he has introduced "bad taste" into his concepts, while keeping himself outside of the contemporary dialogue between modernism and post-modernism. He has translated the vocabulary of contemporary art into an architectural language of his own, disobeying the rules of his profession and questioning its historic conventions.
Explores the life both on and off the track of one of NASCAR racing's greatest and most beloved icons. The fast-paced documentary creates an in-depth look behind the man by spending one 24-hr-period with Jeff Gordon, as well as a documentary-style retrospective of his career and lifestyle. Get to know Jeff the driver, the family man, the adventurer, the entrepreneur, and the philanthropist.
The New Modernists: Folds, Blobs and Boxes, Architecture in the Digital Era approaches the topic of artistic technological advances, and the modern architects who were educated with this new influx of electronic techniques. In this detailed portrait we visit the exhibition entitled Folds, Blobs + Boxes at the Carnegie Museum of Art where ten architect/designers discuss their approaches to digital architecture with curator of the exhibition, Joseph Rosa. By abandoning the traditional notions of aesthetic beauty, scale and proportion, a new freedom has formed amongst these contemporary creators.
This film documents the efforts of a group of Canadians and Americans to save the whooping crane from extinction. They display great determination in their dealings with this independent, pre-Ice Age creature. The issues of wild animals imprinting on people and the preservation of wild animals in captivity are examined in this film. Produced in cooperation with the Canadian Wildlife Service and the United States Fish and Wildlife Service.
Produced in 1967, this black and white film is an inmate's view of Daytop, a drug treatment centre on Staten Island, New York, where addicts learn to get along without drugs. Uncompromising, often brutal group therapy sessions are designed to shake loose the excuses a victim makes for himself. The people and situations shown are authentic; only one actor was employed. The results obtained at Daytop are regarded by some psychiatrists as a breakthrough.
A celebrity-filled look at the opening festivities for Walt Disney World in Florida.
Four nights in Caracas. A documentary essay about chaos and civilization.
This powerful film documents the hardships, tragedy and loss suffered by the prolific Southern writer and novelist Harry Crews. Interviewed by artist and filmmaker Tyler Turkle, Crews’ state of mind is revealed in a rapid-fire and startling narrative of emotional and physical pain and suffering. From his home in Gainesville, Florida, Crews provides details of his near fatal childhood coupled with stark tales of his adult alcoholism and drug abuse and the tragic, accidental drowning of his first born son. Throughout, Crews remains as tough as nails in his delivery of personal experiences and exploits which he sums up by quoting Mark Twain: “I have reached the age of seventy by strictly following a regimen that would have killed anybody else.”
A tribute to the late, great French director Francois Truffaut, this documentary was undoubtedly named after his last movie, Vivement Dimanche!, released in 1983. Included in this overview of Truffaut's contribution to filmmaking are clips from 14 of his movies arranged according to the themes he favored. These include childhood, literature, the cinema itself, romance, marriage, and death.
Le Club: Claude Jade
This short begins at Boulder Dam (now Hoover Dam). The electricity generated here by the Colorado River is sent to Hollywood, where movie studios need it to make movies. After a tour of the MGM studios' power plants, we see short advertisements for upcoming MGM releases.