Love!

Mater the tow truck travels from country to country as he retells his infamous but unbelievable stories.

Doug is having a very bad day. Terminally broke and facing eviction, he's charged by his estranged partner, Julie, with the task of looking after his son, Billy, for the day; while simultaneously having to get rid of the family dog - Billy's best and only friend. Welcome to the doghouse.

A down-and-out Englishman, mistaken for a duke, is invited (for $50.00) to meet the wife of a gangster who is a passenger on a boat chartered by gangsters. When he cannot initially find his wife, the gangster tells the "duke" to remain in his room with his daughter while he finds the wife. Crazy complications ensue!

A weapons deal between a white supremacist and a member of the Islamic State blossoms into more.

A man ran into a woman on a street. She was not attractive, but was a perfect girl for him. After missing the chance to talk to her, he contemplates on how he should have approached her.

Ethan lives separate lives as a socially awkward college student by day and a fearlessly glamorous drag queen by night. That is, until his life is turned upside-down by Kekoa, his school crush. As his two worlds collide, Ethan is forced to confront his fear of change in order to win the boy of his dreams.

After receiving the key to the city for their heroic efforts, Rocket J. Squirrel notices that Bullwinkle falls in love with a robotic moose. Unbeknownst to him, inside the moose is Boris Badinov, who, along with Natasha Fatale and Fearless Leader, are carrying out another plan to eliminate Rocky & Bullwinkle.

In school, 9-year old Julian gets into trouble for squealing a bully and therefore disturbing class.

Mike and Sulley are back at Monsters University for a fun-filled weekend with their Oozma Kappa fraternity brothers. The gang is throwing their first party, but no one’s showing up. Luckily for them, Mike and Sulley have come up with a plan to make sure “Party Central” is the most epic party the school has ever seen.

After amusements working in a restaurant, a waiter uses his lunch break to go roller skating.

A pawnbroker's assistant deals with his grumpy boss, his annoying co-worker and some eccentric customers as he flirts with the pawnbroker's daughter, until a perfidious crook with bad intentions arrives at the pawnshop.

A tailor's apprentice burns Count Broko's clothes while ironing them and the tailor fires him. Later, the tailor discovers a note explaining that the count cannot attend a dance party, so he dresses as such to take his place; but the apprentice has also gone to the mansion where the party is celebrated and bumps into the tailor in disguise…

In a magicians’ private stand-off, two practitioners must brave tricky challenges to demonstrate a hidden ability. They conjure animal illusions, consume light bulbs, and face the choice between antagonism and friendship.

Now aged 17, Antoine Doinel works in a factory which makes records. At a music concert, he meets a girl his own age, Colette, and falls in love with her. Later, Antoine goes to extraordinary lengths to please his new girlfriend and her parents, but Colette still only regards him as a casual friend. First segment of “Love at Twenty” (1962).

Ben has been training hard for a year in order to participate in an important competition.

Ray does not know what he is doing at a party full of strangers.

Wallace and Gromit have run out of cheese, and this provides an excellent excuse for the duo to take their holiday to the moon, where, as everyone knows, there is ample cheese. Preserved by the Academy Film Archive.

Wallace rents out Gromit's former bedroom to a penguin, who takes up an interest in the techno pants created by Wallace. However, Gromit later learns that the penguin is a wanted criminal. Preserved by the Academy Film Archive.

Wallace's whirlwind romance with the proprietor of the local wool shop puts his head in a spin, and Gromit is framed for sheep-rustling in a fiendish criminal plot.

An anguished woman awaits her love. A film is made about this. The parallels between the love between the woman and the film team are interspersed and show how this feeling can be both a pain and a joy.