Through archival footage and testimonies from professors, students, staff, and graduates, the documentary traces the history of the National University of Arts, focusing on the Audiovisual Department, while critically addressing the impact of the current government's underfunding of education and cultural institutions in Argentina.
The first French anti-colonialist film, derived from an assignment in which the director was to document educational activities by the French League of Schooling in West Africa. Vautier later filmed what he actually saw: “a lack of teachers and doctors, the crimes committed by the French Army in the name of France, the instrumentalization of the colonized peoples.” For his role in the film, Vautier was imprisoned for several months. The film was banned from public screening for more than 40 years.
Biographical trans documentary film in which Iris Mozalar, a young artist, shares her diversity of being a bisexual transgender woman, the process of creating herself and her reflections against society.
Resistance fighter under the occupation, committed to the FLN during the Algerian war, member of the Medvedkine group after May 1968 and defender of Breton autonomy, René Vautier was a committed filmmaker, author of an anti-colonialist work in which he denounces the repression, torture and racism. In 1983, René Vautier discovered, by the light of a flashlight, his films cut up and scattered at Fort du Conquet. Police also came to check the damage.
When a massive Chinese factory complex attempts a high-stakes expansion in rural Ethiopia, three women in search of prosperity have their faith in industrialization tested to the limit. Filmed over four years with singular access, Made in Ethiopia lifts the curtain on China’s historic but misunderstood impact on Africa, and explores contemporary Ethiopia at a moment of profound crisis. The film was awarded the Jury Special Mention at Tribeca Festival.
Under the pretext of fighting terrorism or crime, the major powers have embarked on a dangerous race for surveillance technologies. Facial recognition cameras, emotion detectors, citizen rating systems, autonomous drones… A security obsession that in some countries is giving rise to a new form of political regime: numerical totalitarianism. Orwell's nightmare.
Documentary showing that "gun control" has historically been used to disarm citizens and make them helpless before governments commit genocide. Dramatically covers major genocides in the Soviet Union, Germany, Uganda, Rwanda, China, Turkey, and other countries.Shows how "gun control" in the U.S. has been used to victimize blacks, Indians, children, women, and others.Combines gut-level emotional appeal and fast-paced, powerful graphics with a cool statement of historic facts and quotes from the relevant laws. - Written by Claire Wolfe
Frederick Douglass and the White Negro is a documentary telling the story of ex-slave, abolitionist, writer and politician Frederick Douglass and his escape to Ireland from America in the 1840s. After his escape from slavery and writing his autobiography which included all the actual names of his 'owners' to prove he was telling the truth, his only option was to leave his family behind and flee the United States of America since now his life was in danger.
A reflection on the concept of invisibility, narrated by women who clean public spaces in Mexico City. Combining documentary, fiction and still photography, the film is an intimate mosaic of testimonies and experiences that highlight the precariousness of work in the cleaning industry, in a world where subcontracting rules.
Three centuries of Venezuela's history as a Spanish colony are considered from economic, political and social standpoints; evocations of the past are compared to the present. Based on the ideas and research of Federico Brito Figueroa, Alfredo A. Alfonso, Miguel A. Saignes, Josefina Jordan, and Thaelman Urgelles among others.
Enfants de Daech, les damnés de la guerre
This 17-minute documentary is featured on the 3-Disc Criterion Collection DVD of The Battle of Algiers (1966), released in 2004. An in-depth look at the Battle of Algiers through the eyes of five established and accomplished filmmakers; Spike Lee, Steven Soderbergh, Oliver Stone, Julian Schnabel and Mira Nair. They discuss how the shots, cinematography, set design, sound and editing directly influenced their own work and how the film's sequences look incredibly realistic, despite the claim that everything in the film was staged .
In the Briançonnais mountains, in France, men and women on the roads of exile find the courage to cross the passes on foot, risking their lives. Arrived at the end of a long journey, exhausted, they do not know if they could settle down somewhere to start their life over. It is this transitional time that "The Adventure" tells. Ossoul, the Sudanese poet, Mamadou, survivor of an icy night at the Col de l'Échelle, Charlotte, Mother Courage and others are gradually getting back on their feet and settling to embark on a new life. Filmed over three years, "L'Aventure" is a story of resilience, friendships and revealed emotions. The portraits are drawn and deepened until everyone can recognize themselves in the other, put themselves in their place and understand them.
L'âme indienne Martiniquaise
These are the first images shot in the ALN maquis, camera in hand, at the end of 1956 and in 1957. These war images taken in the Aurès-Nementchas are intended to be the basis of a dialogue between French and Algerians for peace in Algeria, by demonstrating the existence of an armed organization close to the people. Three versions of Algeria in Flames are produced: French, German and Arabic. From the end of the editing, the film circulates without any cuts throughout the world, except in France where the first screening takes place in the occupied Sorbonne in 1968. Certain images of the film have circulated and are found in films, in particular Algerian films. Because of the excitement caused by this film, he was forced to go into hiding for 25 months. After the declaration of independence, he founded the first Algerian Audiovisual Center.
In 1971, after being rejected by Hollywood, Bruce Lee returned to his parents’ homeland of Hong Kong to complete four iconic films. Charting his struggles between two worlds, this portrait explores questions of identity and representation through the use of rare archival footage, interviews with loved ones and Bruce’s own writings.
In the wilderness of the Bucharest Delta, nine children and their parents lived in perfect harmony with nature for 20 years – until they are chased out and forced to adapt to life in the big city.
Once upon a time, the Venezuelan village of Congo Mirador was prosperous, alive with fisherman and poets. Now it is decaying and disintegrating—a small but prophetic reflection of Venezuela itself.
Pauline, Norah, Kristina and others wait for hours, sitting under a hut deep in the Bois de Vincennes. In front of the administrative detention center (CRA) in Paris, they have all come to see their loved ones locked up. Lives on hold, awaiting deportation or release. On this stage, these women tell their stories, talk to each other, share their experience, their revolt and their dreams with new visitors. They are the mirror of migrant detention, its reverse view.
A film about the Tibetan Freedom Concert in San Francisco in 1996.