Love!

Hoot Kloot is guarding the cattle from the notorious cattle rustler Billy the Kidder. Billy's strange goal? Steal the cows so he can set them free in the wild.

Jimmy Arnaud eulogizes his mother.

A countdown with cakes - made by PES.

An young urban cowboy copes with the death of his best friend.

A woman is locked in her home with an egg, which she is both attracted to and scared of. She eats the egg, she repents. She kills it. She lets the egg die of hunger. EGG is a poetic short film based on a small yet significant moment of the director’s own life. It portrays a moment of shame, defeat and yet of victory.

A young mother discovers a homeless woman is nesting in her house.

To the toccata portion of Bach's "Toccata and fugue in D minor," we watch a play of sorts. Blue smoke forms a background; a grid of black lines is the foreground. Behind the lines, a triangle appears, then patterns of multiple triangles. Their movements reflect the music's rhythm. Behind the barrier of the black lines, the triangle moves, jumps, and takes on multiple shapes. In contrast with the blue and the black, the triangles are warm: orange, red, yellow. The black lines bend, swirl into a vortex, then disappear. The triangle pulsates and a set of many of them rises.

Because of a storm, the Gang has to stay overnight at Darla's house, and they drive her father crazy.

While trying to track down Butch, Spanky and Alfalfa get caught up in a dance recital.

When they overhear Miss Witherspoon, the school superintendent, say that nothing short of an epidemic will allow the school to be closed for a week, the Our Gang conspire to fake illness.

The role of African Americans in the recovery years of the Great Depression is the subject of this informational short, which offers an idealized depiction of life in a segregated society. The highlight, by far, is rare footage of Orson Welles’s “Voodoo Macbeth,” produced in 1935 for the New York Negro Unit of the WPA’s Federal Theatre Project.

Junior and Pudgy slip away from Betty Boop's care to go hunting with a pop-gun.

Alfalfa tries to back out of a fight by pretending to be incapacitated.

While Alfalfa was away at military school, his letters to his friends back home bragged about how he was a star football player. Now that he's back home, he has to prove it.

Alfalfa and Butch are competing in an amateur radio contest, and Butch tries to fix it so that he will win.

Butch challenges Alfalfa to a fight.

The gang promises to keep away from girls on St. Valentine's Day, but Alfalfa can't resist Darla.

In a world wherein cars act like humans, Junior wants to be a taxi, but his mother wants him to grow up to be a nice touring car like his father. Mom doesn't know that Junior sometimes skips school and ventures into the city to ride in traffic, drink hi-test gas, and race trains.

Home is more than a place where we live. It is also a feeling of trust, being within your family. This feeling is transferred from generation to generation. This film follows a little boy losing his home through mourning and relocation, and questions if it is possible to recapture the feeling in another place. A central theme in the film is the nature of connections between generations. Differences, similarities, and behaviour patterns that are transferred between the old and the new worlds. They tie together individuals and generations in a family the same way as fine silk threads interlace within the cloth.

Camille is about to take a bath when a child appears and questions the identity she has built up until now. After having a talk with whom she should have become, she fully embraces the doubts and issues that come with the construction of one’s unique identity.