Setlist: One Step Closer Lying From You Somewhere I Belong No More Sorrow Papercut Points of Authority Given Up Don't Stay From the Inside Leave Out All the Rest Numb Pushing Me Away (Piano Version) Breaking the Habit In the End Crawling What I've Done Encore: The Little Things Give You Away Bleed It Out Faint
Jun is a university student. She meets high school student Haru. Haru is looking for Sachiko, the ex-girlfriend of her now deceased father. Jun and Haru meet Tokio. Tokio is the grandson of Sachiko and they learn that Sachiko is now deceased. They find an open-reel tape from Sachiko's articles.
Poet, musician, visual artist, and Afrofuturist Moor Mother roams a hallucinatory Mojave Desert alone. Meanwhile, in Los Angeles, Moor Mother visits the Pan Afrikan Peoples Arkestra HQ and plays with jazz luminaries and elders, including Henry “The Skipper” Franklin, Michael Session, and Maia.
Accompanying short film for Wasia Project's EP of the same name.
Two-part docuseries capturing the group's iconic 2024 performances at I-Days Milano, BST Hyde Park, and Lollapalooza Chicago, highlighting their preparation, energy, and global impact.
Three families struggle to find their true selves and their soulmates in a world full of expectations, pressure and obstacles. Inspired by real events, this film shows how they pursue their dreams and potential without losing themselves.
Danton and Robespierre were close friends and fought together in the French Revolution, but by 1793 Robespierre was France's ruler, determined to wipe out opposition with a series of mass executions that became known as the Reign of Terror. Danton, well known as a spokesman of the people, had been living in relative solitude in the French countryside, but he returned to Paris to challenge Robespierre's violent rule and call for the people to demand their rights. Robespierre, however, could not accept such a challenge, even from a friend and colleague, and he blocked out a plan for the capture and execution of Danton and his allies.
Manchester, 1976. Tony Wilson is an ambitious but frustrated local TV news reporter looking for a way to make his mark. After witnessing a life-changing concert by a band known as the Sex Pistols, he persuades his station to televise one of their performances, and soon Manchester's punk groups are clamoring for him to manage them. Riding the wave of a musical revolution, Wilson and his friends create the legendary Factory Records label and The Hacienda club.
Diego is one of the chiefs of the Spanish Communist Party. On his way from Madrid to Paris, he is arrested at the border for an ID check but manages to get free. When he arrives in Paris, he starts searching for one of his comrades to prevent him from going to Madrid where he could be arrested.
Violin virtuoso David Garrett has chosen a spectacular location for his concert in Sicily: the Teatro Antico in Taormina. The program includes compositions by Vivaldi, Schumann, Saint-Saëns, Kreisler and many others, including original arrangements. Also on stage will be the Teatro Vittorio Emanuele Orchestra of Messina, conducted by Gianna Fratta.
Two women return to their hometown for the funeral of a friend who has taken his own life. They find themselves reconnecting with their old community at Lovers, the local dive bar music venue that hasn’t changed in the years since they left. The friends face their shared loss, and are reminded of the power of coming together through music.
A metacinematic reflection on the nature of representation and the ongoing drug war in Mexico, Nicolás Pereda’s Flora revisits locations and scenes from the mainstream 2010 narco-comedy El Infierno, exploring the paradoxes of depicting narco-trafficking on film—its tendency both to romanticize and to obscure. To screen is both to project and to conceal.
Meet the Raisins! spoofs musical documentaries with its use of anthropomorphic food characters. Through its historical perspective, the special also provided an opportunity to elaborate on the personalities and introduce names of the simple yet popular characters. It follows the California Raisins' humble beginnings, rise to musical success, fall from stardom, and eventual comeback. This includes "home movie" clips, scenes of the group's early days as the Vine-Yls, concert footage, and interviews with the people behind the success of the California Raisins including manager Rudy Begaman. The group is also shown performing various hit songs
A short film exploring queerness, blackness and religion.
The film is about the difficult situation in which the Pakistanis in particular and the Muslims in general are caught up since 9/11. There is a war going on between the Fundamentalists and the Liberal Muslims. This situation is creating a drift not only between the Western world and the Muslims, but also within the Muslims. The educated and modern Muslims are in a difficult situation because of their approach towards life and their western attire. They are criticized and harassed by the fundamentalists and on the other hand the Western world sees them as potential suspects of terrorism just because of their Muslim names.
In the sixties, Eddie and the cruisers was the hottest band around. But the tragic death of its lead singer broke the band up. Only Eddie is not dead. He works as a carpenter in Montreal. His love of music forces him to create a new band which will have to struggle with its anonymity.
Animusic draws you into its reality like no place you have ever been. You encounter new dimensions of sight and sound as you experience seven unique visual concerts. From the robotic laser-precision of Future Retro and rapid-fire ball bearings of Pipe Dream to the serene acoustic beauty of Aqua Harp, each animation is an intricate melding of music and visuals.
A documentary crew films heavy metal band Bad News as they have trouble starting their van, pick up a schoolgirl groupie, and meet up with rock journalist Sally at a motorway service station where they argue about the cost of sausage and chips.
In near-future New York, ten years after the “social-democratic war of liberation,” diverse groups of women organize a feminist uprising as equality remains unfulfilled.
In February, Just Jam's event at The Barbican was cancelled at the last minute. It was an event that seemed to be yet another victim of the London authorities now notorious risk assessment procedure, Form 696.