When an arranged marriage brings Ada and her spirited daughter to the wilderness of nineteenth-century New Zealand, she finds herself locked in a battle of wills with both her controlling husband and a rugged frontiersman to whom she develops a forbidden attraction.
When he experiences chest pains, hopeless hypochondriac Bhagwant checks into the hospital for a checkup and overhears his doctor discussing the diagnosis of a terminally ill patient with an associate. Assuming he is the one scheduled to die, he asks his friend to help him find a new husband for his wife Priya so he'll know she won't be alone once he's gone. He locates Priya's old college beau Fernandes. Meanwhile, Priya mistakes her husband's machinations for an attempt to cover up an extramarital affair and throws him out of the house.
Durgadevi rules her household with her brother, Makhanlan, and treats daughter Shanti worse than she treats servants; her other daughter is Roopa. When the younger women are approached for marriage, Durgadevi refuses.
Shanta agrees to marry a lesser educated man.
Eight-grader Petya Kopeikin, despite his short stature and nondescript appearance, is constantly in the spotlight. Petya is noble, witty, well versed in literature, he writes wonderful poems. Kopeikin has long been secretly in love with his classmate Masha Goroshkina, and she is passionate about the new student from 9 "A" Kolya Kristallov. Masha tells Petya about her feelings and asks him to hand over a note to Kolya. Deeply worried from unrequited love, Petya not only doesn't stand in the way of a happier rival, but even helps him win Masha's heart. He wants to prove that courage and honor were not only inherent in the times of “musketeer” novels, but exist in our time. Petya chooses to follow the example of the hero of the famous play Edmond Rostan and in his actions copies Cyrano de Bergerac.
Anna and Ryan have found true love together. It’s been proven by a controversial test. There’s just one problem: Anna still isn’t sure. Then she meets Amir.
Karan hires Lata as his secretary and asks her to move to one of his cottages with her family. However, things take a turn when she is accused of stealing a valuable necklace.
Rajputana, India, 13th century. The tyrannical usurper Alauddin Khilji, sultan of Delhi, becomes obsessed with Queen Padmavati, wife of King Ratan Singh of Mewar, and goes to great lengths to satisfy his greed for her.
A newly married meat-eating couple encounter problems after moving into a purely vegetarian society.
Chandramukhi, the city educated daughter of the village zamindar returns to Ramnagar, a typical village. There she meets her childhood friend Birju aka Brij Mohan. He has a lovely voice and she encourages him to pursue singing. Eventually Brij and Chandramukhi fall in love, but Chandramukhi's father cuts it abruptly and sends her to Lucknow. A short while later Brij arrives at Lucknow. Gitanjali, Chandramukhi's friend, is thrilled by his voice and helps him get a job at Aakashvani through her father. Brij returns to Ramnagar to ask Chandramukhis hand in marriage but is once again rebuked. He returns and goes on to become a great singer in Mumbai with Gitanjali by his side. All through he yearns for Chandramukhi as she yearns for him. How he manages to marry her forms the rest of the story.
The idea behind Ya Rab is to show how Islam has been used as a tool to propagate terrorism. The film focuses on issues where so called self proclaimed Maulanas (Islamic Preachers) misinterpret The Quran and its real meaning to breed terrorists and terrorist activity. Ya Rab is a genuine effort to show the right face of Islam and to guide the misguided on the right path.
A caretaker is trapped in a time loop with her husband on one hand, and his brother and ruthless sister-in-law on the other.
When their mother takes off on a business trip, two bickering brothers unite to secretly attend the hottest party of the year before she returns.
The strange comedy film of two close brothers; one, Wilbur, who wants to kill himself, and the other, Harbour, who tries to prevent this. When their father dies leaving them his bookstore they meet a woman who makes their lives a bit better yet with a bit more trouble as well.
At a tiny Parisian café, the adorable yet painfully shy Amélie accidentally discovers a gift for helping others. Soon Amelie is spending her days as a matchmaker, guardian angel, and all-around do-gooder. But when she bumps into a handsome stranger, will she find the courage to become the star of her very own love story?
During the Nazi occupation of Poland, an acting troupe becomes embroiled in a Polish soldier's efforts to track down a German spy.
Srikant's life turns upside down when he bumps into a middle-aged ghost who claims to be his grandson from his previous birth. Things take an even more comical turn when the ghost seeks Srikant's help to meet his long-lost love.
Mavka, a water nymph, loves Lukash, a country youth. Their brief happiness ends when Lukash is forced to marry the shrewish Kilina. The Spirit of the Forest turns Lukash into a wolf as punishment for his infidelity. The strength of Mavka's love breaks the spell, but Kilina curses the nymph, transforming her into a weeping willow. This beautiful and tragic story is based on a play written in 1912 by Lesya Ukrainka, a Ukrainian poet, writer and political, civil and female activist, and includes mythological characters taken from Ukrainian folklore.
Biscut is a powerful film on the state of politics in Uttar Pradesh and offers a gritty and hard-hitting take on the treatment of the backward classes and their never-ending exploitation in the caste-dominated political landscape of Uttar Pradesh.
A nostalgic, coming-of-age story of identical twin sisters who share every aspect of their lives with one another, until one day a boy walks into their lives and puts their strong bond to the test.