Independence

"Africa Light" - as white local citizens call Namibia. The name suggests romance, the beauty of nature and promises a life without any problems in a country where the difference between rich and poor could hardly be greater. Namibia does not give that impression of it. If you look at its surface it seems like Africa in its most innocent and civilized form. It is a country that is so inviting to dream by its spectacular landscape, stunning scenery and fascinating wildlife. It has a very strong tourism structure and the government gets a lot of money with its magical attraction. But despite its grandiose splendor it is an endless gray zone as well. It oscillates between tradition and modernity, between the cattle in the country and the slums in the city. It shuttles from colonial times, land property reform to minimum wage for everyone. It fluctuates between socialism and cold calculated market economy.

Documentary following Serbian football coach Zoran Đorđević as he helps form South Sudan's first national football team.

New York trapper Tom Dobb becomes an unwilling participant in the American Revolution after his son Ned is drafted into the Army by the villainous Sergeant Major Peasy. Tom attempts to find his son, and eventually becomes convinced that he must take a stand and fight for the freedom of the Colonies, alongside the aristocratic rebel Daisy McConnahay. As Tom undergoes his change of heart, the events of the war unfold in large-scale grandeur.

In 1920s Ireland young doctor Damien O'Donovan prepares to depart for a new job in a London hospital. As he says his goodbyes at a friend's farm, British Black and Tans arrive, and a young man is killed. Damien joins his brother Teddy in the Irish Republican Army, but political events are soon set in motion that tear the brothers apart.

In the summer of 1863, General Robert E. Lee leads the Confederate Army of Northern Virginia into Gettysburg, Pennsylvania with the goal of marching through to Washington, D.C. The Union Army of the Potomac, under the command of General George G. Meade, forms a defensive position to confront the rebel forces in what will prove to be the decisive battle of the American Civil War.

The essay by René Vautier, "Déjà le sang de Mai ensemençait Novembre", starts with the recapitulation of the representations of Algeria throughout the history of visual arts in France in an effort to explore the causes for the quest for independence.

Documental about the Second Independence of Chile. Images and videos from the period before and after September 11th, 1973

Children of War is a movie based on the true events of the 1971 Genocide. Can we, in search of power, become animals? A genocide; neglected! The first use of rape as a weapon of war; undocumented! The lives of millions; unaccounted! The culprits; unpunished!

This film is the product of a seven-year research journey on the popular insurrection of December 1960 in Algeria and the failure of the counter-insurrection, thanks to the Wretched of the Earth themselves.

Brown sauce spills onto the plate and table in Wolfram Kohler's collage-like exploration of politics in South Tyrol during the explosive and nationalist commemoration year of 1984.

Independence Day celebrations in Ghana, including ceremonies and pageants and the opening of the Ghana Parliament by the Duchess of Kent. The commentary makes a strong plea for racial tolerance, as well as mentioning the possibility of united all-black African continent.

A universal story about entering adulthood in difficult times, growing up to the community. The great history is the background for the love story unfolding in the foreground: Józek, a deserter from the tsarist army who joins the emerging Legions, an intelligence agent for the I Brigade and Women’s Leage member – Ola, and Tadek, her fiancée, a member of Shooting Team.

Anna, Pina, Teresa reinterprets the pivotal scene in Rossellini’s “Roma Città Aperta” where Anna Magnani, who plays the character Pina, (based on the story of Teresa Gullace,) is murdered on the streets of Rome by the Fascist police. This scene is characterized by three movements performed by Magnani — resistance, running and falling. Filmed in the Sala Scherma at Foro Italico in Rome (Mussolini’s fencing studio designed by Moretti) Anna, Pina, Teresa examines the contemporary and historical dynamics between an urban Fascist space and movements of resistance.

The band Fugazi is documented over a period of more than ten years (1987-1998) through performance footage and interviews with the band and their fans. Director Jem Cohen's relationship with band member Ian MacKaye extends back to the 1970s when the two met in high school in Washington, D.C.. The film takes its title from the Fugazi song of the same name, from their 1993 album, In on the Kill Taker. Editing of the film was done by both Cohen and the members of the band over the course of five years. It was shot from 1987 through 1998 on super 8, 16mm and video and is composed mainly of footage of concerts, interviews with the band members, practices, tours and time spent in the studio recording their 1995 album, Red Medicine. The film also includes portraits of fans as well as interviews with them at various Fugazi shows around the United States throughout the years.

The battle-scarred hero of the Greek Revolution, Giannos "Astrapogiannos", returns home after the end of the blood-soaked War of Independence, only to find himself in a new conflict, as he locks horns with a ruthless local Kodjabashis.

Everyone knows the story of Paul Revere and his famous midnight ride to warn colonial forces of the British approach. But history books don't tell of the man who sent Revere on his mission: Joseph Warren, America's least remembered founding father. Uncover the forgotten history of Warren and stories of other unsung heroes in our fight for independence in The American Revolution.

The film’s events take place on a single day: August 24, 2022, the day Ukraine celebrates the 31st anniversary of the renewal of independent statehood. The film combines places and people that best capture the country’s wartime spirit. The locations are: the relatively safe cities of Kyiv and Lviv; the cities under daily missile fire of Kharkiv and Mykolaiv; a trench at the frontlines near Donetsk; and the beaches of Odesa. The film presents a day in the life of a beach police patrol, a woman anti-tank missile operator, a water delivery driver, a mortar unit soldier, a rapid assault unit soldier, a 14-year-old pub janitor, an artist and a former member of parliament. Together, these people and places create an engaging mosaic of a day in the life of Ukraine.

Most people don't think about singing when they think about revolutions. But song was the weapon of choice when, between 1986 and 1991, Estonians sought to free themselves from decades of Soviet occupation. During those years, hundreds of thousands gathered in public to sing forbidden patriotic songs and to rally for independence. "The young people, without any political party, and without any politicians, just came together ... not only tens of thousands but hundreds of thousands ... to gather and to sing and to give this nation a new spirit," remarks Mart Laar, a Singing Revolution leader featured in the film and the first post-Soviet Prime Minister of Estonia. "This was the idea of the Singing Revolution." James Tusty and Maureen Castle Tusty's "The Singing Revolution" tells the moving story of how the Estonian people peacefully regained their freedom--and helped topple an empire along the way.

On November 11, 2020, the day on which Angola celebrates the 45th anniversary of its independence, Cine Africa joins the Angolan audiovisual production company Geração 80 to show documentaries of the project “This is our Memory”, stimulating the production of memory about this historic landmark in the country. All were acquired under the initiative of the Tchiweka Documentation Association called “Angola - On the Rails of Independence”.

Functions without theaters, murals without walls, clothes without fabrics and students without schools says the necessary about the state abandonment and but also talent and creativity of Colombians, which it has nothing to lose. The documentary tells the story of the beginnings and resilience of several artist from Barranquilla in different disciplines in continuing to maintain and diversify the living culture, that remain to exist.