The Sound of Your Voice

A man confronts his past during an experiment that attempts to find a solution to the problems of a post-apocalyptic world caused by a world war.

Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.

We were slightly feverish when we started working with a particular color process. At the development, we had obtained wonderful tones of blue and yellow as well as colored solarizations. Thus, this process was used for 15 days then the fever subsided. At that time they listened to the music of Gilbert and Lewis, and that is why they put a piece on the soundtrack.

An associative linking of erotic and pornographically suggestive transformations, whereby the unity is preserved by placing the action in a frame.

An obsessive true crime fan is given the opportunity to write his own episode, but takes on more than he can handle.

Anémona and Pisces live a capicua experience: they are at the same time the woman who looks, the woman who is looked at, and the very act of looking. Between fractal scenes and images multiplied in reference to Man Ray, Anémona assumes the will to, through the state of trance, always be a foreigner within herself, while Pisces goes in search of an alien vision, to assume herself as the self and otherness to understand the world.

A former collegiate athlete and his best friend struggle with the turmoil of Multiple Sclerosis.

Part of MGM's "Crime Does Not Pay" series, this short film focuses on crimes revolving around pension scams.

A disturbed young man pushes away his exurban family to seek wildness in the woods. The boy's urge for the primitive manifests in his bedroom at home and in a wild dog he follows through the countryside.

Professor Barbenfouillis and five of his colleagues from the Academy of Astronomy travel to the Moon aboard a rocket propelled by a giant cannon. Once on the lunar surface, the bold explorers face the many perils hidden in the caves of the mysterious planet.

Filmmaker Alain Resnais documents the atrocities behind the walls of Hitler's concentration camps.

Tom, a young architect from Tel Aviv, accepts his partner Nimrod's offer of a threesome with Or. The meeting with Or changes the couple's relationship.

A hook-up between two young men - they make a connection, but it quickly becomes apparent they're looking for different things.

Diego is 17 and is full of life, yet fragile. His best friend Antonio knows and indulges his weaknesses, but he would also like to see him strong and masculine. One night they meet Maria, a breezy natural beauty. To show that he is a 'real man', Diego, is ready to do anything, even to force himself to do things he would never have wanted to do.

A group of people are standing along the platform of a railway station in La Ciotat, waiting for a train. One is seen coming, at some distance, and eventually stops at the platform. Doors of the railway-cars open and attendants help passengers off and on. Popular legend has it that, when this film was shown, the first-night audience fled the café in terror, fearing being run over by the "approaching" train. This legend has since been identified as promotional embellishment, though there is evidence to suggest that people were astounded at the capabilities of the Lumières' cinématographe.

A young woman is late for an important job interview when she notices a woman falling ill just as the train drives into the station.

A king hides an embarrassing secret - and it causes him to execute every barber who cuts his hair.

Now aged 17, Antoine Doinel works in a factory which makes records. At a music concert, he meets a girl his own age, Colette, and falls in love with her. Later, Antoine goes to extraordinary lengths to please his new girlfriend and her parents, but Colette still only regards him as a casual friend. First segment of “Love at Twenty” (1962).

A meditation on My Lai.