The Space Race

The short film for Kelsea Ballerini's Grammy nominated album Rolling Up the Welcome Mat.

An accompanying short film to TÁR (2022).

A journey of a 7 year-old boy's acceptance of his grandpa's death in a traditional Taiwanese funeral.

An animated interpretation of a rocket voyage to the moon demonstrates the scientific principles at play in theoretical space travel (such as gravity).

Rare theatrical promo for the Christmas Seals charity, showing the busy daily routine of an urban everyman and offering the health wisdom of eight hours of sleep each night.

Johann Lurf‘s film Endeavour slides between documentary, avant-garde film, and science-fiction. This highly singular combination of materials and techniques gives the viewer of Endeavour a feeling of flight, as the film continually evades the gravity of genres and definitive definitions. Lurf uses NASA footage from a day and a night launch of the space-shuttle that follows the booster rockets from take-off to splashdown.

Alex returns to his village with Jordi, after a while, in order to celebrate San Juan night. However, due to a summer storm, they have to shelter in an old abandoned house where both played when they were children. In there, some conflicts of the past will turn up.

Fran has a picture and a goal: to beat up the boy who appears in it.

Diane the Zebra Woman follows four women’s misadventures through the streets of New York City in 1962. All played by Flame Schon, the characters consist of The Detective, The Mother, The Child, and the Medium. Evocative of the scene from which it emerged, the film features cameos from integral figures like William Levy, Jonas Mekas, Paul Morrissey and features an original score composed by Malcolm Goldstein.

An accidental encounter with an uninvited guest disrupts Alice's life. As her husband Tom's hidden secret gradually surfaces, Alice finds herself one of the bio-mechanical substitutes of his deceased wife.

One of Shakespeare’s early comedies, The Comedy of Errors is a fast-paced farce exploring mistaken identities and relations lost and found. This production was captured by Digital Theatre live at the Clapham Community Project. It was devised specifically for schools and families by the Royal Shakespeare Company in collaboration with critically acclaimed theatre company, Told by an Idiot. Directed by Paul Hunter, it features a cast made up from the RSC’s ensemble and uses a pared down script, props, live music and physical comedy to convey the story.

Basking in a theatres lights, a realm of dust particles dances in unison. One sprite suddenly gets the chance to be centre stage…

Babhruvahana, like Arjuna at the beginning of the Kurukshetra war, faces a moral dilemma. Can he risk harming his parents? While Chitarangada alerts Arjuna to shoot an arrow at their son and take advantage of Babhruvahana’s momentary lapse due to a sense of devotion towards them (as Arjuna did with Karna), Uluci, the Naga princess and yet another abandoned wife of Arjuna’s, reminds Babhruvahana of the teaching of the Kurukshetra battle that in the battlefield there is no space for feelings even towards parents. What Babhruvahana must do is to establish his mother’s good name and thereby his own character. This film captures this conflict spectacularly. The eerie parallels with the moral dilemmas of the great Mahabharata battle aside, here all the familial relationships (in particular, strong mothers and dutiful sons) become exaggerated and demand our attention.

A man wanders out of the desert not knowing who he is. His brother finds him, and helps to pull his memory back of the life he led before he walked out on his family and disappeared four years earlier.

A man is sent back and forth and in and out of time in an experiment that attempts to unravel the fate and the solution to the problems of a post-apocalyptic world during the aftermath of WW3. The experiment results in him getting caught up in a perpetual reminiscence of past events that are recreated on an airport’s viewing pier.

Hard-to-crack ex-CIA man Jack Byrnes and his wife Dina head for the warmer climes of Florida to meet the parents of their son-in-law-to-be, Greg Focker. Unlike their happily matched offspring, the future in-laws find themselves in a situation of opposites that definitely do not attract.

Instead of flying to Florida with his folks, Kevin ends up alone in New York, where he gets a hotel room with his dad's credit card—despite problems from a clerk and meddling bellboy. But when Kevin runs into his old nemeses, the Wet Bandits, he's determined to foil their plans to rob a toy store on Christmas Eve.

Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.

A wretch employee wins a lot of money in the lottery and loses his mind. When he comes out of the mental hospital, he finds out that things at his home have changed radically.

Military sounds chatter and static. Crackling voices over the ether. On a wooded road two girls are driving, lost amongst the endless forest. The road finally runs out. ..Road Closed. Strange noises surround them, the ferns begin to move, something is closing in... They are not alone in these woods.