A documentary about the atrocities committed against the Hmong people by the Laos government. Shot by Hmong people with cameras provided to them in 2006, this film provides a unique look into one of the worst, and silent, human rights tragedies of the 21st century.
Throughout the Islamic world, each year hundreds of women are shot, stabbed, strangled or burned to death by male relatives because they are thought to have “dishonoured” their families. They may have lost their virginity, refused an arranged marriage or left an abusive husband. Even if a woman is raped or merely the victim of gossip, she must pay the price. Crimes of Honour documents the terrible reality of femicide – the belief that a girl’s body is the property of the family, and any suggestion of sexual impropriety must be cleansed with her blood. We meet women in hiding from their families, a brother who describes his reasons for killing the sister he loved, and a handful of women who have committed themselves to the protection of young women in danger of losing their lives.
Brazil is one of the most dangerous countries for environmentalists. The rural community of Belisário holds the country's second largest bauxite reserve, right below one of the most bio-diverse areas in the world: the Atlantic Forest. The small community was shaken when the beloved Gilberto, a Franciscan Friar, received a death threat followed by the lines: "you've been talking against mining way too much". PT: O Brasil é um dos países mais perigosos do mundo para defensores do meio ambiente. Em Minas Gerais, a comunidade rural de Belisário abriga a segunda maior reserva de bauxita do país, em uma das áreas de maior biodiversidade do mundo: a Mata Atlântica. A tranquilidade do pequeno vilarejo foi abalada quando Frei Gilberto, um franciscano que dedica sua vida à preservação da natureza, recebeu uma ameaça de morte com o seguinte aviso: "você tem falado demais contra a mineração".
A documentary road movie with René Vautier In the aftermath of Algeria's independence, René Vautier, a militant filmmaker, considered "the dad" of Algerian cinema, set up the cine-pops. We recreate with him the device of itinerant projections and we travel the country in ciné-bus (Algiers, Béjaïa, Tizi Ouzou, Tébessa) to hear the voices of the spectators on the political situation, youth and living conditions of men and Of women today.
A story of the LGBT struggle from the 1960s to the present, after the Stonewall riot sparked the militant action in New York that was to spread around the world. From San Francisco to Paris via Amsterdam, between the first Gay Pride, the election of Harvey Milk, the French "decriminalization", the AIDS epidemic and the first homosexual marriages, these few decades of struggle are embodied through numerous testimonies of actors and actresses of this revolution rainbow.
In 2013, three women emerged from a flat in Brixton. They had been held there for decades by Aravindan Balakrishnan, a revolutionary Maoist who controlled the women with brainwashing techniques and tales of a sinister, world-controlling machine he called 'Jackie'.
In the eighteenth century, the family of BBC World News anchor and correspondent, Laura Trevelyan, were absentee slave owners on the island of Grenada, profiting for years from the sale of sugar harvested from five different sugar cane plantations. When slavery was abolished in 1834, the UK government paid compensation to slave owners, but the enslaved received nothing. In the wake of the racial reckoning in America following the death of George Floyd, Grenada's national commission on reparations for slavery has begun to meet and debate what reparations means. In this film, Laura she travels to Grenada to try and learn more about the legacy of slavery on Grenada and her family's involvement in the slave trade.
It’s the last dictatorship of Europe, caught in a Soviet time-warp, where the secret police is still called the KGB and the president rules by fear. Disappearances, political assassinations, waves of repression and mass arrests are all regular occurances. But while half of Belarus moves closer to Russia, the other half is trying to resist…
A short 1994 documentary that highlights the lives and experiences of a few LGBTQ+ residents of the Palouse. Filmed and narrated by Jeff Olson. Produced by the Latah/Nez Perce Voices for Human Rights. The film was digitized and provided by the Boise State University Special Collections and Archives.
During the last forty years, the photographer Sebastião Salgado has been travelling through the continents, in the footsteps of an ever-changing humanity. He has witnessed the major events of our recent history: international conflicts, starvations and exodus… He is now embarking on the discovery of pristine territories, of the wild fauna and flora, of grandiose landscapes: a huge photographic project which is a tribute to the planet's beauty. Salgado's life and work are revealed to us by his son, Juliano, who went with him during his last journeys, and by Wim Wenders, a photographer himself.
Juan Méndez Bernal leaves his house on the 9th of april of 1936 to fight in the imminent Spanish Civil War. 83 years later, his body is still one of the Grass Dwellers. The only thing that he leaves from those years on the front is a collection of 28 letters in his own writing.
Haïti Chérie is a respond to the 2010 earthquake in Haiti. A few weeks after the catastrophe Huber carries out a performance over the snowy, seemingly endless, frozen sea in Finland, waters carrying on to reach the coasts of Haiti. Snow angels drawn by Huber’s body symbolize sorrow and lives lost, but also solidarity and hope.
One of the most important events in Brazilian history, the Búzios Revolt of 1798 was led by dozens of black men who rose up to overthrow the colonial government, proclaim independence and establish a democratic Republic, free from slavery. The boldness of these men called on the people to make the Revolution and the conspiracy spread to the city of Bahia. The seizure of power is near. But the movement is denounced, the government sets up a Devassa against hundreds of people and four of them are hanged and quartered.
African American filmmaker David A. Wilson decided to look into his family's history during the slave era. The result is this documentary, which provides a unique perspective on the long shadow cast by slavery in America. Wilson travels to North Carolina to visit the plantation where his ancestors once toiled and to meet its current owner -- a white man named David Wilson, whose slave-owning ancestors originally occupied the property.
Asil is a young Syrian refugee awaiting documents in Turkey while processing the trauma of losing her home and family. Her story gives voice to a charming gigantic puppet named Amal, who represents millions of migrant and displaced children in a walk from the Syrian border in Turkey all the way across Europe. Escorted and animated by a group of puppeteers who are themselves refugees, Amal’s epic journey is one of compassion and discovery.
The film documents modern slave trade through a number of African countries, under dictatorship rule. The filming was conducted both in public places, and sometimes with the use of hidden cameras, for high impact scenes of nudity, sex, and violence - and a few surprises, as slaves made out of peregrins to Asia, and slave traders paid in traveller checks.
A tribute to the late Pat Schulz, an influential Canadian feminist.
Algeria, summer 1962, eight hundred thousand French people left their native land in a tragic exodus. But 200,000 of them decided to attempt the adventure of independent Algeria. Over the following decades, political developments would push many of these pieds-noirs into exile towards France. But some never left. Germaine, Adrien, Cécile, Guy, Jean-Paul, Marie-France, Denis and Félix, Algerians of European origin, are among them. Some have Algerian nationality, others do not. Some speak Arabic, others do not. They are the last witnesses to the little-known history of these Europeans who remained out of loyalty to an ideal, a taste for adventure and an unconditional love for a land where they were born, despite all the ups and downs that the free Algeria in full construction had to go through.
The destiny of women is irrevocably linked to blood. Between tradition and modernity, the female body has been marketed, honored, and mutilated.
A 3-year-old girl and her family's long journey from a Greek refugee centre to Uppsala.