Styles and Smiles

Two actresses take us through a series of 'raps' and sketches about what it means to be beautiful and black.

Concert film from The All-American Rejects an American rock band from Stillwater, Oklahoma, formed in 1999.

Amidst many distractions, Samantha struggles to find her voice recording a new song. She encounters a mysterious stranger who reminds her of why she loves to create music.

Garfield, Jon and Odie go to Jon's family farm for Christmas, where Garfield finds a present for Grandma.

Before Brian Mills leaves for his first year at Princeton University, he must come to terms with his sexual orientation and be honest with himself after some guidance from his trusted barber.

During a game of catch-the-boy-and-kiss-him, Emmy, a precocious ten-year-old, kisses another little girl, Alice.

Utterly astounding, iridescent sand animation from Aleksandra Korejwo based around Bizet's Carmen.

When you’re young, some of your strongest and most rewarding relationships are with your friends. The kind who support you to become who you really are. Inspired by U-turn and classic girl crew nostalgia, we want to celebrate those kinds of bonds with this short film from director Emma Higgins.

Black and white filming of the song "Das verlassene Mägdlein" by Hugo Wolf to lyrics by Eduard Mörike.

A young couple is struck with tragedy when Catalina suddenly dies of tuberculosis, leading a depressed Rosauro to commit a disturbing act. Based on the song by Julio Jaramillo.

The Yacht Club Boys sing at a private party for George Mellon and his daughter. There are four of them, one of whom plays the piano, two play the guitar, and fourth plays the violin.

Set to a classic Duke Ellington recording "Daybreak Express", this is a five-minute short of the soon-to-be-demolished Third Avenue elevated subway station in New York City.

The animated film was created based on the fables of Sergey Mikhalkov "Cautious birds" and "Hare in the hops." Drake with his assistants arranges a performance on the forest stage for animals. He tells fables about forest dwellers from the stage.

The story begins in the basement of a worn-out blues bar in Louisiana in the 1980s. A few regular customers are having a drink. A guitarist gets on stage and everybody comments on the newcomer. The guitarist draws the attention of the audience by tapping the microphone. He introduces himself. He will tell them the true story of Blind Boogie Jones.

The female vocal ensemble Singing Babies, founded by Edmund Fritz, puts on a gig.

Tina, a singing Gypsy with a band of roving gypsies, is invited by Tom to come over to his mother's estate where a lawn party is in progress. She brings along her friends and a whole caravan of gypsies take over the green, telling fortunes, singing and dancing. Most of the comedy is supplied by the kleptomaniac butler, Bellingham, and his employer who humors his nutty ways...as good help seems to be hard to find.

All aboard. Let’s get this holiday show on the road. Just as Queen Poppy and Cloud Guy take the Snack Pack on their latest musical tour, Branch finds out he might just have to share the spotlight with some unexpected talent…

A romantic drama about two couples shifting sexual dynamics over one night in a music bar.

A bittersweet look at life’s many challenges, albeit as experienced by furry, feathered, and slimy creatures who sound and feel all too human.

Simmons, best-known for her photographs of miniature rooms populated by dolls and of oversized objects—such as a house, birthday cake, and pistol—balanced on female legs, both human and fake, brings these characters to life in a three-act mini-musical. The film is inspired by three distinct periods of Simmons’s photographic work: vintage hand puppets, ventriloquist dummies and walking objects enact tales of ambition, disappointment, love, loss, and regret. Working with composer Michael Rohaytn ("Personal Velocity") and cameraman Ed Lachman ("The Virgin Suicides" and "Far From Heaven"), Simmons’s puppets come to life in miniature domestic scenes that echo real life.