Not For Sale: Feminism and Art in the USA during the 1970s
È questa la vita che sognavo da bambino?
Artist, musician and art magazine publisher Noah Becker gives us an art world insider's view of New York based contemporary art in 2011. Important New York based curators, critics and auction houses lend their views on New York's relevance as an international art scene in relation to globalized culture. Other topics include art value and how contemporary art is presented to the public through pop culture and the media. Featuring interviews with art world figures including Lee Ranaldo, Richard Phillips, Michael Halsband, Spencer Tunick, Bibbe Hansen, Bill Powers and Richard Butler. Musical performances by Lee Ranaldo of Sonic Youth with additional music by Moka Only and Noah Becker.
"Too much Picasso kills Picasso?" In France as in a lot of other parts of the world Pablo Picasso's art and life is on exhibition. An episode of Le Figaro's Les Décrypteurs.
One public housing flat in Moscow stood out above all others: the home of George Costakis, the foremost collector of early 20th century Russian avant-garde art. Its walls were crowded with banned and forgotten works by artists such as Malevich, Tatlin, Kandinsky, Chagall, Lissitzky, Rodchenko, and Kliun; public figures such as Edward Kennedy, Stravinsky, and Alfred Barr visited. Barrie Gavin met the collector in 1982 at his home in Athens. Costakis, a Greek born in Russia, passionately shares his story and those of the great Russian avant-garde artists. Their works are his legacy – without him, they would not have survived the political upheavals in Russia.
Feature film.
PHOENIX
Follows the behind-the-scenes work of Studio Ghibli, focusing on the notable figures Hayao Miyazaki, Isao Takahata, and Toshio Suzuki.
Five hundred years after his birth, the life and career of the Italian Renaissance's last great painter is explored.
A discovery of the pictorial art that Ndebele women traditionally practice in South Africa: painting the walls of their houses.
A documentary about the Estonian artist Kaarel Kurismaa shows the viewer an insight into the world of artists. Kaarel changed his creative direction several times; he explored different artistic styles. Kaarel Kurismaa laid the foundations for Estonian kinetic and sound art. He is a highly versatile artist whose creative energy is divided between painting, sound, installation, monumental art, and film. On the crest of the avant-garde wave of the 1970s, he created several important sound and kinetic objects in Estonian art history.
A documentary about the statue Winged Victory of Samothrace, unquestionably one of the most complete expressions of Hellenistic sculpture
Back To Africa
Using diary excerpts, photographs and memories from companions, the film paints the portrait of the artist Jürgen Baldiga who sensitively and authentically captured the West Berlin queer scene of the 1980s and early 1990s with his camera.
Bolero is played every 15 minutes in the world. This film tries to answer how this famous melody inspired and influenced the world pop-culture? It explores the complexity and the richness of a piece so simple in appearance: the emotions it triggers, vertigo it creates, the words it inspires.
Artist and filmmaker Philippe Mora (Mad Dog Morgan; The Howling II; Swastika) is producing a graphic novel about his late father, Georges, widely known in Melbourne as a beloved contemporary art patron and owner of bohemian eateries Mirka Café, Café Balzac and the Tolarno Restaurant and Galleries. Less known, however, is Georges' astonishing history as part of the French resistance during World War II, his friendship with renowned mime Marcel Marceau (Philippe's godfather), and how together they saved thousands of Jewish lives with a fiendishly simple trick involving baguettes and mayonnaise.
Klaus Kinski has perhaps the most ferocious reputation of all screen actors: his volatility was documented to electrifying effect in Werner Herzog’s 1999 portrait My Best Fiend. This documentary provides further fascinating insight into the talent and the tantrums of the great man. Beset by hecklers, Kinski tries to deliver an epic monologue about the life of Christ (with whom he perhaps identifies a little too closely). The performance becomes a stand-off, as Kinski fights for control of the crowd and alters the words to bait his tormentors. Indispensable for Kinski fans, and a riveting introduction for newcomers, this is a unique document, which Variety called ‘a time capsule of societal ideals and personal demons.’
One of North America’s most amazing collections of art can be found in the crumbling ruins of Detroit. As the once great ‘motor city’ declares bankruptcy in 2013 and thousands of retired workers risk losing their pensions, Detroiters search their souls: should they sell the art to save the city?
The Mona Lisa Curse is a Grierson award-winning polemic documentary by art critic Robert Hughes that examines how the world's most famous painting came to influence the art world. With his trademark style, Hughes explores how museums, the production of art and the way we experience it have radically changed in the last 50 years, telling the story of the rise of contemporary art and looking back over a life spent talking and writing about the art he loves, and loathes. In these postmodern days it has been said that there is no more passé a vocation than that of the professional art critic. Perceived as the gate keeper for opinions regarding art and culture, the art critic has supposedly been rendered obsolete by an ever expanding pluralism in the art world, where all practices and disciplines are purported to be equal and valid. Robert Hughes, however, is one art critic who has delivered a message that must not be ignored.
The documentary, made by the students of RUFA documentary course, followed Alice Pasquini for many months, resuming her pictorial interventions, interviewing friends and family, collecting archival material and participating in meetings for the realization of the book. The flow of images is a sort of specific itinerary that Alice Pasquini takes when she decides to give form and substance to what her mind imagines.