Empor

Kangqiao is an ordinary office girl, and her boyfriend Zhang Yu is a DJ on a midnight radio show. They only meet for dinner from 6 to 9 in the evening. Part of the short-films series "美好2012之勇敢愛"

Living with OCD, Anna has an organized routine. This balance breaks when her sister forgets a piece of instrument. To bring it back, Anna has to face a world out of her control in which her fears materialize.

A man undergoes a ritual in which he is possessed by three lustful, witchy women of decidedly supernatural pedigree. After his acclaimed Thanatomorphose, genre filmmaker Éric Falardeau is both behind and before the camera in this sensory extravaganza, somewhere between an occult hallucination and a self-portrait of conflicted masculinity, that serves up a heady mix of horror, poetry and unbridled eroticism. A tribute to the magic of Méliès, the early American avant-garde and underground film (think: Kenneth Anger), Asmodeus renders bodies and fluids transcendent through its use of textured black-and-white Super 8 and in-camera special effects. A cinematic memento mori that’s at once carnal and otherworldly.

Simon Says

In a Chinese style garret, four men were playing Mahjong. A woman stood aside in silence, holding a bottle of liquor.They all had hidden cravings of their own, unaware that they would be invariably led to the ultimate doom.

Camila and Julia play hide and seek in a house where there is an evil presence.

An abstract exploration of memory and loss.

Wallace and Gromit have run out of cheese, and this provides an excellent excuse for the duo to take their holiday to the moon, where, as everyone knows, there is ample cheese. Preserved by the Academy Film Archive.

Wallace rents out Gromit's former bedroom to a penguin, who takes up an interest in the techno pants created by Wallace. However, Gromit later learns that the penguin is a wanted criminal. Preserved by the Academy Film Archive.

When a glamour photographer runs over a child's pet, he's forced to fabricate a story about its disappearance.

Short animation by Al Jarnow based on the work of British poet Edward Lear. Made at NYU.

A stream of consciousness experiment committed directly to celluloid, Jarnow pays homage to Stan Brakhage and Harry Smith. Abstract designs transform self portraiture, lettering tests and images traced from other films including a Charlie Chaplin short.

Jarnow's first work for Sesame Street and the Children's Television Workshop - yak is a goofy take on the letter "Y."

Tondo introduces the cosmic formalism that was the primary theme of Al Jarnow's independent films. An infinite gridscape alternates with vibrating etchings, spirograms and other surreal realities.

Intended to be an "animation machine," Four Quadrant Exercise finds Jarnow adapting a perspective system, enabling him to render complex motions almost automatically. Created prior to the streamlined ease of computer software, this short is a commitment to the joy of making marks on paper.

The primary motif in this silent picture is a grid that controls the shapes and motions of forms contained within the framework of a rotating cube. Constructed from interlocking cycles, the film explores branches and loops along paths laid down by geometric logic.

Part structural film, part landscape film, this six-screen installation recreates the experience of hypnagogia –the transitional state from wakefulness to sleep– during morning commutes in NYC. It maps the architecture of the six bridges that connect Manhattan to the rest of the world by using an artifact to cover the lens of the camera: the colors and flickers of the videos are a result of the interactions of the artifact and direct sunlight being interrupted by the different architectural features of the bridges.

A group of people are standing along the platform of a railway station in La Ciotat, waiting for a train. One is seen coming, at some distance, and eventually stops at the platform. Doors of the railway-cars open and attendants help passengers off and on. Popular legend has it that, when this film was shown, the first-night audience fled the café in terror, fearing being run over by the "approaching" train. This legend has since been identified as promotional embellishment, though there is evidence to suggest that people were astounded at the capabilities of the Lumières' cinématographe.

On a date, a young Korean-American attempts to hide an embarrassing secret.

Short animation by Bernardo Britto