Munchers: A Fable

Not long ago, a boy Makarka lived in this area. One day after his grandmother left for the city, Makarka cleared up and began to break trees, shoot nests with chicks, cut his own name on the trunk of a tree. An old oak tree made a remark to him: is it possible? On this insolent Makarka boldly said that nothing terrible. Then the angry trees and birds decided to teach the unfit boy a lesson, and something like that started, from which the bully reluctantly had to think and ask for forgiveness.

Curiosity brings fleeting interest, but the collision and divergence caused by the individual difference ultimately make each other go separate ways. The bystander leaves after whispering, they say an accordion could never talk to a white horse.

Shaun's seasonal excitement turns to dismay when a farmhouse raid to get bigger stockings for the flock inadvertently leads to Timmy going missing. Can Shaun get Timmy back before he becomes someone else’s present?

Junior is a preteen worm who struggles to be accepted by his peers, only to get bullied for being spoiled by his overprotective mother. One day, while in an attempt to impress his friends, he is accidentally brought up to the surface by a shovel, thus starting a journey with great adventures and very high stakes - not only for the little hero, but also to the entire worms society. To get back home and save his own kind, Junior must first learn the powers of self-respect, trust and true friendship.

When Shaun decides to take the day off and have some fun, he gets a little more action than he bargained for. A mix up with the Farmer, a caravan and a very steep hill lead them all to the Big City and it's up to Shaun and the flock to return everyone safely to the green grass of home.

Our protagonist wakes up, lost and confused in the middle of a place he doesn’t know, looking for answers he doesn’t get. Stop motion adaptation of the Stephen King short story "The Killer"

Three surreal depictions of failures of communication that occur on all levels of human society.

Mickey, Minnie, Goofy, Donald and Daisy are trick-or-treating when Donald spies the spookiest mansion he’s ever seen and assumes it has the best treats. After he convinces his friends to risk a visit, the owner, Witch Hazel, casts a spell that turns them into their costumes.

Debbie goes to Hell after committing suicide. Once there, she finds herself in the middle of a power struggle. The Devil asks her to get his horns back so that he can regain control of his realm.

A non-narrative film thematising the eternal struggle of human life in a series of scenes connected by associations and accompanied by a strong music motif.

the tale of the Dodo seen through a child's eyes

Two pieces of meat fall in love.

After being kidnapped and escaping, young drummer boy Aaron searches for his camel and finds him in the Nativity of the Baby Jesus. Aaron gives Baby Jesus the only gift he has, a song on his drum.

Circa 1963 - 1975. This is possibly test footage or something for a beer commercial, or something for a variety show of some sort. Dennis Muren animated it with replacement animation. The same technique that was used with George Pal's Puppetoons and the animation of the title character with The Beast From Hollow Mountain (1956). In fact, this technique is used today from Tim Burton to Laika.

A man is trapped in a sinister flat, where nothing seems to obey the laws of nature.

A quiet young English girl named Alice finds herself in an alternate version of her own reality after chasing a white rabbit. She becomes surrounded by living inanimate objects and stuffed dead animals, and must find a way out of this nightmare - no matter how twisted or odd that way must be.

A very free adaptation of Marlowe's "Doctor Faustus", Goethe's "Faust" and various other treatments of the old legend of the man who sold his soul to the devil. A nondescript man is lured by a strange map into a sinister puppet theatre, where he finds himself immersed in an indescribably weird version of the play, blending live actors, clay animation and giant puppets.

Disney used animation here to explain through this wonderful adventure of Donald how mathematics can be useful in our real life. Through this journey Donald shows us how mathematics are not just numbers and charts, but magical living things.

Based on elements from the stories of Mark Twain, this feature-length Claymation fantasy follows the adventures of Tom Sawyer, Becky Thatcher and Huck Finn as they stowaway aboard the interplanetary balloon of Mark Twain. Twain, disgusted with the human race, is intent upon finding Halley's Comet and crashing into it, achieving his "destiny." It's up to Tom, Becky, and Huck to convince him that his judgment is wrong and that he still has much to offer humanity that might make a difference. Their efforts aren't just charitable; if they fail, they will share Twain's fate. Along the way, they use a magical time portal to get a detailed overview of the Twain philosophy, observing the "historical" events that inspired his works.

“Phantom Requiem" unfolds in the desolate expanse of an abandoned factory, where shadows and silence are the only remnants of a once-thrumming industrial heartbeat. In this spectral setting, a coterie of puppets emerges—ethereal figures, each step and gesture echoing the dissonant unraveling of a viewer ensnared in a psychotic fugue. Rendered in austere black-and-white, this stop-motion film marries the macabre grace of desolation with the intimate terror of mental dissolution, crafting a visual poem that is both stark and sublime