The short film companion to Mac Miller's Balloonerism follows a group of school friends who are transfigured by the music of a chord organ and launched into a shadow world. Swallowed by the turtle of time, they must plod through the underbelly of adulthood.
One summer afternoon in 1907, Abel and his wife (both mice) are picnicking, when they become separated during a violent rainstorm. After flying some distance, Abel discovers himself alone on a river island, unable to swim due to the powerful current. Abel periodically attempts to leave the island by various means: flying on a leaf, rowing a crudely fashioned boat, etc. Meanwhile, he tries to create a normal life of sorts, even learning to enjoy a new hobby: sculpture. Still, Abel's goal is to escape the island and rejoin his wife in the city.
The animation was produced for the Tezuka Osamu Manga Museum, thus it features scenes from the "life and nature" of Tezuka Osamu's childhood, themes that are central to the museum as a whole, through exchanges between the boy Osamu and the carabid beetle (Osamushi) who provided the origin for the artist's name.
Bubble a young otter, lives with three mossy stones and thinks of them as her family. Bulle imagines them as real otters, but as she becomes aware of their true nature, she has to face her loneliness.
Edge of Alchemy is the third film in a trilogy examining the psychological terrain of women's inner worlds. In this handmade film, assembled from over 6,000 collages, the actors Mary Pickford and Janet Gaynor are lifted from their early silent features and cast into a surreal epic with an unending of the Frankenstein story and contemporary undercurrents of hive collapse.
A group of animals living on a mysterious island try to overcome their personal traumas.
Swans, peacocks, ducks, and more birds dance.
A group of beavers cheerily build a dam.
A book of nursery rhymes plays for Old King Cole.
A jealous stump threatens two trees that are in love by starting a forest fire. When the rain comes and puts out the fire the forest revives and celebrates the wedding.
The heroine, Liu Yanniang, is a beautiful and virtuous woman who is in love with her husband, Wang Zhengtu. However, because of her disagreement with her sister-in-law, Yuhuan, who was unfortunately killed, Yaniang was mistakenly accused of murder by the king's mother and her husband's son-in-law. The governor of Suzhou, Mr. Yan Wentian, is very strict with the king, but just when he finds a clue, the witness is killed again. Yen is not satisfied with his efforts, but he realizes that the murderer has already come to his doorstep.
At the dawn of a new decade, New Year's Eve 1959, the unexpected arrival of a childhood friend brings simmering marital tensions to a boiling point.
A baby is transported to Lullaby Land, where pacifiers grow on trees, diapers, bottles, and potty chairs march on parade, and the gingham dog comes to life. He wanders into the "keep out" cave, full of things like scissors, knives, and fountain pens that are not for baby and begins smashing watches with hammers and playing with giant matches. The matches chase after him; baby escapes by riding a bar of soap across a pond, but the smoke from the matches turns into boogey-men. The benevolent sandman, dressed as a wizard, spots baby hiding and works his magic, bringing us back to the real nursery.
We see bunny rabbits preparing for Easter, by making chocolate eggs and rabbits, decorating eggs, and weaving and filling baskets.
The climbing of an immense staircase made up of the most varied stairs. Symbolic scenes occur on different levels where characters seem to be prisoners of their deeds and of their own folly. The steep staircase leads little by little towards the zones of great light where human beings and nonhuman beings meet.
A fairy godmother magically turns Cinderella's rags to a beautiful dress, and a pumpkin into a coach. Cinderella goes to the ball, where she meets the Prince - but will she remember to leave before the magic runs out? Méliès based the art direction on engravings by Gustave Doré. First known example of a fairy-tale adapted to film, and the first film to use dissolves to go from one scene to another.
Sophie comes to New York from France with the intention of joining a man she met a few months before. She finds herself alone in the apartment of the guy, who left town because he was scared stiff at the idea of seeing her. Originally commissioned as one third of an omnibus feature showcasing the Figaro, a Japan-only retro throwback car.
When Dot's granddaughter puts her into a nursing home, Stella stages a breakout, and takes Dot to Canada so they can get married. They pick up a hitchhiker along the way.
Patrick returns to San Francisco for the first time in almost a year to celebrate a momentous event with his old friends. In the process, he must face the unresolved relationships he left behind and make difficult choices about what’s important to him.
In Kamakura, 12th grade Rikako falls in love with Tomoaki Fujii, rumoured to be the school Don Juan and having impregnated a girl. This doesn't bother Rikako one bit, as she too sleeps around.